Hitlers Art 1939 The Great German Art Exhibition 1939 In The House Of German Art In Munich Official Exhibition Catalogue First Published As
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Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 212 |
Release | : 2009-01 |
Genre | : Art |
ISBN | : 9781905742233 |
On 16th July 1939, the third annual Great German Art Exhibition opened at the House of German Art in Munich, one of the eight exhibitions staged annually until 1944. Participation in one of these Great German Art Exhibitions was almost indispensable for an artist's reputation in Germany. The official arts magazines and general press reviewed almost exclusively artists who had been exhibited in the Munich show. Several thousand works of art had been submitted for the exhibition and only a few hundred went on show. The president of the Reich Culture Chamber, Adolf Ziegler, supervised the selection of paintings, while the sculptors Arno Breker and Josef Wackerle were responsible for the sculptures. There were no formal criteria. The selection was based on Hitler's taste and on that of the judges. This rare original of the Great German Art Exhibition Catalogue 1939 has been faithfully reproduced by World Propaganda Classics and is part of a series of historical reprints carefully selected to show how art and literature throughout the ages have been used for political purposes. The reprint of this rare book will be welcomed by scholars of the period as an indispensable primary source offering a valuable perspective on the formation and development of Nazi ideology.
Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 48 |
Release | : 2008-12-01 |
Genre | : Art |
ISBN | : 9781905742103 |
Hitler's Day of German Art 1939 provides a unique inside into the very little known celebrations which took place at each opening of the annual Great German Art Exhibition from 1937 to 1944 usually during the month of July. The celebrations of the Day of German Art lasted three days and always began on a Friday. The last day, a Sunday, was the climax of these celebrations. On this day the Great German Art Exhibition was opened in the House of German Art and a large procession entitled 2,000 years of German Culture moved through the streets of Munich. This procession was meant to give insight into German history, legends and myths and how they are linked to the Third Reich. This reprint of the exhibition catalogue will be welcomed by scholars of the period as an indispensable primary source offering a valuable perspective on the formation and development of Nazi ideology.
Author | : Jennifer Dasal |
Publisher | : Penguin |
Total Pages | : 289 |
Release | : 2020-09-15 |
Genre | : Art |
ISBN | : 0143134590 |
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
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Total Pages | : |
Release | : 1991 |
Genre | : |
ISBN | : |
Author | : Olaf Peters |
Publisher | : Prestel Publishing |
Total Pages | : 320 |
Release | : 2014 |
Genre | : Art, Modern |
ISBN | : 9783791353678 |
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : The Museum of Modern Art |
Total Pages | : 292 |
Release | : 2011 |
Genre | : Art |
ISBN | : 0870707957 |
Catalog of an exhibition held at the Museum of Modern Art, New York, Mar. 27-July 11, 2011.
Author | : Adolf Hitler |
Publisher | : ببلومانيا للنشر والتوزيع |
Total Pages | : 522 |
Release | : 2024-02-26 |
Genre | : Biography & Autobiography |
ISBN | : |
Madman, tyrant, animal—history has given Adolf Hitler many names. In Mein Kampf (My Struggle), often called the Nazi bible, Hitler describes his life, frustrations, ideals, and dreams. Born to an impoverished couple in a small town in Austria, the young Adolf grew up with the fervent desire to become a painter. The death of his parents and outright rejection from art schools in Vienna forced him into underpaid work as a laborer. During the First World War, Hitler served in the infantry and was decorated for bravery. After the war, he became actively involved with socialist political groups and quickly rose to power, establishing himself as Chairman of the National Socialist German Worker's party. In 1924, Hitler led a coalition of nationalist groups in a bid to overthrow the Bavarian government in Munich. The infamous Munich "Beer-hall putsch" was unsuccessful, and Hitler was arrested. During the nine months he was in prison, an embittered and frustrated Hitler dictated a personal manifesto to his loyal follower Rudolph Hess. He vented his sentiments against communism and the Jewish people in this document, which was to become Mein Kampf, the controversial book that is seen as the blue-print for Hitler's political and military campaign. In Mein Kampf, Hitler describes his strategy for rebuilding Germany and conquering Europe. It is a glimpse into the mind of a man who destabilized world peace and pursued the genocide now known as the Holocaust.
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Publisher | : |
Total Pages | : 674 |
Release | : 1995 |
Genre | : Arts |
ISBN | : |
Author | : Despina Stratigakos |
Publisher | : Yale University Press |
Total Pages | : 622 |
Release | : 2015-09-29 |
Genre | : History |
ISBN | : 0300187602 |
A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times
Author | : Robert S. Wistrich |
Publisher | : Trafalgar Square Publishing |
Total Pages | : 180 |
Release | : 1996 |
Genre | : History |
ISBN | : |
Discusses Nazi ideology and the centrality of the arts in Hitler's worldview and as an instrument of propaganda. Analyzes the Nazi concept of "degenerate" art, which was equated with Jewish-influenced art, even though most of the artists condemned by the Nazis were not, in fact, Jewish. Describes the third annual Day of German Art celebrated in Munich on 14-16 July 1939 and attended by Hitler and most of the leading Nazis. This festival was filmed in technicolor by a group of amateurs. In conjunction with the screening on British television in 1993 of a documentary based on this film ("Good Morning, Mr. Hitler"), the directors interviewed Munich citizens who had taken part in the Festival in their youth and who recalled their enjoyment. Most of them denied having known anything of the Holocaust. Charlotte Knobloch, a Jewish survivor, recalls a very different youth, spent in constant fear. The last chapter points to the revival of neo-Nazism, Skinhead violence against foreigners and Jews, and Holocaust denial in reunified Germany and elsewhere in the world.