Hitchcocks Heroines
Download Hitchcocks Heroines full books in PDF, epub, and Kindle. Read online free Hitchcocks Heroines ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Caroline Young |
Publisher | : Insight Editions |
Total Pages | : 0 |
Release | : 2018-05-01 |
Genre | : Performing Arts |
ISBN | : 9781683830818 |
Explore the legacy of Alfred Hitchcock’s leading ladies—their iconic roles, unforgettable costumes, and complicated relationships with the man behind the camera. Whether she is played by Tippi Hedren, Grace Kelly, or Ingrid Bergman, the heroine of an Alfred Hitchcock picture is always the same: stylish, regal, with an elegant yet icy demeanor that masks a fire inside. From his early days as a director in the 1920s to his heyday as the Master of Suspense in the 1960s, Hitchcock had a complicated and controversial relationship with his leading ladies. He supervised their hair, their makeup, their wardrobe, pushing them to create his perfect vision onscreen. Yet these women were also style icons in their own right, and the clothes they wore imbued the films with contemporary glamour. From Kim Novak’s gray suit in Vertigo to Janet Leigh’s thematically symbolic lingerie in Psycho, these actresses and their clothes broke barriers, made history, and transfixed audiences around the world. In this book, Caroline Young chronicles six decades of glamorous style, exploring the fashion legacy of these amazing women and their experiences working with Hitchcock. Meticulously researched and beautifully illustrated with studio pictures, film stills, and original drawings of the costume designs, this book offers revealing insight into a fascinating period of movie history and the relationships between one of its leading directors and his female stars.
Author | : Eric San Juan |
Publisher | : Scarecrow Press |
Total Pages | : 198 |
Release | : 2013-08-08 |
Genre | : Performing Arts |
ISBN | : 0810887762 |
The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, the Hitchcock villain was often a complex individual with a nuanced personality and neuroses the common person might not be able to relate to, but could at least understand. If such figures did not always elicit sympathy from the audience, they still possessed characteristics that were oddly appealing. And frequently, viewers found them more likable than the heroes and heroines whom they victimized. In Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues, authors Eric San Juan and Jim McDevitt explore a number of themes that form the foundation of villainy in Hitchcock’s long and acclaimed career. The authors also provide a detailed look at some of the director’s most noteworthy villains and examine how these characters were often central to the enjoyment of Hitchcock’s best films. Whether discussing Uncle Charlie in Shadow of a Doubt or Norman Bates in Psycho, the authors consider what attracted Hitchcock to such characters in the first place and why they endure as screen icons. Intended for both casual and ardent fans of Hitchcock, this book offers insight into what makes villainous characters tick. While serious students will appreciate observations in Hitchcock’s Villains that will enhance their study of cinema technique and writing, general fans of the director will simply enjoy delving further into the minds of their favorite villains.
Author | : Christina Lane |
Publisher | : Chicago Review Press |
Total Pages | : 303 |
Release | : 2020-02-04 |
Genre | : Biography & Autobiography |
ISBN | : 1613733879 |
Winner of the Mystery Writers of America's 2021 Edgar Allan Poe Award for Best Critical/Biographical In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping both her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and one of the Oscar-nominated screenwriters of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the "Master of Suspense." Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions— and defying anyone who posed an obstacle. She built most of her films and series from the ground up. She waged rough-and-tumble battles against executives and censors, and even helped to break the Hollywood blacklist. She teamed up with many of the most respected, well-known directors, writers, and actors of the twentieth century. And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked.
Author | : Alfred Hitchcock |
Publisher | : Univ of California Press |
Total Pages | : 365 |
Release | : 2015-01-10 |
Genre | : Performing Arts |
ISBN | : 0520960947 |
Gathered here for the first time are Alfred Hitchcock's reflections on his own life and work. In this ample selection of largely unknown and formerly inaccessible interviews and essays, Hitchcock provides an enlivening commentary on a career that spanned decades and transformed the history of the cinema. Bringing the same exuberance and originality to his writing as he did to his films, he ranges from accounts of his own life and experiences to techniques of filmmaking and ideas about cinema in general. Wry, thoughtful, witty, and humorous—as well as brilliantly informative—this selection reveals another side of the most renowned filmmaker of our time. Sidney Gottlieb not only presents some of Hitchcock's most important pieces, but also places them in their historical context and in the context of Hitchcock's development as a director. He reflects on Hitchcock's complicated, often troubled, and continually evolving relationships with women, both on and off the set. Some of the topics Hitchcock touches upon are the differences between English and American attitudes toward murder, the importance of comedy in film, and the uses and techniques of lighting. There are also many anecdotes of life among the stars, reminiscences from the sets of some of the most successful and innovative films of this century, and incisive insights into working method, film history, and the role of film in society. Unlike some of the complex critical commentary that has emerged on his life and work, the director's own writing style is refreshingly straightforward and accessible. Throughout the collection, Hitchcock reveals a delight and curiosity about his medium that bring all his subjects to life.
Author | : Tony Lee Moral |
Publisher | : Manchester University Press |
Total Pages | : 256 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9780719064821 |
Hitchcock's 1964 psychological thriller 'Marnie' generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.
Author | : Michael Walker |
Publisher | : Amsterdam University Press |
Total Pages | : 493 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 9053567739 |
Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place.
Author | : Alfred Hitchcock |
Publisher | : Univ of California Press |
Total Pages | : 374 |
Release | : 1997-11-04 |
Genre | : Biography & Autobiography |
ISBN | : 9780520212220 |
Hitchcock writings about himself and his films
Author | : Lesley L Coffin |
Publisher | : Rowman & Littlefield |
Total Pages | : 229 |
Release | : 2023-06-14 |
Genre | : Performing Arts |
ISBN | : 1442230789 |
Although he was a visual stylist who once referred to actors as cattle, Alfred Hitchcock also had a remarkable talent for innovative and creative casting choices. The director launched the careers of several actors and completely changed the trajectory of others, many of whom created some of the most iconic screen performances in history. However, Hitchcock’s ability to fit his leading men and women into just the right parts has been a largely overlooked aspect of his filmmaking skills. In Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System, Lesley L. Coffin looks at how the director made the most of the actors who were at his disposal for several decades. From his first American production in 1940 to his final feature in 1976, Hitchcock’s films were examples of creative casting that strayed far from the norm during the structured Hollywood star system. Rather than examining the cinematic aspects of his work, this book explores the collaboration the director engaged in with some of the most
Author | : Patrick Mcgilligan |
Publisher | : Harper Collins |
Total Pages | : 900 |
Release | : 2004-09-14 |
Genre | : Biography & Autobiography |
ISBN | : 9780060988272 |
In a career that spanned six decades and more than sixty films, Alfred Hitchcock became the most widely recognized director who ever lived. His films -- including The 39 Steps, Notorious, Rear Window, Vertigo, Psycho, and The Birds -- set new standards for cinematic invention and storytelling Élan. Since his death, Hitchcock has become crystallized in the public imagination as the macabre Englishman, the sexual obsessive, the Master of Suspense. But this remarkable biography draws on prodigious new research to restore Hitchcock the man -- the ingenious craftsman, the avid collaborator, the constant trickster, provocateur, and romantic. Like Hitchcock's best films, Patrick McGilligan's life of Hitchcock is a drama full of revelation, graced by a central love story, dark humor, and cliff-hanging suspense: a definitive portrait of the most creative, and least understood, figure in film history.
Author | : John Bruns |
Publisher | : Northwestern University Press |
Total Pages | : 285 |
Release | : 2019-05-15 |
Genre | : Performing Arts |
ISBN | : 0810139979 |
Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work. This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.