History of English Drama, 1660-1900

History of English Drama, 1660-1900
Author: Nicoll
Publisher: Cambridge University Press
Total Pages: 478
Release: 2009
Genre: English drama
ISBN: 9780521109284

Allardyce Nicoll's History of English Drama, 1660-1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'. The History is reissued in seven paperback volumes, available separately and as a set. In volumes 1-5 Nicoll describes the conditions of the stage, actors and managers as well as dramatic genres. The sixth and seventh volumes offer a comprehensive list of all the plays known to have been produced or printed in England between 1660 and 1930, with their authors and alternative titles; it has thus independent value as well as providing an index to the earlier volumes.

A History of English Drama 1660-1900

A History of English Drama 1660-1900
Author: Allardyce Nicoll
Publisher: Cambridge University Press
Total Pages: 688
Release: 2009-06-25
Genre: Drama
ISBN: 9780521109314

Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.

Forging Romantic China

Forging Romantic China
Author: Peter J. Kitson
Publisher: Cambridge University Press
Total Pages: 329
Release: 2013-11-21
Genre: History
ISBN: 1107045614

The first major study to focus on British and Chinese cultural relations in the Romantic period.

Catastrophe at Spithead

Catastrophe at Spithead
Author: Hilary L Rubinstein
Publisher: Seaforth Publishing
Total Pages: 298
Release: 2020-01-15
Genre: History
ISBN: 1526765020

In one of the most sensational and perplexing incidents in naval history, Rear Admiral Richard Kempenfelt, a much-voyaged veteran and outstanding officer, drowned along with more than 800 crew and many civilian visitors, male and female, on a calm summer’s morning and in a familiar anchorage. This new work examines that tragedy – the sudden capsizing at Spithead on 29 August 1782 of the mighty flagship HMS Royal George. This is the first comprehensive account of the calamity and is based on a wide variety of contemporary sources, including reports by survivors and eyewitnesses. It discusses such issues as how and why she sank; on whom, if anyone, the blame should fall; the number and nature of the casualties; and the disaster's impact on the nation's psyche, including its treatment in literature. In its pages are encountered, by name and fate, some of the hitherto anonymous seamen who were on the ship and who lived to become the last remaining survivors; these included the only woman to be picked up alive, out of perhaps 300 who were on board. As well as describing the sinking, the book provides information never before uncovered on the life and career of Kempenfelt, whose flagship Royal George was, ranging from his hitherto unknown maternal ancestry (through which it is shown that he was related to his great contemporary, Admiral Rodney) to accounts of his whereabouts when the ship sank. These call into question the now-set-in-stone scenario in William Cowper's famous poem, which depicts Kempenfelt writing in his cabin when she foundered. Although the Royal George has receded from national memory in recent years, the tragedy was for a long time front and centre in representations of British naval culture, and this absorbing account – part detective story, part historical narrative – will bring to a new audience an extraordinary tale from the heyday of Britain’s naval power.

Plays 1682–1696: Volume 4, The Plays 1682–1696

Plays 1682–1696: Volume 4, The Plays 1682–1696
Author: Aphra Behn
Publisher: Cambridge University Press
Total Pages: 956
Release: 2021-03-25
Genre: Literary Criticism
ISBN: 1108899226

Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.

Thomas Hardy's Tragic Poetry

Thomas Hardy's Tragic Poetry
Author: Katherine Kearney Maynard
Publisher: University of Iowa Press
Total Pages: 256
Release: 1991
Genre: Literary Criticism
ISBN: 9781587291456

Harley Granville Barker

Harley Granville Barker
Author: Christine Dymkowski
Publisher: Associated University Presses
Total Pages: 246
Release: 1986
Genre: Biography & Autobiography
ISBN: 9780918016829

The first comprehensive study of Barker's critical and practical work on Shakespeare, setting it in the context of late nineteenth and early twentieth-century Shakespearean production. Illustrated.

Women's Romantic Theatre and Drama

Women's Romantic Theatre and Drama
Author: Keir Elam
Publisher: Routledge
Total Pages: 409
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351871188

As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.