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| Author | : Vincent DiGirolamo |
| Publisher | : Oxford University Press |
| Total Pages | : 698 |
| Release | : 2019-08-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199910774 |
From Benjamin Franklin to Ragged Dick to Jack Kelly, hero of the Disney musical Newsies, newsboys have long intrigued Americans as symbols of struggle and achievement. But what do we really know about the children who hawked and delivered newspapers in American cities and towns? Who were they? What was their life like? And how important was their work to the development of a free press, the survival of poor families, and the shaping of their own attitudes, values and beliefs? Crying the News: A History of America's Newsboys offers an epic retelling of the American experience from the perspective of its most unshushable creation. It is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chronicling their exploits in every region of the country, as well as on the railroads that linked them. While the book focuses mainly on boys in the trade, it also examines the experience of girls and grown-ups, the elderly and disabled, blacks and whites, immigrants and natives. Based on a wealth of primary sources, Crying the News uncovers the existence of scores of newsboy strikes and protests. The book reveals the central role of newsboys in the development of corporate welfare schemes, scientific management practices, and employee liability laws. It argues that the newspaper industry exerted a formative yet overlooked influence on working-class youth that is essential to our understanding of American childhood, labor, journalism, and capitalism.
| Author | : Will Slauter |
| Publisher | : Stanford University Press |
| Total Pages | : 455 |
| Release | : 2019-01-29 |
| Genre | : Law |
| ISBN | : 1503607720 |
Can a free press survive in an era of free content? An “entertaining and well-written” examination of copyright law, its history, and its purpose (New York Law Journal). You can’t copyright facts, but is news a category unto itself? Without legal protection for the “ownership” of news, what incentive does a news organization have to invest in producing quality journalism that serves the public good? Can a free press survive in the era of free content? This book explores the intertwined histories of journalism and copyright law in the United States and Great Britain, revealing how shifts in technology, government policy, and publishing strategy have shaped the media landscape. Publishers have long sought to treat news as exclusive to protect their investments against copying or “free riding.” But over the centuries, arguments about the vital role of newspapers and the need for information to circulate have made it difficult to defend property rights in news. Beginning with the earliest printed news publications and ending with the Internet, Will Slauter traces these countervailing trends, offering a fresh perspective on debates about copyright and efforts to control the flow of news. “A well-written, thoughtful book, demonstrating how copyright law has struggled to keep up with the development of news culture, setting out the historical context in great detail and supported by much research, and with interesting conclusions and predictions for the future. It is unreservedly recommended.” ––European Intellectual Property Review
| Author | : Santiago Melazzini |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Photography |
| ISBN | : 9789508890481 |
Photographs by Santiago Melazzini.
| Author | : Charles L. Ponce de Leon |
| Publisher | : University of Chicago Press |
| Total Pages | : 331 |
| Release | : 2016-09-09 |
| Genre | : History |
| ISBN | : 022642152X |
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
| Author | : Mitchell Stephens |
| Publisher | : Fort Worth, TX ; Toronto : Harcourt Brace College Publishers |
| Total Pages | : 386 |
| Release | : 1997 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
First there was the spoken word, the long-distance runner, and later the wall posters of ancient Rome and China. Here is an investigation of the human need to gather and spread news, proving that the hunger for news and sensationalism wasn't born with modern technology.
| Author | : Anton Powell |
| Publisher | : Walker |
| Total Pages | : 32 |
| Release | : 2008-06-01 |
| Genre | : Greece |
| ISBN | : 9781406317602 |
'Greek News' presents, in newspaper form, one of the great civilizations of the ancient world. Major news stories from home and abroad combine with fascinating features on all aspects of daily life.
| Author | : Rodger Streitmatter |
| Publisher | : Westview Press |
| Total Pages | : 305 |
| Release | : 1998-02-13 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0813332117 |
For more than two centuries, American journalism has played a seminal role not merely in recording this nation's history but also in shaping it. By looking at fourteen discrete events, from the 1760s through the 1990s, this book reveals that as the American news media report and comment on events of the day, they wield enormous impact on those events. Index. 27 photos & cartoons.
| Author | : Hilary Mantel |
| Publisher | : Henry Holt and Company |
| Total Pages | : 450 |
| Release | : 2012-05-08 |
| Genre | : Fiction |
| ISBN | : 1429947659 |
Winner of the 2012 Man Booker Prize Winner of the 2012 Costa Book of the Year Award The sequel to Hilary Mantel's 2009 Man Booker Prize winner and New York Times bestseller, Wolf Hall delves into the heart of Tudor history with the downfall of Anne Boleyn Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle. Hilary Mantel's Bring Up the Bodies follows the dramatic trial of the queen and her suitors for adultery and treason. To defeat the Boleyns, Cromwell must ally with his natural enemies, the papist aristocracy. What price will he pay for Anne's head? Bring Up the Bodies is one of The New York Times' 10 Best Books of 2012, one of Publishers Weekly's Top 10 Best Books of 2012 and one of The Washington Post's 10 Best Books of 2012
| Author | : Donald Read |
| Publisher | : |
| Total Pages | : 602 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : |
This is the story of Reuters, the international news agency. In 1851 Julius Reuter set up the London organization which was eventually to extend throughout most of the world. Over a century later, Reuters was first with the news of the erection of the Berlin Wall in 1961, and then first with the story of its breaching in 1989. The Power of News is a fascinating account of the company which for almost 150 years has brought us history as it is being made.
| Author | : Michael Schudson |
| Publisher | : |
| Total Pages | : 241 |
| Release | : 1981-02-13 |
| Genre | : Social Science |
| ISBN | : 0786723084 |
This instructive and entertaining social history of American newspapers shows that the very idea of impartial, objective “news” was the social product of the democratization of political, economic, and social life in the nineteenth century. Professor Schudson analyzes the shifts in reportorial style over the years and explains why the belief among journalists and readers alike that newspapers must be objective still lives on.
