Historical Milestones Of Opera In New Orleans
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Author | : Prince Alexander Philipp Maximilian of Wied |
Publisher | : University of Oklahoma Press |
Total Pages | : 512 |
Release | : 2014-04-09 |
Genre | : History |
ISBN | : 0806185988 |
Made famous through the paintings of Swiss artist Karl Bodmer, the North American expedition of German naturalist Prince Maximilian of Wied in 1832–34 was the first scientific exploration of the Missouri River’s upper reaches since the epic journey of Lewis and Clark almost thirty years earlier. Maximilian’s journal has never been presented fully in English—until now. This collector’s-quality, oversized volume, the first of a three-volume set, draws on the Maximilian-Bodmer Collection at Joslyn Art Museum in Omaha, Nebraska. The North American Journals offer an incomparable view of the upper Missouri and its Native peoples at a pivotal moment in the history of the American West. This meticulous account, newly translated with extensive modern annotation, faithfully reproduces Maximilian’s 110 drawings and watercolors as well as his own notes, asides, and appendices. Volume I, which covers May 1832 to April 1833, documents Maximilian’s voyage to North America and his first encounters with Indians upon reaching the West. This is an essential resource for nineteenth-century western American history and a work of lasting value. This book is published with the assistance of the National Historical Publications and Records Commission.
Author | : |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 256 |
Release | : |
Genre | : Architecture |
ISBN | : 9781617034978 |
The author, a native of New Orleans, displays his passion for the "French Quarter" of the city in 106 color photographs highlighting Old World architecture, style, and history that has made this section of the city famous throughout the world.
Author | : American Revolution Bicentennial Administration |
Publisher | : |
Total Pages | : 608 |
Release | : 1975 |
Genre | : American Revolution Bicentennial, 1976 |
ISBN | : |
Author | : John H. Baron |
Publisher | : LSU Press |
Total Pages | : 645 |
Release | : 2013-12-09 |
Genre | : Music |
ISBN | : 0807150843 |
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
Author | : |
Publisher | : |
Total Pages | : 432 |
Release | : |
Genre | : American Revolution Bicentennial, 1976 |
ISBN | : |
Author | : Kim Marie Vaz |
Publisher | : LSU Press |
Total Pages | : 230 |
Release | : 2013-01-18 |
Genre | : Social Science |
ISBN | : 080715072X |
One of the first women's organizations to mask and perform during Mardi Gras, the Million Dollar Baby Dolls redefined the New Orleans carnival tradition. Tracing their origins from Storyville-era brothels and dance halls to their re-emergence in post-Katrina New Orleans, author Kim Marie Vaz uncovers the fascinating history of the "raddy-walking, shake-dancing, cigar-smoking, money-flinging" ladies who strutted their way into a predominantly male establishment. The Baby Dolls formed around 1912 as an organization of African American women who used their profits from working in New Orleans's red-light district to compete with other Black prostitutes on Mardi Gras. Part of this event involved the tradition of masking, in which carnival groups create a collective identity through costuming. Their baby doll costumes -- short satin dresses, stockings with garters, and bonnets -- set against a bold and provocative public behavior not only exploited stereotypes but also empowered and made visible an otherwise marginalized female demographic. Over time, different neighborhoods adopted the Baby Doll tradition, stirring the creative imagination of Black women and men across New Orleans, from the downtown Trem area to the uptown community of Mahalia Jackson. Vaz follows the Baby Doll phenomenon through one hundred years with photos, articles, and interviews and concludes with the birth of contemporary groups, emphasizing these organizations' crucial contribution to Louisiana's cultural history.
Author | : Daniel Bloomfield |
Publisher | : |
Total Pages | : 74 |
Release | : 1930 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 846 |
Release | : 1867 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 844 |
Release | : 1869 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : American Revolution Bicentennial Administration |
Publisher | : |
Total Pages | : 348 |
Release | : 1976 |
Genre | : American Revolution Bicentennial, 1776-1976 |
ISBN | : |