Historical Facts For The Arabian Musical Influence
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Historical Facts for the Arabian Musical Influence
| Author | : Henry George Farmer |
| Publisher | : Franklin Classics |
| Total Pages | : 444 |
| Release | : 2018-10-15 |
| Genre | : |
| ISBN | : 9780343263867 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Cultural History of the Arabic Language
| Author | : Sharron Gu |
| Publisher | : McFarland |
| Total Pages | : 287 |
| Release | : 2013-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 0786470593 |
This history of literary Arabic describes the evolution of Arabic poetry and prose in the context of music, ritual performance, the arts and architecture. The thousands-of-years-old language is perhaps more highly developed and refined than any other on earth. This book focuses on what is unique about Arabic compared to other major languages of the world (Greek, Latin, Hebrew, English and Spanish) and how the distinct characteristics of Arabic took shape at various points in its history. The book provides a cultural background for understanding social and political institutions and religious beliefs--more influenced by the rhythms and depths of poetic language than other cultures--in the Middle East today.
The Influence of the Organ in History
| Author | : Dudley Buck |
| Publisher | : DigiCat |
| Total Pages | : 100 |
| Release | : 2022-09-16 |
| Genre | : History |
| ISBN | : |
DigiCat Publishing presents to you this special edition of "The Influence of the Organ in History" (Inaugural Lecture of the Department of the Organ in the College of Music of Boston University) by Dudley Buck. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Early Music History
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 400 |
| Release | : 2009-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780521104289 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume one include: A lost guide to Tinctoris's teachings recovered; two English motets on Simon de Montfort; the Mary Magdalene scene in the Visitatio sepulchri ceremonies; and European politics and the distribution of music in the early fifteenth century.
Philosophies of Music in Medieval Islam
| Author | : Fadlou Shehadi |
| Publisher | : BRILL |
| Total Pages | : 188 |
| Release | : 1995 |
| Genre | : History |
| ISBN | : 9789004101289 |
This surveys the philosophies of music of the most important thinkers in Islam between the 9th and the 15th centuries A.D. It covers topics ranging from the physics and aesthetics of sound, the nature of music, its place in the total scheme of things and in human life, the relation between music, astronomy, astrology and meteorology, the relation between music and human feelings, character and behavour, to the question of whether a good Muslim should be allowed to listen to music at all, and if so, to which sorts. The book traces the influence of Greek, in particular Pythagorean and Aristoxenian, thinking in Islam on this subject, and aims to provide a philosophically coherent statement of thinking of the Islamic writers concerned, a clarification of their central arguments, as well as a critical evaluation of their line of thought. The author introduces a wide range of material from manuscript sources, including much that has not been published before. This work will be of interest to Islamicists, but also to medievalists, musicologists, historians of the philosophy of music and classicists.
History of Arabic Music Theory
| Author | : Shireen Maalouf |
| Publisher | : |
| Total Pages | : 268 |
| Release | : 2002 |
| Genre | : Music theory |
| ISBN | : |
The Musical Heritage of Al-Andalus
| Author | : Dwight Reynolds |
| Publisher | : Routledge |
| Total Pages | : 258 |
| Release | : 2020-12-30 |
| Genre | : Music |
| ISBN | : 1000289524 |
The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.
The Music of the Arabs
| Author | : Habib Hassan Touma |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 264 |
| Release | : 2003-01-01 |
| Genre | : Music |
| ISBN | : 9781574670813 |
(Amadeus). Encompassing a history of more than 2000 years, the music of the Arabs is unique among the world's various musical cultures. This book presents an overview of Arabic music throughout history and examines the artistic output of contemporary musicians, covering secular and sacred, instrumental and vocal, improvised and composed music. Typical musical structures are elucidated, and a detailed bibliography, a discography (mainly covering the last 50 years) and a guide to the Arabic alphabet for English speakers are also provided. The paperback edition (00331635) includes a CD of seven traditional Arabic pieces performed by contemporary Arab musicians.
The Arabic Role in Medieval Literary History
| Author | : Maria Rosa Menocal |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 203 |
| Release | : 2010-08-03 |
| Genre | : Literary Criticism |
| ISBN | : 0812200713 |
Arabic culture was a central and shaping phenomenon in medieval Europe, yet its influence on medieval literature has been ignored or marginalized for the last two centuries. In this ground-breaking book, now returned to print with a new afterword by the author, María Rosa Menocal argues that major modifications of the medieval canon and its literary history are necessary. Menocal reviews the Arabic cultural presence in a variety of key settings, including the courts of William of Aquitaine and Frederick II, the universities in London, Paris, and Bologna, and Cluny under Peter the Venerable, and she examines how our perception of specific texts including the courtly love lyric and the works of Dante and Boccaccio would be altered by an acknowledgment of the Arabic cultural component.
