Hispanidades
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| Author | : Celia López-Chávez |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 321 |
| Release | : 2016-04-26 |
| Genre | : History |
| ISBN | : 0806155221 |
First published in 1569, La Araucana, an epic poem written by the Spanish nobleman Alonso de Ercilla, valorizes the Spanish conquest of Chile in the sixteenth century. Nearly a half-century later in 1610, Gaspar de Villagrá, Mexican-born captain under Juan de Oñate in New Mexico, published Historia de la Nueva México, a historical epic about the Spanish subjugation of the indigenous peoples of New Mexico. In Epics of Empire and Frontier—a deft cultural, ethnohistorical reading of these two colonial epics, both of which loom large in the canon of Spanish literature—Celia López-Chávez reveals new ways of thinking about the themes of empire and frontier. Employing historical and literary analysis that goes from the global to the regional, and from the sixteenth to the twenty-first centuries, López-Chávez considers Ercilla and Villagrá not only as writers but as citizens and subjects of the powerful Spanish empire. Although frontiers of conquest have always been central to the regional histories of the Americas, this is the first work to approach the subject through epic poetry and the main events in the poets’ lives. López-Chávez also investigates the geographical spaces and landmarks where the conquests of Chile and New Mexico took place, the natural landscape of each area as both the Spanish and the natives saw it, and the characteristics of the expeditions in both regions, with special attention to the violence of the invasions. In her discussion of law, geography, and frontier, López-Chávez carries the poems’ firsthand testimony on the political, cultural, and social resistance of indigenous people into present-day debates about regional and national identity. An interdisciplinary, comparative postcolonial interpretation of the history found in two poetic narratives of conquest, Epics of Empire and Frontier brings fresh understanding to the role that poetry plays in regional and national memory and culture.
| Author | : Jacques Maurais |
| Publisher | : Cambridge University Press |
| Total Pages | : 366 |
| Release | : 2003-04-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780521533546 |
| Author | : Ilan Stavans |
| Publisher | : University of Texas Press |
| Total Pages | : 151 |
| Release | : 2011-03-01 |
| Genre | : Social Science |
| ISBN | : 0292719388 |
Natives of the Iberian Peninsula and the twenty countries of Latin America, as well as their kinsfolk who've immigrated to the United States and around the world, share a common quality or identity characterized as la hispanidad. Or do they? In this lively, provocative book, two distinguished intellectuals, a cultural critic and a historian, engage in a series of probing conversations in which they try to discern the nature of la hispanidad and debate whether any such shared identity binds the world's nearly half billion people who are "Hispanic." Their conversations range from La Reconquista and Spanish monarchs Ferdinand and Isabella, who united the Spanish nation while expelling its remaining Moors and Jews, to the fervor for el fútbol (soccer) that has swept much of Latin America today. Along the way, they discuss a series of intriguing topics, including the complicated relationship between Latin America and the United States, Spanish language and the uses of Spanglish, complexities of race and ethnicity, nineteenth-century struggles for nationhood and twentieth-century identity politics, and popular culture from literary novels to telenovelas. Woven throughout are the authors' own enlightening experiences of crossing borders and cultures in Mexico and Chile and the United States. Sure to provoke animated conversations among its readers, What is la hispanidad? makes a convincing case that "our hispanidad is rooted in a changing tradition, flexible enough to persist beyond boundaries and circumstances. Let us not fix it with a definition, but allow it instead to travel, always."
| Author | : Suzanne Bost |
| Publisher | : Routledge |
| Total Pages | : 586 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 0415666066 |
The Routledge Companion to Latino/a Literature presents over forty essays by leading and emerging international scholars of Latino/a literature and analyses: Regional, cultural and sexual identities in Latino/a literature Worldviews and traditions of Latino/a cultural creation Latino/a literature in different international contexts The impact of differing literary forms of Latino/a literature The politics of canon formation in Latino/a literature. This collection provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of this literary culture.
| Author | : Kim Potowski |
| Publisher | : Routledge |
| Total Pages | : 607 |
| Release | : 2018-05-11 |
| Genre | : Foreign Language Study |
| ISBN | : 1317563069 |
The Routledge Handbook of Spanish as a Heritage Language brings together contributions from leading linguists, educators and Latino Studies scholars involved in teaching and working with Spanish heritage language speakers. This state-of-the-art overview covers a range of topics within five broad areas: Spanish in U.S. public life, Spanish heritage language use and systems, educational contexts, Latino studies perspectives and Spanish outside the U.S. The Routledge Handbook of Spanish as a Heritage Language addresses for the first time the linguistic, educational and social aspects of heritage Spanish speakers in one volume making it an indispensable reference for anyone working with Spanish as a heritage language.
| Author | : Danny Méndez |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2012-03-12 |
| Genre | : Literary Criticism |
| ISBN | : 1136467890 |
Establishing an interdisciplinary connection between Migration Studies, Post-Colonial Studies and Affect Theory, Méndez analyzes the symbolic interplay between emotions, cognitions, and displacement in the narratives written by and about Dominican and Dominican-Americans in the United States and Puerto Rico. He argues that given the historic place of creolization as a marker of national, cultural, and social development in the Caribbean and particularly the Dominican Republic, this cultural process is not magically annulled in Caribbean immigrations to the U.S. Instead, this book illustrates the numerous ways in which Dominicans’ subjective interpretation of their experiences of migration and incorporation into U.S. society, seen through the filter of multiple creolizations of the past, are woven into their written works as a series of variations on Americanness and Dominicanness. Through close readings of selected writings by Pedro Henríquez Ureña, José Luis González, Junot Díaz, Josefina Báez, Loida Maritza Pérez among others, Méndez argues that emotional creolizations operate as a psychological parameter on immigrant populations as they negotiate their transcultural status against the ideological norms of assimilation in their new host country. Consequently, he proposes that this emotional creolization is dialectical — that is, it not only affects diasporic populations, but also changes the norms and terms of assimilation as well.
| Author | : Daniel J. Villa |
| Publisher | : Taylor & Francis |
| Total Pages | : 230 |
| Release | : 2023-07-31 |
| Genre | : Foreign Language Study |
| ISBN | : 1351697099 |
U.S. Mexican Spanish West of the Mississippi proposes a macro-dialect of the most widely spoken Spanish variety in the western United States from a number of social and linguistic angles. This book is unique in its focus on this one variety of Spanish, which allows for a closer investigation of the social context and linguistic features through a number of different topics. Comprised of 13 chapters divided into two sections, this textbook provides insight into the history, demographics, migration, and social issues of US Mexican Spanish in the first section and its lexicography, phonology, and structure in the second. Useful for scholars interested in Spanish in the United States, dialectology, and sociolinguistics, this is also an ideal resource for advanced undergraduate and graduate students of Spanish.
| Author | : Francisco A. Lomelí |
| Publisher | : University of Arizona Press |
| Total Pages | : 473 |
| Release | : 2023-06-20 |
| Genre | : Literary Criticism |
| ISBN | : 0816549761 |
For the first time, this book presents the distinguished, prolific, and highly experimental writer Juan Felipe Herrera. This wide-ranging collection of essays by leading experts offers critical approaches on Herrera, who transcends ethnic and mainstream poetics. It expertly demonstrates Herrera’s versatility, resourcefulness, innovations, and infinite creativity. As a poet Herrera has had an enormous impact within and beyond Chicano poetics. He embodies much of the advancements and innovations found in American and Latin American poetry from the early l970s to the present. His writings have no limits or boundaries, indulging in the quotidian as well as the overarching topics of his era at different periods of his life. Both Herrera and his work are far from being unidimensional. His poetics are eclectic, incessantly diverse, transnational, unorthodox, and distinctive. Reading Herrera is an act of having to rearrange your perceptions about things, events, historical or intra-historical happenings, and people. The essays in this work delve deeply into Juan Felipe Herrera’s oeuvre and provide critical perspectives on his body of work. They include discussion of Chicanx indigeneity, social justice, environmental imaginaries, Herrera’s knack for challenging theory and poetics, transborder experiences, transgeneric constructions, and children’s and young adult literature. This book includes an extensive interview with the poet and a voluminous bibliography on everything by, about, and on the author. The chapters in this book offer a deep dive into the life and work of an internationally beloved poet who, along with serving as the poet laureate of California and the U.S. poet laureate, creates work that fosters a deep understanding of and appreciation for people’s humanity. Contributors Trevor Boffone Marina Bernardo-Flórez Manuel de Jesús Hernández-G. Whitney DeVos Michael Dowdy Osiris Aníbal Gómez Carmen González Ramos Cristina Herrera María Herrera-Sobek Francisco A. Lomelí Tom Lutz Manuel M. Martín-Rodríguez Marzia Milazzo Maria Antònia Oliver-Rotger Rafael Pérez-Torres Renato Rosaldo Donaldo W. Urioste Luis Alberto Urrea Santiago Vaquera-Vásquez
| Author | : Ana Roca |
| Publisher | : John Wiley & Sons |
| Total Pages | : 436 |
| Release | : 2011-12-06 |
| Genre | : Foreign Language Study |
| ISBN | : 0470588985 |
This book develops the communication and literacy skills of heritage Spanish speakers with exercises that are designed to improve oral and written proficiency in the language. Nuevos mundos uses the cultures and voices of the major Hispanic groups in the United States, as well as those of Latin America and Spain, to familiarize students with a variety of issues and topics, which are sometimes controversial and always thought-provoking.
| Author | : Jose Gamaliel Gonzalez |
| Publisher | : University of Illinois Press |
| Total Pages | : 202 |
| Release | : 2010-10-01 |
| Genre | : Social Science |
| ISBN | : 0252090144 |
Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
