Hiroshige Landscape Cityscape
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| Author | : Moyra Clare Pollard |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Block printing |
| ISBN | : 9781854442956 |
Utagawa Hiroshige (1797-1858) is one of the best known of all Japanese woodblock print designers. He is particularly renowned for his landscape prints, which are among the most frequently reproduced of all Japanese works of art. Hiroshige's landscape prints were hugely successful both in Japan and in the West. Their unusual compositions, humorous depictions of people involved in everyday activities and masterly expression of weather, light and seasons, proved enormously influential on many leading European artists. Aimed at a general audience, this book illustrates and discusses 53 Hiroshige landscape prints in the Ashmolean Museum's collection and explores their historical background. It gives a concise introduction to Hiroshige's life and career within the context of Japan's booming nineteenth-century woodblock print industry and explores the development of the landscape print as a new genre in this period. It also discusses and illustrates the process and techniques of traditional Japanese woodblock print-making. Contents: How to 'read' a Japanese Print, Preface, Utagawa Hiroshige (1797-1858) Woodblock Print Designer, Making a Japanese Woodblock Print, I Views along the Tokaido, II Views of the Provinces, III Views of Edo, IV Views of Mount Fuji, Further Reading.
| Author | : Lena Fritsch |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2020-08 |
| Genre | : Art |
| ISBN | : 9781910807392 |
This beautifully designed book is a celebration of one of the world's most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative - from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
| Author | : James King |
| Publisher | : Peter Lang |
| Total Pages | : 250 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 9783034303170 |
The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.
| Author | : Ando Hiroshige |
| Publisher | : Dover Publications |
| Total Pages | : 0 |
| Release | : 1988 |
| Genre | : Color prints, Japanese |
| ISBN | : 9780486256443 |
Exquisite depictions of romantically idealized landscapes from woodcut master's superb Fifty-three Stages on the Tokaido. Reproduced from the Collection of the Elvehjem Museum of Art. Includes The Bridge on the Toyo River, The Ferryboat at Rokugo, The Junction of the Pilgrims' Road and Mt. Fuji in the Morning from Hara.
| Author | : Isaburō Oka |
| Publisher | : Kodansha |
| Total Pages | : 306 |
| Release | : 1997 |
| Genre | : Color prints, Japanese |
| ISBN | : 9784770021212 |
This work presents colour reproductions, details and full explanations of theasterpieces that crown the work of one of the greatest ukiyo-e artists, Andoiroshige.
| Author | : Moyra Clare Pollard |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 222 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780199252558 |
This is the first book in a European language to make a comprehensive study of the life and works of the astonishingly versatile and accomplished Meiji potter, Makuzu Kozan (1842 - 1916), who was acclaimed as one of the greatest ceramic artists of the Meiji period.The Meiji period, after the opening of Japan to the West in the mid-nineteenth century, was a time of momentous change for Japanese society and Kozan's Makuzu workshop makes an ideal case study to examine the effects of these changes on the Japanese ceramic industry. This book tells the story ofKozan's Makuzu wares from their origins in a traditional workshop in Kyoto to their maturity in a prolific factory in the newly-opened port of Yokohama, where Kozan's ability to cater to the demands of a new Western export market and to incorporate new Western glaze techniques led to enormoussuccess, both in Japan and abroad at the international exhibitions that flourished from the 1850s.Lavish illustrations highlight Kozan's remarkable and technical and artistic achievements, while ceramic marks and box inscriptions are analysed as a practical guide to dating Makuzu ware. Clare Pollard discusses the role of later generations of the Miyagawa family in the running of the workshop andrelates developments in Makuzu ware to the work of other major potters of the era, both in Japan and in Europe and America.Incorporating contemporary sources (including previously unstudied archival material from the Makuzu workshop itself), recent research and the study of a large corpus of Makuzu wares in museums and private collections all over the world, the book examines the artistic, political, and commercialfactors that influenced Kozan and his contemporaries as they strove to come to terms with shifting life-styles and changing attitudes to the arts, and moved towards the creation of a modern ceramic industry.
| Author | : Meghen Jones |
| Publisher | : Routledge |
| Total Pages | : 290 |
| Release | : 2019-10-16 |
| Genre | : Art |
| ISBN | : 0429631995 |
Ceramics and Modernity in Japan offers a set of critical perspectives on the creation, patronage, circulation, and preservation of ceramics during Japan’s most dramatic period of modernization, the 1860s to 1960s. As in other parts of the world, ceramics in modern Japan developed along the three ontological trajectories of art, craft, and design. Yet, it is widely believed that no other modern nation was engaged with ceramics as much as Japan—a "potter’s paradise"—in terms of creation, exhibition, and discourse. This book explores how Japanese ceramics came to achieve such a status and why they were such significant forms of cultural production. Its medium-specific focus encourages examination of issues regarding materials and practices unique to ceramics, including their distinct role throughout Japanese cultural history. Going beyond descriptive historical treatments of ceramics as the products of individuals or particular styles, the closely intertwined chapters also probe the relationship between ceramics and modernity, including the ways in which ceramics in Japan were related to their counterparts in Asia and Europe. Featuring contributions by leading international specialists, this book will be useful to students and scholars of art history, design, and Japanese studies.
| Author | : Christie, Manson & Woods International Inc |
| Publisher | : |
| Total Pages | : |
| Release | : 1991 |
| Genre | : |
| ISBN | : |
| Author | : Les Roberts |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 321 |
| Release | : 2018-06-20 |
| Genre | : Social Science |
| ISBN | : 1786606380 |
Spatial Anthropology draws together a number of interrelated strands of research focused on landscape, place and cultural memory in the north-west of England. At the core of the book lies an engagement with the methodological opportunities offered by new interdisciplinary frameworks of research and practice that have emerged in the wake of a putative ‘spatial turn’ in arts and humanities scholarship in recent years. The spatial methods explored in the book represent a consolidation of site-specific interventions enacted in landscapes located in the north-west and beyond. Utilising digital tools and geospatial technologies alongside ethnographic, performative and autoethnographic modes of spatio-cultural analysis, spatial anthropology is presented as a geographically immersive and critically reflexive set of practices designed to explore the embodied and increasingly multi-faceted spatialities of place, mobility and memory. From the radically placeless environment of a motorway traffic island, to the ‘affective archipelago’ of former cinema sites, or the ‘songlines’ and micro-geographies of musical memory, Spatial Anthropology offers a rich tapestry of landscapes, practices and spatial stories that speaks to both the particularities of place and locality as well as the more delocalised topographies of regional, national and global mobility.
| Author | : Brenda Berkman |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-08-14 |
| Genre | : |
| ISBN | : 9780578950013 |
This book reproduces artist and retired FDNY Captain Brenda Berkman's stone lithograph print series "Thirty-six Views of One World Trade Center." Berkman's idea for this print series arose as she did tours as a volunteer at the National September 11 Memorial on the former WTC site. Determined to make stone lithograph prints depicting the construction and views of the new One World Trade Center (1WTC), she studied prints other artists had done of cultural and architectural icons including Japanese artists Hiroshige and Hokusai, and French artist Henri Rivière. The prints "document" in chronological order the building of the new 1WTC -- incorporating all seasons, day and night, all boroughs and New Jersey, and a diversity of people. Including views of 1WTC from far away, up close, and even from inside, each image depicts the new 1WTC at various points in its construction and, as such, is a historical record of the rebuilding. Individual prints show other "iconic" structures (the Empire State building, Brooklyn Bridge, Statue of Liberty), aspects associated with New York City (water towers, pigeons, broken umbrellas lying on the street), and memorial sites. Creating images of iconic New York City cityscapes is challenging. "Iconic" is in the eye of the beholder - influenced by the culture, background and generation of both artist and audience. What we admire today can easily be forgotten or regarded as passé tomorrow. New York City has a constantly changing landscape/skyline. The cityscape has already changed from the time the prints were created. Berkman's lithograph series also pays homage to the first World Trade Center, reflecting its absence and encompassing the fact of its destruction in one day -- a day when the landscape of lower Manhattan was forever changed.The book includes two essays placing Berkman's prints in historical context by Jan Ramirez, Chief Curator at the National September 11 Memorial and Museum and Christina Spiker, Visiting Assistant Professor of Art and Art History at St. Olaf College.
