Hip Hop The Last Religion 2 Kool Herc T La Rock Pioneers Big Daddy Kane Rakim
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| Author | : America đşđ¸ King đ King đ Kev |
| Publisher | : Kevin Lee |
| Total Pages | : 75 |
| Release | : |
| Genre | : Law |
| ISBN | : |
Hip hop the last religion by The Simpsons writer Formerly of 23rd a HISTORY OF RAP BY THE FIRST RAPPER WHO REGISTER A INDUSTRY CALLED RAP MUSIC WITH A PAL T LA ROCK and a couple of other Good fellas who original rap Flow ryme style that scanned to soft ware at the start was not touched for years No Original flow was Developed Big Daddy Kane and RAKIM got Big Scans Cig s got a Quarter scan skipped in a verse 1 time I'm alway with them . But how 16 flow rhymes style generated over 6 hundred trillion each and 1% and 2 % from every artist generate over hundreds of trillions also Explained in a Adapted interview audio to book by Simpons TV show original writers . BIG DADDY KANE RAKIM AND SEVERAL OTHER HAVE INTERVIEWS ALSO .
| Author | : Rev. Marlon F. Hall |
| Publisher | : Abingdon Press |
| Total Pages | : 273 |
| Release | : 2011-06-01 |
| Genre | : Religion |
| ISBN | : 1426731140 |
First an expression of black urban youth, Hip Hop music continues to expand as a cultural expression of youth and, now, young adults more generally. As a cultural phenomenon, it has even become integral to the worship experience of a growing number of churches who are reaching out to these groups. This includes not just African American churches but churches of all ethnic groups. Once seen as advocating violence, Hip Hop can be the Churchâs agent of salvation and praise to transform society and reach youth and young adults in greater numbers. After looking at Hip Hopâs socio-historical context including its African roots, Wake Up shows how Hip Hop has come to embody the worldview of growing numbers of youth and young adults in todayâs church. The authors make the case that Hip Hop represents the angst and hope of many youth and young adults and that by examining the inherent religious themes embedded in the music, the church can help shape the culture of hip-hop by changing its own forms of preaching and worship so that it can more effectively offer a message of repentance and liberation.
| Author | : Justin A. Williams |
| Publisher | : Cambridge University Press |
| Total Pages | : 370 |
| Release | : 2015-02-12 |
| Genre | : Music |
| ISBN | : 1107037468 |
This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.
| Author | : KRS-One |
| Publisher | : powerHouse Books |
| Total Pages | : 821 |
| Release | : 2013-04-16 |
| Genre | : Music |
| ISBN | : 1576876705 |
The Gospel of Hip Hop: First Instrument, the first book from the I Am Hip Hop, is the philosophical masterwork of KRS ONE. Set in the format of the Christian Bible, this 800-plus-page opus is a life-guide manual for members of Hip Hop Kulture that combines classic philosophy with faith and practical knowledge for a fascinating, in-depth exploration of Hip Hop as a life path. Known as âThe Teacha,â KRS ONE developed his unique outlook as a homeless teen in Brooklyn, New York, engaging his philosophy of self-creation to become one of the most respected emcees in Hip Hop history. Respected as Hip Hopâs true steward, KRS ONE painstakingly details the development of the culture and the ways in which we, as âHiphoppas,â can and should preserve its future. "The Teacha" also discusses the origination of Hip Hop Kulture and relays specific instances in history wherein one can discover the same spirit and ideas that are at the core of Hip Hopâs current manifestation. He explains Hip Hop down to the actual meaning and linguistic history of the words âhipâ and âhop,â and describes the ways in which "Hiphoppas" can change their current circumstances to create a future that incorporates Health, Love, Awareness, and Wealth (H-LAW). Committed to fervently promoting self-reliance, dedicated study, peace, unity, and truth, The "Teacha" has drawn both criticism and worship from within and from outside of Hip Hop Kulture. In this beautifully written, inspiring book, KRS ONE shines the light of truth, from his own empirical research over a 14-year period, into the fascinating world of Hip Hop.
| Author | : Michael Berry |
| Publisher | : Routledge |
| Total Pages | : 355 |
| Release | : 2018-06-14 |
| Genre | : Music |
| ISBN | : 1315315866 |
Over the past four decades, rap and hip hop culture have taken a central place in popular music both in the United States and around the world. Listening to Rap: An Introduction enables students to understand the historical context, cultural impact, and unique musical characteristics of this essential genre. Each chapter explores a key topic in the study of rap music from the 1970s to today, covering themes such as race, gender, commercialization, politics, and authenticity. Synthesizing the approaches of scholars from a variety of disciplinesâincluding music, cultural studies, African-American studies, gender studies, literary criticism, and philosophyâListening to Rap tracks the evolution of rap and hip hop while illustrating its vast cultural significance. The text features more than 60 detailed listening guides that analyze the musical elements of songs by a wide array of artists, from Afrika Bambaataa and Grandmaster Flash to Nicki Minaj, Jay-Z, Kanye West, and more. A companion website showcases playlists of the music discussed in each chapter. Rooted in the understanding that cultural context, music, and lyrics combine to shape rapâs meaning, the text assumes no prior knowledge. For students of all backgrounds, Listening to Rap offers a clear and accessible introduction to this vital and influential music.
| Author | : Reiland Rabaka |
| Publisher | : Lexington Books |
| Total Pages | : 432 |
| Release | : 2013-04-04 |
| Genre | : Social Science |
| ISBN | : 0739181173 |
The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this bookâs remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely âpopular musicâ and âpopular cultureâ in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Womenâs Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Womenâs Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.
| Author | : Murray Forman |
| Publisher | : Psychology Press |
| Total Pages | : 652 |
| Release | : 2004 |
| Genre | : Hip-hop |
| ISBN | : 9780415969192 |
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
| Author | : Brian Coleman |
| Publisher | : Villard |
| Total Pages | : 530 |
| Release | : 2009-03-12 |
| Genre | : Music |
| ISBN | : 030749442X |
A Tribe Called Quest ⢠Beastie Boys ⢠De La Soul ⢠Eric B. & Rakim ⢠The Fugees ⢠KRS-One ⢠Pete Rock & CL Smooth ⢠Public Enemy ⢠The Roots ⢠Run-DMC ⢠Wu-Tang Clan ⢠and twenty-five more hip-hop immortals Itâs a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. Thatâs a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PEâs It Takes a Nation of Millions. . ., De Laâs 3 Feet High and Rising, and Wu-Tangâs Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boysâincluding Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclefâstep to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out foodâall played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hopâs golden age with the greatest artists of the â80s and â90s. This is the book that belongs on the stacks next to your wax. âBrian Colemanâs writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.â âJeff Chang, author of Canât Stop Wonât Stop âAll producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.â âDJ Evil Dee of Black Moon and Da Beatminerz âA rarity in mainstream publishing: a truly essential rap history.â âRonin Ro, author of Have Gun Will Travel
| Author | : Melissa Ursula Dawn Goldsmith |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 933 |
| Release | : 2018-12-01 |
| Genre | : Social Science |
| ISBN | : |
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.
| Author | : Jim Vernon |
| Publisher | : Springer Nature |
| Total Pages | : 135 |
| Release | : 2021-06-21 |
| Genre | : Philosophy |
| ISBN | : 3030749037 |
Drawing on the cultureâs history before and after the birth of rap music, this book argues that the values attributed to Hip Hop by âpostmodernâ scholars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hopâs pioneers and rap musicâs most consequential artists. It argues that the structural evacuation of the voices of its founders and organic intellectuals in the postmodern theorization of Hip Hop has foreclosed the cultureâs ethical values and political goals from scholarly view, undermining its unity and progress. Through a historically informed critique of the hegemonic theoretical framework in Hip Hop Studies, and a re-centering of the cultureâs fundamental proscription against âbiting,' this book articulates and defends the aesthetic and ethical values of Hip Hop against their concealment and subversion by an academic discourse that merely âsamplesâ the culture for its own reactionary ends.
