Hip Hop Connection
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Author | : Ralph Basui Watkins |
Publisher | : Baker Academic |
Total Pages | : 176 |
Release | : 2011-10 |
Genre | : Music |
ISBN | : 080103311X |
A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.
Author | : Daniel White Hodge |
Publisher | : InterVarsity Press |
Total Pages | : |
Release | : 2010-08-21 |
Genre | : Religion |
ISBN | : 0830861289 |
What is Hip Hop? Hip hop speaks in a voice that is sometimes gruff, sometimes enraged, sometimes despairing, sometimes hopeful. Hip hop is the voice of forgotten streets laying claim to the high life of rims and timbs and threads and bling. Hip hop speaks in the muddled language of would-be prophets--mocking the architects of the status quo and stumbling in the dark toward a blurred vision of a world made right. What is hip hop? It's a cultural movement with a traceable theological center. Daniel White Hodge follows the tracks of hip-hop theology and offers a path from its center to the cross, where Jesus speaks truth.
Author | : |
Publisher | : |
Total Pages | : 240 |
Release | : 2008-05 |
Genre | : Hip-hop |
ISBN | : |
Author | : Russell Myrie |
Publisher | : Canongate Books |
Total Pages | : 273 |
Release | : 2009-09-25 |
Genre | : Biography & Autobiography |
ISBN | : 1847676111 |
Public Enemy are one of the greatest hip-hop acts of all time. Exploding out of Long Island, New York in the early 1980s, their firebrand lyrical assault, the Bomb Squad’s innovative production techniques, and their unmistakeable live performances gave them a formidable reputation. They terrified the establishment, and have continued to blaze a trail over a twenty year period up until the present day. Today, they are more autonomous and as determined as ever, still touring and finding more ingenious ways of distributing their music. Russell Myrie has had unprecedented access to the group, conducting extensive interviews with Chuck D, Flavor Flav, Terminator X, Professor Griff, the Shocklee brothers, and many others who form part of their legacy. He tells the stories behind the making of seminal albums such as their debut Yo! Bum Rush the Show, the breakthrough It Takes a Nation of Millions to Hold us Back, and multi-million selling Fear of a Black Planet. He tackles Professor Griff's alleged anti-semitic remarks which caused massive controversy in the late eighties, the complexities of the group’s relationship with the Nation of Islam, their huge crossover appeal with the alternative audience in the early nineties, and the strange circumstances of Flavor Flav’s re-emergence as a Reality TV Star since the turn of the millennium.
Author | : Felicia Angeja Viator |
Publisher | : Harvard University Press |
Total Pages | : 353 |
Release | : 2020-02-25 |
Genre | : Social Science |
ISBN | : 0674976363 |
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.
Author | : Christopher Vito |
Publisher | : Springer |
Total Pages | : 190 |
Release | : 2019-02-08 |
Genre | : Social Science |
ISBN | : 3030024814 |
Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
Author | : Dawud Knuckles |
Publisher | : Art on Dekz |
Total Pages | : 230 |
Release | : 2014-11-24 |
Genre | : |
ISBN | : 9780991213221 |
What do Russell Simmons, Shepard Fairey, and Jay-Z, have in common, besides being some of the most respected influential people in the world? They felt the need to come together to represent their art for the sake of this book. The objective of the project is to showcase the art behind the lyrics of hip-hop in juxtaposition of similar themes in contemporary art, to encourage readers to consider the meaning and value behind these works and themes at large. It celebrates the long-standing relationship between the visual arts and hip-hop music, and is the result of a collaboration between two giants of the American music scene. Each chapter of the book will has a theme: for example, the chapter about New York, titled "Empire State of Mind" after Jay-Z's epic single, which peaked within the top ten in ten countries in 2009. Lyrics from the song are presented beside contemporary art inspired by New York, an exclusive commentary from Russell and Danny Simmons, and a contextualizing text from legendary writer and activist Nikki Giovanni, as well as other academics. This concept of presenting songs, art, and interviews alongside each other offers an incomparable insight into the influence that hip-hop has on contemporary culture, and the unrivaled significance that this subculture has risen to. This collaboration between so many big names in music, art, and academia is a unique project.
Author | : Andrew Emery |
Publisher | : |
Total Pages | : 252 |
Release | : 2017-08-15 |
Genre | : Music |
ISBN | : 9781999760700 |
Rapping into a brush, breakdancing on the kitchen floor, carrying the world's quietest boombox: in 80's Britain, long before Eminem, how does an aspiring white rapper keep going in the face of ridicule? Hip-Hop gave the author's generation a new perspective on the world. This is their story, told through one wannabe's rise & fall. Mostly fall.
Author | : Adriana N. Helbig |
Publisher | : Indiana University Press |
Total Pages | : 258 |
Release | : 2014-05-07 |
Genre | : Music |
ISBN | : 0253012082 |
“[A] magnificent study . . . adds to the burgeoning scholarship on global hip hop and furthers our knowledge of the African diaspora in Eastern Europe.” —Anthropology of East Europe Reviews Featured in NPR’s “Read These 6 Books About Ukraine” In Hip Hop Ukraine, we enter a world of urban music and dance competitions, hip hop parties, and recording studio culture to explore unique sites of interracial encounters among African students, African immigrants, and local populations in eastern Ukraine. Adriana N. Helbig combines ethnographic research with music, media, and policy analysis to examine how localized forms of hip hop create social and political spaces where an interracial youth culture can speak to issues of human rights and racial equality. She maps the complex trajectories of musical influence—African, Soviet, American—to show how hip hop has become a site of social protest in post-socialist society and a vehicle for social change. “This is a unique and admirable book that traces a complex trail from hip hop created by African migrants in Ukraine through remote African-American influences to their origins in Uganda and back again.” —Slavic Review “Portrays the music as a forceful influence on worldwide social and cultural expression.” —Slavonic and East European Review “A well-conceived study of the role and significance of hip hop in Ukraine. It joins the ranks of other very timely chronicles on the impact of hip hop in various societies around the world.” —Allison Blakely, Boston University
Author | : Efrem Smith |
Publisher | : InterVarsity Press |
Total Pages | : 228 |
Release | : 2012-04-08 |
Genre | : Religion |
ISBN | : 0830869727 |
Hip-hop is here. The beats ring out in our cities. Hip-hop culture is all around us: in the clothes youth wear, in the music they listen to, in the ways they express themselves. It is the language they speak, the rhythm they move to. It is a culture familiar with the hard realities of our broken world; the generation raised with rap knows about the pain. They need to know about the hope. Enter the hip-hop church. Like the culture it rises from, the hip-hop church is relevant and bold. And it speaks to the heart. In this book, pastors Efrem Smith and Phil Jackson show the urgency of connecting hip-hop culture and church to reach a generation with the gospel of Jesus Christ. They give practical ideas from their urban churches and other hip-hop churches about how to engage and incorporate rap, break dancing, poetry and deejays to worship Jesus and preach his Word. Hip-hop culture is shaping the next generation. Ignoring it will not reduce its influence; it will only separate us from the youth moving to its rhythm. How will they hear Christ's message of truth and hope if we don't speak their language? And how can we speak their language if we don't understand and embrace their culture? Hear the beat. Join the beat. Become the beat that brings truth and hope to a hungry, hurting generation.