Hindu Religion and Iconology According to the Tantrasāra
Author | : Pratapaditya Pal |
Publisher | : |
Total Pages | : 182 |
Release | : 1981 |
Genre | : Body, Mind & Spirit |
ISBN | : |
Download Hindu Religion And Iconology According To The Tantrasara full books in PDF, epub, and Kindle. Read online free Hindu Religion And Iconology According To The Tantrasara ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Pratapaditya Pal |
Publisher | : |
Total Pages | : 182 |
Release | : 1981 |
Genre | : Body, Mind & Spirit |
ISBN | : |
Author | : C. Mackenzie Brown |
Publisher | : State University of New York Press |
Total Pages | : 422 |
Release | : 1998-09-11 |
Genre | : Religion |
ISBN | : 0791497739 |
This book provides a translation, with introduction, commentary, and annotation, of the medieval Hindu Sanskrit text the Devi Gita (Song of the Goddess). It is an important but not well-known text from the rich SAakta (Goddess) tradition of India. The Devi Gita was composed about the fifteenth century C.E., in partial imitation of the famous Bhagavad Gita (Song of the Lord), composed some fifteen centuries earlier. Around the sixth century C.E., following the rise of several male deities to prominence, a new theistic movement began in which the supreme being was envisioned as female, known as the Great Goddess (Maha-Devi). Appearing first as a violent and blood-loving deity, this Goddess gradually evolved into a more benign figure, a compassionate World-Mother and bestower of salvific wisdom. It is in this beneficent mode that the Goddess appears in the Devi Gita. This work makes available an up-to-date translation of the Devi Gita, along with a historical and theological analysis of the text. The book is divided into sections of verses, and each section is followed by a comment explaining key terms, concepts, ritual procedures, and mythic themes. The comments also offer comparisons with related schools of thought, indicate parallel texts and textual sources of verses in the Devi Gita, and briefly elucidate the historical and religious background, supplementing the remarks of the introduction.
Author | : David Gordon White |
Publisher | : University of Chicago Press |
Total Pages | : 620 |
Release | : 1996 |
Genre | : History |
ISBN | : 9780226894997 |
Beginning in the fifth century A.D., various Indian mystics began to innovate a body of techniques with which to render themselves immortal. These people called themselves Siddhas, a term formerly reserved for a class of demigods, revered by Hindus and Buddhists alike, who were known to inhabit mountaintops or the atmospheric regions. Over the following five to eight hundred years, three types of Hindu Siddha orders emerged, each with its own specialized body of practice. These were the Siddha Kaula, whose adherents sought bodily immortality through erotico-mystical practices; the Rasa Siddhas, medieval India's alchemists, who sought to transmute their flesh-and-blood bodies into immortal bodies through the ingestion of the mineral equivalents of the sexual fluids of the god Siva and his consort, the Goddess; and the Nath Siddhas, whose practice of hatha yoga projected the sexual and laboratory practices of the Siddha Kaula and Rasa Siddhas upon the internal grid of the subtle body. For India's medieval Siddhas, these three conjoined types of practice led directly to bodily immortality, supernatural powers, and self-divinization; in a word, to the exalted status of the semidivine Siddhas of the older popular cults. In The Alchemical Body, David Gordon White excavates and centers within its broader Indian context this lost tradition of the medieval Siddhas. Working from a body of previously unexplored alchemical sources, he demonstrates for the first time that the medieval disciplines of Hindu alchemy and hatha yoga were practiced by one and the same people, and that they can only be understood when viewed together. Human sexual fluids and the structures of the subtle body aremicrocosmic equivalents of the substances and apparatus manipulated by the alchemist in his laboratory. With these insights, White opens the way to a new and more comprehensive understanding of the entire sweep of medieval Indian mysticism, within the broader context of south Asian Hinduism, Buddhism, Jainism, and Islam. This book is an essential reference for anyone interested in Indian yoga, alchemy, and the medieval beginnings of science.
Author | : M.L.B. Blom |
Publisher | : BRILL |
Total Pages | : 98 |
Release | : 2023-08-07 |
Genre | : History |
ISBN | : 9004646604 |
This book deals with the rules of art. More specifically, it treats of the unwritten rules of Nepalese religious art as laid down in ‘model books’. These can be seen as manuals for the artists, in which they can find the correct way to represent, in visual art, any of some 2000 godly figures. The representation of these gods, all of them with their particular attributes, was (and is) subject to more or less strict rules. These books, the kind of which is also found in Europe in the early Middle Ages, have developed into a special tradition in Nepal, where a unique number of model books was found to be in existence, the oldest of them going back to the 15th century. The author of this study (the first in its kind) has traced the development in time of some 150 popular Hindu deities to determine the meaning of these model books for the artists using them, and also to see if the representation of these gods is in any way related to changes in society.
Author | : Rachel Fell McDermott |
Publisher | : Columbia University Press |
Total Pages | : 392 |
Release | : 2011 |
Genre | : History |
ISBN | : 023112919X |
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
Author | : Hugh B. Urban |
Publisher | : Motilal Banarsidass Publishe |
Total Pages | : 392 |
Release | : 2012 |
Genre | : Body, Mind & Spirit |
ISBN | : 9788120829329 |
Bhadriraju Krishnamurti (1928) is Professor and Head of the department of Linguistics at Osmania University, Hyderabad. He received a B.A. (Hons.) Degree (1948) in Telugu language and literature at Andhra University Waltair and an M.A. (1955) and Ph.D. (1957) in linguistics from the university of Pennsylvania U.S.A.
Author | : Vidya Dehejia |
Publisher | : Columbia University Press |
Total Pages | : 262 |
Release | : 2009-02-26 |
Genre | : History |
ISBN | : 9780231512664 |
The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.
Author | : Hugh B. Urban |
Publisher | : Univ of California Press |
Total Pages | : 350 |
Release | : 2006-10-04 |
Genre | : Religion |
ISBN | : 0520932889 |
Sexuality and the occult arts have long been associated in the western imagination, but it was not until the nineteenth century that a large and sophisticated body of literature on sexual magic—the use of sex as a source of magical power—emerged. This book, the first history of western sexual magic as a modern spiritual tradition, places these practices in the context of the larger discourse surrounding sexuality in American and European society over the last 150 years to discover how sexual magic was transformed from a terrifying medieval nightmare of heresy and social subversion into a modern ideal of personal empowerment and social liberation. Focusing on a series of key figures including American spiritualist Paschal Beverly Randolph, Aleister Crowley, Julius Evola, Gerald Gardner, and Anton LaVey, Hugh Urban traces the emergence of sexual magic out of older western esoteric traditions including Gnosticism and Kabbalah, which were progressively fused with recently-discovered eastern traditions such as Hindu and Buddhist Tantra. His study gives remarkable new insight into sexuality in the modern era, specifically on issues such as the politics of birth control, the classification of sexual "deviance," debates over homosexuality and feminism, and the role of sexuality in our own new world of post-modern spirituality, consumer capitalism, and the Internet.
Author | : Rachel Fell McDermott |
Publisher | : Oxford University Press, USA |
Total Pages | : 456 |
Release | : 2001 |
Genre | : Devotional poetry, Bengali |
ISBN | : 0195134354 |
This text chronicles the rise and subsequent fortunes of goddess worship (Saktism) in the region of Bengal from the middle of the 18th century to the present. McDermott places the advent of the Sakta lyric in its historical context.
Author | : Tracy Pintchman |
Publisher | : State University of New York Press |
Total Pages | : 272 |
Release | : 2001-06-14 |
Genre | : Religion |
ISBN | : 0791490491 |
While Hindus recognize and revere a variety of different goddesses, they also tend to speak of one Great Goddess, Mahadevi, as a singular divine being who is the unity underlying all female deities. In this book, ten scholars reflect on both the diverse depictions of Mahadevi found in textual and devotional environments and the ways that the singularity and multiplicity of the divine Hindu feminine are negotiated. Seeking Mahadevicovers various geographical locations, from the Punjab and Bengal in North India to Kerala and Tamilnadu in the South, and makes use of evidence from ancient texts and contemporary interviews, male-authored documents and women's possession experiences, myth, ritual, and folklore. Arguing that Mahadevi has multiple, context-dependent identities that are constructed through human interpretive activity, this book highlights the great diversity of ways that those who worship Mahadevi conceive of and portray her. Contributors include C. Mackenzie Brown, Sarah Caldwell, Thomas Coburn, Elaine Craddock, Kathleen M. Erndl, Jeffrey J. Kripal, Usha Menon, Tracy Pintchman, Andhra Pradesh, and Mark Edwin Rohe.