Hilma Af Klint Artist Researcher Medium
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| Author | : David Lomas |
| Publisher | : |
| Total Pages | : 295 |
| Release | : 2013 |
| Genre | : Art, Abstract |
| ISBN | : 9783775734882 |
Hilma af Klint (1862-1944), an artist whose work is still far too unknown to a wider public, eschewed representational painting as early as 1906. Between 1906 and 1915 she produced nearly two hundred abstract paintings, some of which are in monumental formats. Like Wassily Kandinsky, Piet Mondrian, and Kazimir Malevich, who have previously been regarded as the main protagonists of abstract art, Hilma af Klint was influenced by contemporary spiritual movements, such as spiritism, theosophy, and anthroposophy. Her multifaceted imagery strives to provide insight into the different dimensions of existence, where microcosm and macrocosm reflect one another. Hilma af Klint left more than one thousand paintings, watercolors, and sketches. This publication presents her most important abstract works as well as paintings and works on paper that have never before been seen in public, enhancing our understanding of her oeuvre. (English edition ISBN 978-3-7757-3489-9) Exhibition schedule: Moderna Museet, Stockholm February 16-May 26, 2013 - Hamburger Bahnhof -Museum für Gegenwart, Berlin, June 15-October 6, 2013 - Musée Picasso, Malaga October 21, 2013-February 9, 2014
| Author | : Hilma af Klint |
| Publisher | : Guggenheim Museum |
| Total Pages | : 244 |
| Release | : 2018-10-04 |
| Genre | : |
| ISBN | : 9780892075430 |
A groundbreaking study of visionary artist Hilma af Klint. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than a thousand paintings and works on paper that she kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice - one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Accompanying the first major survey exhibition of the artist's work in the United States, Hilma af Klint represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of the artist's life and work. Essays explore the social, intellectual, and artistic milieu of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars, and curators considers af Klint's sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art - a wish that finds a fortuitous answer in the Guggenheim Museum's rotunda, the site of the forthcoming exhibition.
| Author | : Rudolf Steiner |
| Publisher | : SteinerBooks |
| Total Pages | : 316 |
| Release | : 2001 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 9780880104876 |
Religious ritual is often seen as a way of bringing divine influences down into the material world. In this profound and stimulating work, Rudolf Steiner and Friedrich Benesch introduce the idea of "reverse ritual"--a way that each of us can raise our souls to the spiritual realm. In this process, the everyday world becomes a portal through which we can enter the dimension of the sacred. Here, each of us can be a "priest," and each of our actions can be a cosmic, ritual act. This stimulating collection of writings on spiritual communion of humanity includes two further lectures by Steiner that show how this process can engage our social lives. Also included are two additional essays as appendices: "Sacramental and Spiritual Communion" by Dietrich Asten and "Human Encounters and Karma" by Athys Floride. The introduction by Christopher Schaefer brings these ideas into focus for modern seekers. Contents: Part One: "The Spiritual Communion of Humanity" (5 lectures from GA 219) Part Two: "Preparing for the Sixth Epoch" Part Three: Commentaries by Friedrich Benesch Appendices: Selections from Dietrich Asten: "Spiritual and Sacramental Communion" & Athys Floride: "Human Encounters and Karma."
| Author | : Hilma af Klint |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : ART |
| ISBN | : 9780226591933 |
"At the turn of the twentieth century, Swedish artist Hilma af Klint (1862-1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klint's artistic investigation in her own words. Notes and Methods presents facsimile reproductions of a wide array of af Klint's early notebooks accompanied by the first English translation of af Klint's extensive writings. It contains the rarely seen "Blue Notebooks", hand-painted and annotated catalogues af Klint created of her most famous series "Paintings for the Temple", and a dictionary compiled by af Klint of the words and letters found in her work. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Müller-Westermann. It will stand as an important and timely contribution to the legacy of Hilma af Klint." --> s spletne str. založnika.
| Author | : |
| Publisher | : |
| Total Pages | : 159 |
| Release | : 2010 |
| Genre | : Art and anthroposophy |
| ISBN | : 9780967456225 |
Steiner's idea of art included the renewal of society in general and more particularly certain human endeavors such as science, economy, and religion. He was convinced that his approach would in turn lead to a fundamental renewal of contemporary art. In his introduction, Mattke writes "to the extent that we humans adopt a modern mindset, the more we will be divided from the reality that surrounds us." In response to this profoundly challenging situation, Steiner recommends that we do not assume a New Age paradigm, or a "back-to-nature" attitude such as Rousseau advocated. Rather, according to Steiner and anthroposophy, contemporary humanity needs to develop and practice new ways of thinking, feeling, and willing in order to reconnect to the spiritual character of human life and of the cosmos in a conscious way. Steiner's conception of art is one of the ways to effect this reconnection. Today's art calls for an individual encounter from ego to ego, for conscious work to meet the artist's intentions and foremost for intense work on one's own habitual thought systems and so called "normal" feelings. Losing the crutches of trained intellectual conclusions as well as the comfortable wellness of one's familiar feelings is surely an intense learning process, a real threshold experience. Art & Anthroposophy includes articles ranging from a very personal account of conversations between Margarita Woloschin and Rudolf Steiner; the significance of the First Goetheanum; an article by David Adams on Joseph Beuys; and a tribute to Beppe Assenza by Arthur Zajonc.
| Author | : Hilma Af Klint |
| Publisher | : Bokforlaget Stolpe AB |
| Total Pages | : 270 |
| Release | : 2020-11-20 |
| Genre | : Art |
| ISBN | : 9789189069176 |
Scholars from diverse disciplines tackle the many questions posed by the work and life of abstraction pioneer Hilma af Klint In this thorough critical appraisal, 20 specialists on modern art, art history, philosophy and religious studies examine the unique art, the cultural circumstances and art-historical positioning of Swedish abstractionist Hilma af Klint. Topics explored here range from early abstract art and the impact of Darwinism to Goethe's color theory, as well as the importance of occult religious movements such as theosophy and anthroposophy that influenced the early modernists, and discussions of af Klint's own personal diary notes and research. The book is based on the seminars that were held in conjunction with the exhibition Hilma af Klint: A Pioneer of Abstraction in 2013. This extremely successful exhibition attracted a record number of visitors to the Moderna Museet in Stockholm, after which it continued to the Hamburger Bahnhof Museum in Berlin and the Louisiana Museum of Modern Art in Denmark.
| Author | : Iris Müller-Westermann |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : |
| ISBN | : 9783775747394 |
Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half-a-mil-lion visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documenta-ry films and biographies. In 2013, Iris Müller-Westermann organized the first institutional exhibition of af Klint's work. Now she presents us with the latest information and research in an extensive survey show at the Moder-na Museet in Malmö. Of crucial importance is the issue of spirituality in af Klint's painting-how she managed to translate both the material and the immaterial world into a pictorial vision. The accompanying exhibition catalogue is the first to investigate, from a variety of perspectives, the question of how this trailblazing abstract artist linked her painting to a higher consciousness. Essays by leading historians of theosophy and a quantum physicist, among others, provide enlightening insight into a world in which both the visualization of atoms and spiritual séances alike became artistic material-a world that fascinates us even more than ever.
| Author | : Julia Voss |
| Publisher | : University of Chicago Press |
| Total Pages | : 470 |
| Release | : 2022-10-27 |
| Genre | : Art |
| ISBN | : 022668976X |
A highly anticipated biography of the enigmatic and popular Swedish painter. The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution. Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Inspired by her first encounter with the artist’s work in 2008, Julia Voss set out to learn Swedish and research af Klint’s life—not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.
| Author | : Suzanne Anker |
| Publisher | : transcript Verlag |
| Total Pages | : 377 |
| Release | : 2024-03-31 |
| Genre | : Art |
| ISBN | : 3839468051 |
The symbolic meaning of plants, their relevance to religion and the metaphorical provocations in the order of knowledge, culture and political power underline the role of plants as something more than passive objects. Current theoretical and artistic discourses have been seeking access to the world independently of man by focusing on the nonhuman other. The contributors to this volume examine the historical, philosophical and scientific findings that generate this idea. In what way are such perspectives manifest in contemporary art? Do artists develop a particular approach that enables nonhuman life forms like plants, insects or animals to have an impact?
| Author | : Jane Chin Davidson |
| Publisher | : John Wiley & Sons |
| Total Pages | : 597 |
| Release | : 2023-10-04 |
| Genre | : Art |
| ISBN | : 1119841801 |
A Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions. Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere. A Companion to Contemporary Art in a Global Framework is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context.
