Hills Durham Durham County N C City Directory 1956
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Catalog of Copyright Entries. Third Series
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1672 |
Release | : 1957 |
Genre | : Copyright |
ISBN | : |
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
Books and Pamphlets, Including Serials and Contributions to Periodicals
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 910 |
Release | : 1957 |
Genre | : American literature |
ISBN | : |
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 912 |
Release | : 1957 |
Genre | : American drama |
ISBN | : |
Catalog of Copyright Entries. Third Series
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 928 |
Release | : 1957 |
Genre | : Copyright |
ISBN | : |
The National Union Catalog, Pre-1956 Imprints
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1971 |
Genre | : Catalogs, Union |
ISBN | : |
The Southern Past
Author | : William Fitzhugh Brundage |
Publisher | : Harvard University Press |
Total Pages | : 446 |
Release | : 2009-07 |
Genre | : History |
ISBN | : 9780674028982 |
Since the Civil War whites and blacks have struggled over the meanings and uses of the Southern past. Indeed, today's controversies over flying the Confederate flag, renaming schools and streets, and commemorating the Civil War and the civil rights movement are only the latest examples of this ongoing divisive contest over issues of regional identity and heritage. The Southern Past argues that these battles are ultimately about who has the power to determine what we remember of the past, and whether that remembrance will honor all Southerners or only select groups. For more than a century after the Civil War, elite white Southerners systematically refined a version of the past that sanctioned their racial privilege and power. In the process, they filled public spaces with museums and monuments that made their version of the past sacrosanct. Yet, even as segregation and racial discrimination worsened, blacks contested the white version of Southern history and demanded inclusion. Streets became sites for elaborate commemorations of emancipation and schools became centers for the study of black history. This counter-memory surged forth, and became a potent inspiration for the civil rights movement and the black struggle to share a common Southern past rather than a divided one. W. Fitzhugh Brundage's searing exploration of how those who have the political power to represent the past simultaneously shape the present and determine the future is a valuable lesson as we confront our national past to meet the challenge of current realities.