Herzog By Ebert
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| Author | : Roger Ebert |
| Publisher | : University of Chicago Press |
| Total Pages | : 202 |
| Release | : 2017-09-04 |
| Genre | : Performing Arts |
| ISBN | : 022650056X |
Roger Ebert was the most influential film critic in the United States, the first to win a Pulitzer Prize. For almost fifty years, he wrote with plainspoken eloquence about the films he loved for the Chicago Sun-Times, his vast cinematic knowledge matched by a sheer love of life that bolstered his appreciation of films. Ebert had particular admiration for the work of director Werner Herzog, whom he first encountered at the New York Film Festival in 1968, the start of a long and productive relationship between the filmmaker and the film critic. Herzog by Ebert is a comprehensive collection of Ebert’s writings about the legendary director, featuring all of his reviews of individual films, as well as longer essays he wrote for his Great Movies series. The book also brings together other essays, letters, and interviews, including a letter Ebert wrote Herzog upon learning of the dedication to him of “Encounters at the End of the World;” a multifaceted profile written at the 1982 Cannes Film Festival; and an interview with Herzog at Facet’s Multimedia in 1979 that has previously been available only in a difficult-to-obtain pamphlet. Herzog himself contributes a foreword in which he discusses his relationship with Ebert. Brimming with insights from both filmmaker and film critic, Herzog by Ebert will be essential for fans of either of their prolific bodies of work.
| Author | : Adam Mansbach |
| Publisher | : Akashic Books |
| Total Pages | : 18 |
| Release | : 2011-06-14 |
| Genre | : Humor |
| ISBN | : 1453271023 |
The #1 New York Times Bestseller: “A hilarious take on that age-old problem: getting the beloved child to go to sleep” (NPR). “Hell no, you can’t go to the bathroom. You know where you can go? The f**k to sleep.” Go the Fuck to Sleep is a book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don’t always send a toddler sailing blissfully off to dreamland. Profane, affectionate, and radically honest, it captures the familiar—and unspoken—tribulations of putting your little angel down for the night. Read by a host of celebrities, from Samuel L. Jackson to Jennifer Garner, this subversively funny bestselling storybook will not actually put your kids to sleep, but it will leave you laughing so hard you won’t care.
| Author | : Roger Ebert |
| Publisher | : University of Chicago Press |
| Total Pages | : 541 |
| Release | : 2017-04-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 022646086X |
"Arriving fifty years after Ebert published his first film review in 1967, this second edition of Awake in the Dark collects Ebert's essential writings. Featuring new Top Ten Lists and reviews of the years' finest films through 2012, this edition allows both fans and film buffs to bask in the best of an extraordinary lifetime's work."--Provided by publisher.
| Author | : Werner Herzog |
| Publisher | : |
| Total Pages | : 39 |
| Release | : 1979 |
| Genre | : |
| ISBN | : |
| Author | : Roger Ebert |
| Publisher | : Grand Central Publishing |
| Total Pages | : 353 |
| Release | : 2011-09-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 0446584983 |
Named one of the 100 greatest film books of all time by The Hollywood Reporter, this singular, warm-hearted, inspiring look at life itself is "the best thing Mr. Ebert has ever written" (Janet Maslin, New York Times). "To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." Roger Ebert was the best-known film critic of his time. He began reviewing films for the Chicago Sun-Times in1967, and was the first film critic ever to win a Pulitzer Prize. He appeared on television for four decades. In 2006, complications from thyroid cancer treatment resulted in the loss of his abi)lity to eat, drink, or speak. But with the loss of his voice, Ebert became a more prolific and influential writer. And in Life Itself he told the full, dramatic story of his life and career. In this candid, personal history, Ebert chronicled it all: his loves, losses, and obsessions; his struggle and recovery from alcoholism; his marriage; his politics; and his spiritual beliefs. He wrote about his years at the Sun-Times, his colorful newspaper friends, and his life-changing collaboration with Gene Siskel. He shared his insights into movie stars and directors like John Wayne and Martin Scorsese. This is a story that only Roger Ebert could tell, filled with the same deep insight, dry wit, and sharp observations that his readers have long cherished,
| Author | : Roger Ebert |
| Publisher | : University of Chicago Press |
| Total Pages | : 285 |
| Release | : 2016-09-28 |
| Genre | : Performing Arts |
| ISBN | : 022640398X |
"Previous versions of these essays have appeared in the Chicago Sun-Times, 1997, 1999, 2006, and 2009-2013."
| Author | : J. A. Baker |
| Publisher | : HarperCollins UK |
| Total Pages | : 434 |
| Release | : 2011 |
| Genre | : Nature |
| ISBN | : 0007395906 |
Reissue of J. A. Baker's extraordinary classic of British nature writing Despite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J A Baker spent a long winter looking and writing about the visitors from the uplands - peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them. Including original diaries from which The Peregrine was written and its companion volume The Hill of Summer, this is a beautiful compendium of lyrical nature writing at its absolute best. Such luminaries as Richard Mabey, Robert Macfarlane, Ted Hughes and Andrew Motion have cited this as one of the most important books in 20th Century nature writing, and the bestselling author Mark Cocker has provided an introduction on the importance of Baker, his writings and the diaries - creating the essential volume of Baker's writings. Since the hardback was published in 2010, papers, maps, and letters have come to light which in turn provide a little more background into J A Baker's history. Contemporaries - particularly from while he was at school in Chelmsford - have kindly provided insights, remembering a school friend who clearly made an impact on his generation. In the longer term, there is hope of an archive of these papers being established, but in the meantime, and with the arrival of this paperback edition, there is a chance to reveal a little more of what has been learned. Among fragments of letters to Baker was one from a reader who praised a piece that Baker had written in RSPB Birds magazine in 1971. Apart from a paper on peregrines which Baker wrote for the Essex Bird Report, this article - entitled On the Essex Coast - appears to be his only other published piece of writing, and, with the kind agreement of the RSPB, it has been included in this updated new paperback edition of Baker's astounding work.
| Author | : Alan Greenberg |
| Publisher | : Chicago Review Press |
| Total Pages | : 236 |
| Release | : 2012-05-01 |
| Genre | : Performing Arts |
| ISBN | : 1613743521 |
"You know from seeing it that Herzog was up to something strange in filming Heart of Glass. Now the mystery is clarified. Alan Greenberg peers into the heart of darkness of the great artist." —Roger Ebert&“Mesmerizing . . . as poetic and mysterious as the film itself.&”—Jim JarmuschThis intimate chronicle of the visionary filmmaker Werner Herzog directing a masterwork is interwoven with Herzog's original screenplay to create a unique vision of its own. Alan Greenberg was, according to the director, the first &“outsider&” to seek him out and recognize his greatness. At the end of their first evening together Herzog urged Greenberg to work with him on his new film--and everything thereafter. In this film, Heart of Glass, Herzog exercised control over his actors by hypnotizing them before shooting their scenes. The result was one of the most haunting movies ever made. Not since Lillian Ross's classic 1950 book Picture has an American writer given such a close, first-hand, book-length account of how a director makes a movie. But this is not a conventional, journalistic account. Instead it presents a unique vision with the feel of a novel--intimate, penetrating, and filled with mystery. Alan Greenberg is a writer, film director, film producer, and photographer. He is also the author of Love in Vain: A Vision of Robert Johnson. Werner Herzog is considered one of the world's greatest filmmakers. His books include Conquest of the Useless and Of Walking in Ice.
| Author | : Scott McKain |
| Publisher | : Greenleaf Book Group |
| Total Pages | : 265 |
| Release | : 2013-03-05 |
| Genre | : Business & Economics |
| ISBN | : 1608324273 |
Have you taken your business from good to great, only to find that “great” still isn’t cutting it? Are you making all the right moves in your career and still not receiving the recognition you have earned? Why do companies like Apple get all the attention, when you have difficulty getting anyone to focus on your efforts? In our homogenized world, companies in every sector—from big-box retail to financial services; from fast food to entrepreneurs—appear more and more alike, as do the tweets and LinkedIn pages of professionals across the country. But if people see you or your company as nothing more than a carbon copy of the competition, how can you expect to attract attention? Scott McKain’s original approach to this problem, first captured in his book Collapse of Distinction, was conceived and written in the direct aftermath of the 2008 financial meltdown. His forceful case for the importance of distinction—finding success by setting yourself apart from the crowd—resonated with thousands of readers. To reflect the changing reality since that book’s publication—and to incorporate new research and up-to-date examples—McKain, an internationally recognized expert on business distinction, has retitled and revised it as Create Distinction. Within these updated pages (including one entirely new chapter) you’ll find a potent cure for similarity and uniformity—the primary killers of businesses and careers. In engaging, story-filled prose, McKain lays out the cornerstones of distinction and equips you with the specific tools and knowledge you need to stand out. Whether you’re in the “C-suite” of a multinational company or just vying for your next promotion, you’ll learn how to rise above the fray and make your work unmistakable. With this practical advice, you’ll feel confident stepping up from the competition—and toward success.
| Author | : Roger Ebert |
| Publisher | : Andrews McMeel Publishing |
| Total Pages | : 384 |
| Release | : 2013-07-30 |
| Genre | : Performing Arts |
| ISBN | : 0740792482 |
The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss.
