Herter Brothers Furniture Interiors
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Author | : Katherine S. Howe |
Publisher | : |
Total Pages | : 276 |
Release | : 1994 |
Genre | : Design |
ISBN | : |
The Herter brothers' extraordinary accomplishment has never before been the subject of a book. Here, at last, is an in-depth study of these talented men, their company, and its work, prized then as now for its design, richness of materials and detail, superb craftsmanship, and splendid diversity.
Author | : Alice Cooney Frelinghuysen |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 48 |
Release | : 2016-01-04 |
Genre | : House & Home |
ISBN | : 1588395839 |
This Bulletin presents new discoveries and historical documentation on the preeminent New York cabinetmaker George A. Schastey, illuminating his life and his under-appreciated body of work while providing the first in-depth analysis of the Worsham-Rockefeller house and its patron Arabella Worsham.
Author | : Katherine S. Howe |
Publisher | : Harry N Abrams Incorporated |
Total Pages | : 272 |
Release | : 1994 |
Genre | : Decoration and ornament |
ISBN | : 9780810934269 |
In 1848, Gustave Herter arrived in America from Germany, fleeing political and economic chaos. His brother, Christian, joined him a decade later. By 1875 their firm, renamed Herter Brothers, was supplying the White House with furnishings, as it had been doing for some of America's wealthiest families since 1858. During this opulent period, Herter Brothers could claim to be the leading cabinetmaking and decorating firm in the country. The Herter brothers' extraordinary accomplishment has never before been the subject of a book. Here, at last, is an in-depth study of these talented men, their company, and its work, prized then as now for its design, richness of materials and detail, superb craftsmanship, and splendid diversity. The best of the Herter Brothers' furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. Herter Brothers tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian's years as head of the firm and the end of his tenure. The book places the company firmly in its context, international as well as domestic, with an extensive discussion of the brothers' background and influences and an absorbing narrative of the furniture and decoration trade in New York City in the latter half of the nineteenth century. Also described is the superb work done by the firm for their fabulously wealthy patrons - a who's who of the Gilded Age, including J. Pierpont Morgan, William H. Vanderbilt, and Jay Gould - for whom theHerters created some of their most lavish furniture and complete interiors. These commissions, many illustrated here, included woodwork, plasterwork, lighting fixtures, window treatments, wall and ceiling paintings, carpets, textiles, mosaics, stained glass, and decorative objects in addition to furniture.
Author | : Daniëlle O. Kisluk-Grosheide, |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 300 |
Release | : 2006-05-30 |
Genre | : Design |
ISBN | : 0300104847 |
This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.
Author | : Mark Hinchman |
Publisher | : Routledge |
Total Pages | : 1408 |
Release | : 2018-06-27 |
Genre | : Architecture |
ISBN | : 1351685279 |
Interior Design Masters contains 300 biographical entries of people who have significantly impacted design. They are the people, historical and contemporary, that students and practitioners should know. Coverage starts in the late Renaissance, with a focus on the twentieth and twenty-first centuries. The book has five sections, with the entries alphabetical in each, so it can serve as a history textbook and a reference guide. The seventeeth- and eighteenth-century section covers figures from Thomas Chippendale to Horace Walpole. The nineteenth-century section includes William Morris and Candace Wheeler. The early twentieth-century section presents modernism’s design heroes, including Marcel Breuer, Eileen Gray, and Gilbert Rohde. The post-World War II designers range from Madeleine Castaing to Raymond Loewy. The final contemporary section includes Ron Arad and the Bouroullec brothers. These are the canonical figures who belong to any design history. The book also contains less well-known figures who deserve attention, such as Betty Joel, the British art deco furniture designer; Paul Veysseyre, the Frenchman active in China in the 1930s; and more recently Lanzavecchia-Wai, the Italian-Singaporean duo whose work ranges from health care to helicopters. Global in its coverage, the book is richly illustrated with over 600 black-and-white and color photographs.
Author | : Charles Locke Eastlake |
Publisher | : London : Longmans, Green |
Total Pages | : 412 |
Release | : 1878 |
Genre | : Decoration and ornament |
ISBN | : |
Author | : Leslie A. Piña |
Publisher | : Schiffer Design Books |
Total Pages | : 0 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780764315794 |
As head of Herman Miller's Textile Division since 1952, Alexander Girard designed colorful and exciting fabrics and other items. His work as an interior designer and architect and his remarkable textiles for Herman Miller make Girard one of the legendary designers of the 20th century. With over 400 mostly color photographs of textile and wallpaper designs, plus detailed text, a timeline, and an updated value guide, this book is a comprehensive view of Girard's work at Herman Miller.
Author | : Amelia Peck |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 294 |
Release | : 2001 |
Genre | : Interior decoration |
ISBN | : 1588390020 |
"This publication, which accompanies an exhibition held at The Metropolitan Museum of Art, contains a biographical essay and a catalogue of about one hundred designs for textiles, wallpaper, and other interior furnishings by Wheeler and her associates."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Karen Zukowski |
Publisher | : Gibbs Smith |
Total Pages | : 188 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : 9781586857660 |
Creating the Artful Home: the Aesthetic Movement and Its Influence on Home Decor covers the history of a movement that emphasized "art for art's sake"-and the influence it had on home decor. The Aesthetic Movement in America lasted just a few decades (1870-1900), and served mainly as a bridge between the high Victorian sensibility and the radical shift to the Arts & Crafts style. The movement germinated among artists who used opulent color, decorative patterning, and lavish materials simply for the aesthetic effects they could evoke. It was commonly held that a home that expressed an artful, harmonious soul would instill high aesthetic and moral merit in its inhabitants. The Aesthetic Movement in America helped to popularize the idea that everyone should be able to enjoy beautiful, well-made homes and furnishings-not just the very wealthy. Artful homes could be composed from brilliant antique store finds, discriminating department store purchases, and gems hand-made by the ladies of the house. It was the moment when people embraced the idea that only a beautiful home could be a happy home. Karen Zukowski delves into the movement's establishment, evolution, and main characters, and shows how today's homes can incorporate Aesthetic principles: Through suggestion rather than statement, sensuality, massive use of symbols, and synaesthetic effects-that is, correspondence between words, colors and music. How influential designers such as Clarence Cook and Charles Eastlake popularized the idea that beautiful homes with tasteful furnishings could be available to practically everyone How today's designers, manufacturers, and retailers deploy the very same stylistic markers of the Aesthetic Movement: rich color, layered pattern and texture, mixtures of historical motifs
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 513 |
Release | : 1986 |
Genre | : Aesthetic movement (Art) |
ISBN | : 0870994689 |
"This project is the first comprehensive study of a phenomenon that not only dominated the American arts of the 1870s and 1880s, but also helped set the course of such later developments in the United States as the Arts and Crafts movement, the indigenous interpretation of Art Nouveau, and even the rise of modernism. In fact, the early history of the Metropolitan--its founding, its sponsorship of a school of industrial design, and its display of decorative works--is inextricably tied to the Aesthetic movement and its educational goals. "In Pursuit of Beauty: Americans and the Aesthetic Movement" comprised some 175 objects including furniture, metalwork, stained glass, ceramics, textiles, wallpaper, painting, and sculpture. Some of these had rarely been displayed; others, although familiar, were being shown in new and even startling contexts. The exhibition and catalogue are arranged thematically to illustrate both the major styles of a visually rich movement and the ideas that generated its diversity"--From publisher's description.