Heroine Stories
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| Author | : Molly McCord |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2017-05-28 |
| Genre | : Self-Help |
| ISBN | : 9780996568043 |
What if your biggest challenge, deepest vulnerability, or worst fear was only leading you to more of your own inner light? In this special collection of female experiences, meet 24 real women - who feel like new friends - as they openly and courageously share with you their private struggles and unexpected life developments. From divorce, friendships ending, questioning her life direction, and life-threatening health challenges, to losing her mom, becoming a mom, moving through inner pain, spiritual growth, and many more topics, every story is shared openly and from her heart. As each woman reemerges on the other side of a hardship and dark period, she offers you greater wisdom, forgiveness, strength, and trust to support you in your own life. Be prepared for greater healing and peace as you emotionally connect with each woman who hopes to inspire you through life's challenges and unexpected turns. She reminds you that no matter what may be unfolding, every journey is ultimately an invitation to know more of your soul and self, while fully embracing yourself as a modern heroine.
| Author | : Virginia Loh-Hagan |
| Publisher | : Cherry Lake |
| Total Pages | : 36 |
| Release | : 2019-01-01 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1534141278 |
People have been telling stories since the beginning of time--sharing them from one generation to the next. In Heroine Stories, readers will read four different tales from smart, strong, heroic women. Readers will recognize some of their favorite stories growing up and discover new ones. Books include mature, complex themes at a low readability to engage struggling readers. Includes a table of contents, glossary, index, author biography, sidebars, educational matter, and activities.
| Author | : Maria Tatar |
| Publisher | : Liveright Publishing |
| Total Pages | : 356 |
| Release | : 2021-09-14 |
| Genre | : Literary Criticism |
| ISBN | : 1631498827 |
World-renowned folklorist Maria Tatar reveals an astonishing but long-buried history of heroines, taking us from Cassandra and Scheherazade to Nancy Drew and Wonder Woman. The Heroine with 1,001 Faces dismantles the cult of warrior heroes, revealing a secret history of heroinism at the very heart of our collective cultural imagination. Maria Tatar, a leading authority on fairy tales and folklore, explores how heroines, rarely wielding a sword and often deprived of a pen, have flown beneath the radar even as they have been bent on redemptive missions. Deploying the domestic crafts and using words as weapons, they have found ways to survive assaults and rescue others from harm, all while repairing the fraying edges in the fabric of their social worlds. Like the tongueless Philomela, who spins the tale of her rape into a tapestry, or Arachne, who portrays the misdeeds of the gods, they have discovered instruments for securing fairness in the storytelling circles where so-called women’s work—spinning, mending, and weaving—is carried out. Tatar challenges the canonical models of heroism in Joseph Campbell’s The Hero with a Thousand Faces, with their male-centric emphases on achieving glory and immortality. Finding the women missing from his account and defining their own heroic trajectories is no easy task, for Campbell created the playbook for Hollywood directors. Audiences around the world have willingly surrendered to the lure of quest narratives and charismatic heroes. Whether in the form of Frodo, Luke Skywalker, or Harry Potter, Campbell’s archetypical hero has dominated more than the box office. In a broad-ranging volume that moves with ease from the local to the global, Tatar demonstrates how our new heroines wear their curiosity as a badge of honor rather than a mark of shame, and how their “mischief making” evidences compassion and concern. From Bluebeard’s wife to Nancy Drew, and from Jane Eyre to Janie Crawford, women have long crafted stories to broadcast offenses in the pursuit of social justice. Girls, too, have now precociously stepped up to the plate, with Hermione Granger, Katniss Everdeen, and Starr Carter as trickster figures enacting their own forms of extrajudicial justice. Their quests may not take the traditional form of a “hero’s journey,” but they reveal the value of courage, defiance, and, above all, care. “By turns dazzling and chilling” (Ruth Franklin), The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present day. It casts an unusually wide net, expanding the canon and thinking capaciously in global terms, breaking down the boundaries of genre, and displaying a sovereign command of cultural context. This, then, is a historic volume that informs our present and its newfound investment in empathy and social justice like no other work of recent cultural history.
| Author | : Jennifer Lynn Larson |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 262 |
| Release | : 1995 |
| Genre | : History |
| ISBN | : 9780299143701 |
This is the first book to show that the worship of heroines, as well as of gods and heroes, was widespread in the Greek world from the eighth through the fourth centuries B.C. Drawing upon textual, archaeological, and iconographic evidence as diverse as ancient travel writing, ritual calendars, votive reliefs, and Euripidean drama, Jennifer Larson demonstrates the pervasiveness of heroine cults at every level of Athenian society. Larson reveals that a broad range of heroic cults existed throughout the Greek world, encompassing not only individuals but couples (Pelops and Hippodameia, Alexandra and Agamemnon, Helen and Menelaos) and families such as those of Asklepios and the Dioskouroi. She shows how heroic cults reinforced the Greeks' gender expectations for both women and men through ritual status, iconography, and narrative motifs. Finally, Larson looks at the intersection of heroine cults with specific topics such as myths of maiden sacrifice, the Amazons, the role of the goddess Artemis, and folk beliefs about female "ghosts."
| Author | : Nancy Albao |
| Publisher | : WestBow Press |
| Total Pages | : 102 |
| Release | : 2019-02-06 |
| Genre | : Religion |
| ISBN | : 1973645645 |
God is writing a story about himself through your life, and you are the heroine of his story. He created you to live out his purpose. What does the heart of his heroine look like? How does she think? What does she value? How does she trust God? How does she face life? In a time when many women are confused about how to navigate the Christian walk in our culture, the reader learns how to understand herself and how she came to believe what she does. Through biblical truths and sharing her own experiences with sincerity and transparency, the author helps the reader to make the connection between knowing her own mind and heart and understanding how God wants to work in her life to connect her heart to his. This leads to victory in her struggles, hope for her future, and a deeper walk with Christ.
| Author | : Judith T. Zeitlin |
| Publisher | : University of Hawaii Press |
| Total Pages | : 313 |
| Release | : 2007-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 082486493X |
The "phantom heroine"—in particular the fantasy of her resurrection through sex with a living man—is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin’s elegantly written and meticulously researched new book. Zeitlin’s study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies. The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers—that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance.
| Author | : Camy Tang |
| Publisher | : Camy Tang |
| Total Pages | : 48 |
| Release | : 2024-03-23 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Make your character’s story arc resonate more emotionally with readers. What is the Heroine’s Journey? Joseph Campbell originally wrote about the Hero’s Journey in his book, The Hero With a Thousand Faces, as a psychological analysis of the classical myth formula. Maureen Murdock took Campbell’s work, her own psychology experience, and other psychoanalytical writings and world myths to develop The Heroine’s Journey for women. Often, a male and female character will respond differently to conflict in a story because culture and time period will affect a character differently due to gender. As a result, their internal story arcs will differ according to gender, also. Whether in romances or women’s fiction, often a heroine’s story arc is more about internal awakening as opposed to the “quest” style of the Hero’s Journey. This makes the Heroine’s Journey a good template for a heroine’s story arc. If readers comment that there’s “something off” with a character’s story arc, the Heroine’s Journey applied to a heroine will often make her story more psychologically resonant and satisfying for a reader. How this worksheet can help you: This worksheet consists of the Heroine's Journey explained in detail, questions for you to answer about your heroine, and examples to explain each stage of the Heroine's Journey. It will guide you in an easy way toward applying the Heroine’s Journey structure for your heroine. This worksheet will help you: —Create a more emotionally resonant internal arc for your heroine —Or change up your hero’s internal journey with one of self-discovery by applying the Heroine’s Journey to his story arc —Fix and strengthen disjointed character development —Manipulate and strengthen story pacing —Keep a character’s internal arc in a forward-moving motion rather than stagnating —Build the internal arc toward the “Black Moment” crisis —Draw the internal arc full circle in a way that will satisfy readers —Use the Heroine’s Journey even in a romance where there’s also a hero taking up 50% of the book —Double-check that the external events in the story are fueling and forwarding the character’s internal arc —Revise a synopsis or a completed manuscript Please note: this tool is not meant to replace a synopsis because it doesn’t focus as strongly on the external events and conflicts in the story—it’s more focused on the internal events and internal conflicts of your heroine. This worksheet was created by utilizing the compilation of information on the Heroine’s Journey derived not only from Maureen Murdock’s book, but also other psychology writings and an understanding of Joseph Campbell’s original Hero’s Journey. This newly revised edition includes extra examples for each stage of the Heroine’s Journey and more detail on previous examples. Are you unsure why your heroine’s emotional story doesn’t strike the right chord with readers? This worksheet will help set you on the right track.
| Author | : Meredith A. Powers |
| Publisher | : McFarland |
| Total Pages | : 248 |
| Release | : 2000-01-01 |
| Genre | : Social Science |
| ISBN | : 9780786408306 |
The impulse that prompts humans to envision themselves as heroic is as inherent to women as to men. The idealization of the hero, however, is an outgrowth of the more primary conception of the god. In Western culture the reduction and eventual denial of the feminine divine has affected cultural perception of feminine principles, particularly archetypal and autonomous patterns. This book delves first into the literary strata from which the archetypes have been culled, the stories of the Bible and the myths of the Aegean, to look at how the characterization of the goddess was revised. Employing evidence from psychology, artifacts and pictorial art, the author shapes an outline for a more authentic figure. The obscure and muted goddess-heroine of ancient literature is then given detail by the articulate voices of the archetype as she reemerges in contemporary fiction.
| Author | : Maureen Murdock |
| Publisher | : Shambhala Publications |
| Total Pages | : 249 |
| Release | : 2020-08-18 |
| Genre | : Psychology |
| ISBN | : 0834842890 |
This book describes contemporary woman's search for wholeness in a society in which she has been defined according to masculine values. Drawing upon cultural myths and fairy tales, ancient symbols and goddesses, and the dreams of contemporary women, Murdock illustrates the need for—and the reality of—feminine values in Western culture today.
| Author | : Molly J. Brost |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 123 |
| Release | : 2020-11-24 |
| Genre | : Social Science |
| ISBN | : 1498596738 |
In The Anti-Heroine on Contemporary Television: Transgressive Women, Molly Brost explores the various applications and definitions of the term anti-heroine, showing that it has been applied to a wide variety of female characters on television that have little in common beyond their failure to behave in morally “correct” and traditionally feminine ways. Rather than dismiss the term altogether, Brost employs the term to examine what types of behaviors and characteristics cause female characters to be labeled anti-heroines, how those qualities and behaviors differ from those that cause men to be labeled anti-heroes, and how the label reflects society’s attitudes toward and beliefs about women. Using popular television series such as Jessica Jones, Scandal, and The Good Place, Brost acknowledges the problematic nature of the term anti-heroine and uses it as a starting point to study the complex women on television, analyzing how the broadening spectrum of character types has allowed more nuanced portrayals of women’s lives on television.
