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| Author | : William V. Spanos |
| Publisher | : SUNY Press |
| Total Pages | : 298 |
| Release | : 2009-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780791475645 |
Argues that Herman Melville’s later work anticipates the resurgence of an American exceptionalist ethos underpinning the U.S.-led global “war on terror.”
| Author | : William V. Spanos |
| Publisher | : JHU Press |
| Total Pages | : 230 |
| Release | : 2011-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 0801899346 |
Critics predominantly view Herman Melville’s Billy Budd, Sailor as a “testament of acceptance,” the work of a man who had become politically conservative in his last years. William V. Spanos disagrees, arguing that the novella was not only a politically radical critique of American exceptionalism but also an eerie preview of the state of exception employed, most recently, by the George W. Bush administration in the post–9/11 War on Terror. While Billy Budd, Sailor is ostensibly about the Napoleonic Wars, Spanos contends that it is at heart a cautionary tale addressed to the American public as the country prepared to extend its westward expansion into the Pacific Ocean by way of establishing a global imperial navy. Through a close, symptomatic reading of Melville’s text, Spanos rescues from critical oblivion the pervasive, dense, and decisive details that disclose the consequences of normalizing the state of exception—namely, the transformation of the criminal into the policeman (Claggart) and of the political human being into the disposable reserve that can be killed with impunity (Billy Budd). What this shows, Spanos demonstrates, is that Melville's uncanny attunement to the dark side of the American exceptionalism myth enabled him to foresee its threat to the very core of democracy in the twentieth and twenty-first centuries. This view, Spanos believes, anticipates the state of exception theory that has emerged in the recent work of Giorgio Agamben, Alain Badiou, Judith Butler, and Jacques Ranciere, among other critical theorists. The Exceptionalist State and the State of Exception illustrates that Melville, in his own time, was aware of the negative consequences of the deeply inscribed exceptionalist American identity and recognized the essential domestic and foreign policy issues that inform the country’s national security program today.
| Author | : Katie McGettigan |
| Publisher | : University of New Hampshire Press |
| Total Pages | : 298 |
| Release | : 2017-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 1512601381 |
In this imaginative book, Katie McGettigan argues that Melville's novels and poetry demonstrate a sustained engagement with the physical, social, and economic materiality of industrial and commercial forms of print. Further, she shows that this "aesthetics of the material text," central both to Melville's stylistic signature and to his innovations in form, allows Melville to explore the production of selfhood, test the limits of narrative authenticity, and question the nature of artistic originality. Combining archival research in print and publishing history with close reading, McGettigan situates Melville's works alongside advertising materials, magazine articles, trade manuals, and British and American commentary on the literary industry to demonstrate how Melville's literary practice relies on and aestheticizes the specific conditions of literary production in which he worked. For Melville, the book is a physical object produced by particular technological processes, as well as an entity that manifests social and economic values. His characters carry books, write on them, and even sleep on them; they also imagine, observe, and participate in the buying and selling of books. Melville employs the book's print, paper, and binding - and its market circulations - to construct literary figures, to shape textual form, and to create irony and ambiguity. Exploring the printed book in Melville's writings brings neglected sections of his poetry and prose to the fore and invites new readings of familiar passages and images. These readings encourage a reassessment of Melville's career as shaped by his creative engagements with print, rather than his failures in the literary marketplace. McGettigan demonstrates that a sustained and deliberate imaginative dialogue with the material text is at the core of Melville's expressive practice and that, for Melville, the printed book served as a site for imagining the problems and possibilities of modernity.
| Author | : William V. Spanos |
| Publisher | : State University of New York Press |
| Total Pages | : 296 |
| Release | : 2008-08-21 |
| Genre | : Literary Criticism |
| ISBN | : 0791477746 |
Argues that Herman Melville’s later work anticipates the resurgence of an American exceptionalist ethos underpinning the U.S.-led global “war on terror.”
| Author | : James M. Greene |
| Publisher | : LSU Press |
| Total Pages | : 179 |
| Release | : 2020-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 0807172715 |
In The Soldier’s Two Bodies, James M. Greene investigates an overlooked genre of early American literature—the Revolutionary War veteran narrative—showing that it by turns both promotes and critiques a notion of military heroism as the source of U.S. sovereignty. Personal narratives by veterans of the American Revolution indicate that soldiers in the United States have been represented in two contrasting ways from the nation’s first days: as heroic symbols of the body politic and as human beings whose sufferings are neglected by their country. Published from 1779 through the late 1850s, narrative accounts of Revolutionary War veterans’ past service called for recognition from contemporary audiences, inviting readers to understand the war as a moment of violence central to the founding of the nation. Yet, as Greene reveals, these calls for recognition at the same time underscored how many veterans felt overlooked and excluded from the sovereign power they fought to establish. Although such narratives stem from a discourse that supports centralized, continental nationalism, they disrupt stable notions of a unified American people by highlighting those left behind. Greene discusses several well-known examples of the genre, including narratives from Ethan Allen, Joseph Plumb Martin, and Deborah Sampson, along with Herman Melville's fictional adaptation of the life of Israel Potter. Additional chapters focus on accounts of postwar frontier actions, including narratives collected by Hugh Henry Brackenridge that voice concerns over populist violence, along with stranger narratives like those of Isaac Hubbell and James Roberts, which register as fantastic imitations of the genre commenting on antebellum racial politics. With attention to questions of historical context and political ideology, Greene charts the process by which veteran narratives promote exception, violence, and autonomy, while also encouraging restraint, sacrifice, and collectivity. Revolutionary War veteran narratives offer no easy solutions to the appropriation of veterans’ lives within military nationalism and sovereign violence. But by bringing forward the paradox inherent in the figure of the U.S. soldier, the genre invites considerations of how to reimagine those representations. Drawing attention to paradoxes presented by the memory of the American Revolution, The Soldier’s Two Bodies locates the origins of a complicated history surrounding the representation of veterans in U.S. politics and culture.
| Author | : Charles Wells Moulton |
| Publisher | : |
| Total Pages | : 776 |
| Release | : 1910 |
| Genre | : American literature |
| ISBN | : |
| Author | : Wyn Kelley |
| Publisher | : John Wiley & Sons |
| Total Pages | : 631 |
| Release | : 2015-06-24 |
| Genre | : Literary Criticism |
| ISBN | : 1119117909 |
In a series of 35 original essays, this companion demonstrates the relevance of Melville’s works in the twenty-first century. Presents 35 original essays by scholars from around the world, representing a range of different approaches to Melville Considers Melville in a global context, and looks at the impact of global economies and technologies on the way people read Melville Takes account of the latest and most sophisticated scholarship, including postcolonial and feminist perspectives Locates Melville in his cultural milieu, revising our views of his politics on race, gender and democracy Reveals Melville as a more contemporary writer than his critics have sometimes assumed
| Author | : Robert Hendrickson |
| Publisher | : Infobase Publishing |
| Total Pages | : 800 |
| Release | : 2000-10-30 |
| Genre | : Americanisms |
| ISBN | : 1438129920 |
Provides definitions and examples of words and phrases used in different geographical regions of the United States.
| Author | : William V. Spanos |
| Publisher | : U of Minnesota Press |
| Total Pages | : 318 |
| Release | : 2000 |
| Genre | : Philosophy |
| ISBN | : 9780816633371 |
A study of imperialism that stretches from ancient Rome to the post-Cold War World, this provocative work boldly revises our assumptions about the genealogy of the West. Rather than locating its source in classical Greece, William V. Spanos argues, we should look to ancient Rome, which first articulated the ideas that would become fundamental to the West's imperial project. These founding ideas, he claims, have informed the American national identity and its foreign policy from its origins. The Vietnam War is at the center of this book. In the contradiction between the "free world" logic employed to justify U.S. intervention in Vietnam and the genocidal practices used to realize that logic, Spanos finds the culmination of an imperialistic discourse reaching back to the colonizing rationale of the Roman Empire. Spanos identifies the language of expansion in the "white" metaphors in Western philosophical discourse since the colonization of Greek thought by the Romans. He shows how these metaphors, and their role in metaphysical discourse, have long been complicit in the violence of imperialism.
