Henry Peach Robinson
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Author | : Margaret F. Harker |
Publisher | : Wiley-Blackwell |
Total Pages | : 119 |
Release | : 1988 |
Genre | : Photography |
ISBN | : 9780631161721 |
Describes the life and career of Robinson, shows examples of his landscapes, portraits, narrative scenes, and composite photographs, and discusses his technique
Author | : H. P. Robinson |
Publisher | : |
Total Pages | : 240 |
Release | : 1869 |
Genre | : Composition (Photography) |
ISBN | : |
Author | : Henry Peach Robinson |
Publisher | : |
Total Pages | : 182 |
Release | : 1881 |
Genre | : Composition (Photography) |
ISBN | : |
Author | : Henry Peach Robinson |
Publisher | : |
Total Pages | : 186 |
Release | : 1896 |
Genre | : Photography, Artistic |
ISBN | : |
Author | : Henry Peach Robinson |
Publisher | : |
Total Pages | : 46 |
Release | : 2003 |
Genre | : Photographers |
ISBN | : 9781872940113 |
Author | : Henry Peach Robinson |
Publisher | : |
Total Pages | : 94 |
Release | : 1888 |
Genre | : Landscape photography |
ISBN | : |
Author | : P.H Emerson |
Publisher | : BoD – Books on Demand |
Total Pages | : 246 |
Release | : 2020-08-04 |
Genre | : Fiction |
ISBN | : 3752407921 |
Reproduction of the original: Naturalistic Photography For Students of the Art by P.H Emerson
Author | : Sally Barnden |
Publisher | : Cambridge University Press |
Total Pages | : 263 |
Release | : 2019-12-19 |
Genre | : Drama |
ISBN | : 1108487939 |
Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.
Author | : Mia Fineman |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 298 |
Release | : 2012 |
Genre | : Exhibitions |
ISBN | : 1588394735 |
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
Author | : |
Publisher | : |
Total Pages | : 46 |
Release | : 2003 |
Genre | : Photographers |
ISBN | : |