Henry Lawes, Musician and Friend of Poets
Author | : Willa McClung Evans |
Publisher | : New York : The Modern Language Association of America ; London : Oxford University Press |
Total Pages | : 278 |
Release | : 1941 |
Genre | : Music |
ISBN | : |
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Author | : Willa McClung Evans |
Publisher | : New York : The Modern Language Association of America ; London : Oxford University Press |
Total Pages | : 278 |
Release | : 1941 |
Genre | : Music |
ISBN | : |
Author | : Philip Brett |
Publisher | : Routledge |
Total Pages | : 420 |
Release | : 2013-02-01 |
Genre | : Music |
ISBN | : 1135863814 |
When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.
Author | : Cristina Malcomson |
Publisher | : Routledge |
Total Pages | : 304 |
Release | : 2016-07-01 |
Genre | : History |
ISBN | : 1317899997 |
This book, the first single volume to collate essays about sixteenth and seventeenth century poetry, explores the remarkable changes that have occurred in the interpretation of English Renaissance poetry in the last twenty years. In the introduction Cristina Malcolmson argues that recent critical approaches have transformed traditional accounts of literary history by analysing the role of poetry in nationalism, the changing associations of poetry and class-status, and the rediscovered writings of women. The collection represents many of the critical methodologies which have contributed to these changes: new historicism, cultural materialism, feminism, and an historically informed psychoanalytic criticism. In particular, three diverse readings of Spenser's 'Bower of Bliss' canto illustrate the different approaches of formalist close-reading, new historicist analysis of cultural imperialism and feminist interpretations of the relation of gender and power. The further reading section categorizes recent work according to issues and critical approaches.
Author | : John Milton |
Publisher | : Anchor |
Total Pages | : 939 |
Release | : 2013-07-31 |
Genre | : Poetry |
ISBN | : 0307823768 |
The first complete annotated edition of Milton's poetry available in a one-volume paperback. The text is established from original sources, with collations of all known manuscripts, chronology and verbal variants recorded. Works in Latin, Greek and Italian are included with new literal translations.
Author | : Diane Kelsey McColley |
Publisher | : Cambridge University Press |
Total Pages | : 350 |
Release | : 1997-12-11 |
Genre | : Literary Criticism |
ISBN | : 9780521593632 |
This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes and Tomkins. The seventeenth century was the time in English literary history when music was most consciously linked to words, and when the mingling of Renaissance and 'new' philosophy opened new discovery routes for the interpretation of art. McColley offers close readings of poems and the musical settings of analogous texts, and discusses the philosophy, performance, and disputed political and ecclesiastical implications of polyphony. She also enters into the discourse about the nature of language, relating poets' use of language and composers' use of music to larger questions concerning the arts, politics and theology.
Author | : Robert Wilcher |
Publisher | : Associated University Presse |
Total Pages | : 456 |
Release | : 2007 |
Genre | : History |
ISBN | : 9780874139969 |
Presents a study of the literary output of Sir John Suckling. This work reconstructs the various contexts in which the poems, plays, letters, and prose tracts were produced and, reveals the nature of one writer's engagement - both creative and subversive - with the social, religious, political, and cultural dimensions of Caroline England.
Author | : Graham Parry |
Publisher | : Boydell Press |
Total Pages | : 252 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : 9781843833758 |
Graham Parry offers an accessible survey of the achievements of Laudian culture, so much of which was destroyed in the Civil Wars, taking into account every area and medium which it influenced.
Author | : Helena Mennie Shire |
Publisher | : Cambridge University Press |
Total Pages | : 308 |
Release | : 2010-08-26 |
Genre | : History |
ISBN | : 9780521148290 |
This study examines the song repertory and two poets, Alexander Scott and Alexander Montgomerie, in sixteenth-century Scotland.
Author | : Robert Herrick |
Publisher | : |
Total Pages | : 581 |
Release | : 2013-10 |
Genre | : Literary Collections |
ISBN | : 0199212848 |
This first volume of the new edition of Robert Herrick's poetry contains Herrick's only published collection, Hesperides (1648).
Author | : Richard Charteris |
Publisher | : Taylor & Francis |
Total Pages | : 355 |
Release | : 2023-05-31 |
Genre | : Music |
ISBN | : 1000951464 |
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.