Henry Cowell Bohemian
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| Author | : Michael Hicks |
| Publisher | : University of Illinois Press |
| Total Pages | : 246 |
| Release | : 2002 |
| Genre | : Composers |
| ISBN | : 9780252027512 |
In this first full-length study of Henry Cowell, Michael Hicks shows how the maverick composer, writer, teacher, and performer built his career on the intellectual and aesthetic foundations of his parents, community, and teachers--and exemplified the essence of bohemian California. Author of the highly influential New Musical Resources and a teacher of John Cage, Lou Harrison, and Burt Bacharach, Cowell is regarded as an innovator, a rebel, and a genius. One of the first American composers to be celebrated for the novelty of his techniques, Cowell popularized a series of experimental piano-playing techniques that included pounding his fists and forearms on the keys and plucking the piano strings directly to achieve the exotic, dissonant sounds he desired. Henry Cowell, Bohemian traces the venerated experimentalist's radical ideas back to his teachers, including Charles Seeger, Samuel Seward, and E. G. Stricklen, the tightknit artistic communities in the San Francisco Bay area where he grew up and first started composing, and the immeasurable influence of his parents. Mining the published and unpublished writings of his mother, a politically motivated novelist from the Midwest who carefully monitored the pulse of her son's creativity from birth, Hicks provides insight into the composer's heritage, artistic inclinations, and childhood.Focusing on Cowell's formative and most prolific years, from his birth in 1897 through his incarceration on a morals conviction in the 1930s, Hicks examines the philosophical fervor that fueled his whirlwind compositions, and the ways his irrepressible bohemian spirit helped foster an appreciation in the United States and Europe for a new brand of American music.
| Author | : Jeremy S. Brown |
| Publisher | : Routledge |
| Total Pages | : 369 |
| Release | : 2018-03-14 |
| Genre | : Music |
| ISBN | : 1351239244 |
The Wind Band Music of Henry Cowell studies the compositions for wind band by twentieth-century composer Henry Cowell, a significant and prolific figure in American fine art music from 1914-1965. The composer is noteworthy and controversial because of his radical early works, his interest in non-Western musics, and his retrogressive mature style—along with notoriety for his imprisonment in San Quentin on a morals charge. Eleven chapters are organized both topically and chronologically. An introduction, conclusion, series of eight appendices, bibliography, and discography complete this comprehensive study, along with an audio playlist of representative works, hosted on the CMS website.
| Author | : Joel Sachs |
| Publisher | : Oxford University Press |
| Total Pages | : 619 |
| Release | : 2012-07-09 |
| Genre | : Music |
| ISBN | : 0199939187 |
Joel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life, being sentenced to fifteen years in San Quentin -- of which he served four -- after pleading guilty to a morals charge that even the prosecutor felt was trivial. Providing a wealth of insight into Cowell's ideas and philosophy, Joel Sachs lays out a much-needed perspective on one of the giants of twentieth-century American music.
| Author | : Paul Eli Ivey |
| Publisher | : U of Minnesota Press |
| Total Pages | : 406 |
| Release | : 2013-04-01 |
| Genre | : History |
| ISBN | : 1452939543 |
In May 1904, the residents of Halcyon—a small utopian community on California’s central coast—invited their neighbors to attend the grand opening of the Halcyon Hotel and Sanatorium. As part of the entertainment, guests were encouraged to have their hands X-rayed. For the founders and members of Halcyon, the X-ray was a demonstration of mysterious spiritual forces made practical to human beings. Radiance from Halcyon is the story not only of the community but also of its uniquely inventive members’ contributions to religion and science. The new synthesis of religion and science attempted by Theosophy laid the foundation for advances produced by the children of the founding members, including microwave technology and atomic spectral analysis. Paul Eli Ivey’s narrative starts in the 1890s in Syracuse, New York, with the rising of the Temple of the People, a splinter group of the theosophical movement. After developing its ideals for an agricultural and artisanal community, the Temple purchased land in California and in 1903 began to live its dream there. In addition to an intriguing account of how a little-known utopian religious community profoundly influenced modern science, Ivey offers a wide-ranging cultural history, encompassing Theosophy, novel healing modalities, esoteric architecture, Native American concepts of community, socialist utopias, and innovative modern music.
| Author | : Vivian Perlis |
| Publisher | : Yale University Press |
| Total Pages | : 506 |
| Release | : 2005-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0300138377 |
The first opportunity to read--and hear--interviews with and about great American composers and musicians of the early twentieth century.
| Author | : Gayle Sherwood Magee |
| Publisher | : University of Illinois Press |
| Total Pages | : 258 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 0252033264 |
An engaging new portrait of the seminal American composer
| Author | : Leta E. Miller |
| Publisher | : Univ of California Press |
| Total Pages | : 382 |
| Release | : 2012 |
| Genre | : Music |
| ISBN | : 0520268911 |
“Leta Miller’s long-awaited study is a tightly woven, fast-paced, and luminous chronicle of San Francisco’s musical coming of age. Her keen insights into Chinese opera, night club jazz, and two international expositions go far to rekindle the era’s spirited mix of talent, taste, patronage, and politics. The groundbreaking work of an accomplished music and social historian, Music and Politics in San Francisco is a most welcome companion to Catherine Parsons Smith’s Making Music in Los Angeles.” —Jonathan Elkus, Lecturer in Music Emeritus, UC Davis “From three disastrous days in April 1906 through the onset of an even greater disaster in 1941, from the San Francisco Conservatory through the performances of the Chinese Opera, Leta Miller traces the musico-political history of ‘the Paris of the West’ in meticulous detail. This important book adds immeasurably to our knowledge of West Coast American music, whilst simultaneously challenging a number of historiographical shibboleths.” —David Nicholls, contributing editor of The Cambridge History of American Music "Leta Miller’s San Francisco’s Musical Life is a pure pleasure to read. Miller manages that rare feat of digesting what must have been many years of digging through newspapers and archives into a fun, lively, highly readable narrative. Each chapter strikes a comfortable balance among factual exposition, colorful anecdote, and historical analysis. Miller brings equal depth and insight to each of her disparate subjects, she writes with charm and clarity throughout, and the whole is arranged in a way that is clear and logical, never monotonous." —Mary Ann Smart, author of Mimomania: Music and Gesture in Nineteenth-Century Opera
| Author | : Mina Yang |
| Publisher | : University of Illinois Press |
| Total Pages | : 206 |
| Release | : 2010-10-01 |
| Genre | : Music |
| ISBN | : 025209297X |
What does it mean to be Californian? To find out, Mina Yang delves into multicultural nature of musics in the state that has launched musical and cultural trends for decades. In the early twentieth century, an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians and influenced their interactions with the Asian Other. Several decades later, tensions between the Los Angeles Police Department and the African American community made the thriving jazz and blues nightclub scene of 1940s Central Avenue a target for the LAPD's anti-vice crusade. The musical scores for Hollywood's noir films confirmed reactionary notions of the threat to white female sexuality in the face of black culture and urban corruption while Mexican Americans faced a conflicted assimilation into the white American mainstream. Finally, Korean Americans in the twenty-first century turned to hip-hop to express their cultural and national identities. A compelling journey into the origins of musical identity, California Polyphony explores the intersection of musicology, cultural history, and politics to define Californian.
| Author | : Simon Cooper |
| Publisher | : Springer Nature |
| Total Pages | : 338 |
| Release | : 2019-12-20 |
| Genre | : Literary Criticism |
| ISBN | : 3030351955 |
This book tests critical reassessments of US radical writing of the 1930s against recent developments in theories of modernism and the avant-garde. Multidisciplinary in approach, it considers poetry, fiction, classical music, commercial art, jazz, and popular contests (such as dance marathons and bingo). Relating close readings to social and economic contexts over the period 1856–1952, it centers in on a key author or text in each chapter, providing an unfolding, chronological narrative, while at the same time offering nuanced updates on existing debates. Part One focuses on the roots of the 1930s proletarian movement in poetry and music of the nineteenth and early twentieth centuries. Part Two analyzes the output of proletarian novelists, considered alongside contemporaneous works by established modernist authors as well as more mainstream, popular titles.
| Author | : Nicole V. Gagné |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 545 |
| Release | : 2019-07-17 |
| Genre | : Music |
| ISBN | : 1538122987 |
The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.
