Henri Regnault, 1843-1871... - Primary Source Edition

Henri Regnault, 1843-1871... - Primary Source Edition
Author: Roger Marx
Publisher: Nabu Press
Total Pages: 110
Release: 2014-02
Genre:
ISBN: 9781294757825

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Henri Regnault, 1843-1871; Artistes Celebres Roger Marx J. Rouam, 1886

The Deaths of Henri Regnault

The Deaths of Henri Regnault
Author: Marc Gotlieb
Publisher: University of Chicago Press
Total Pages: 313
Release: 2016-06-09
Genre: Art
ISBN: 022629885X

This is the first book in English on Henri Regnault (1843–71), a forgotten star of the European fin-de-siècle. A brilliant maverick who once seemed to hold the future of French painting in his hands, Regnault enjoyed a meteoric rise that was cut short when he died at the age of twenty-seven in the Franco-Prussian War. The story of his glamorous career and patriotic death colored French commemorative culture for nearly forty years—until his memory was swept away by the vast losses of World War I. In The Deaths of Henri Regnault, Marc Gotlieb reintroduces this important artist while offering a new perspective on the ultimate decline of nineteenth-century salon painting. Gotlieb traces Regnault’s trajectory after he won the prestigious Grand Prix de Rome, a fellowship that provided four years of study in Italy. Arriving in Rome, however, Regnault suffered a profound crisis of originality that led him to flee the city in favor of Spain and Morocco. But the crisis also proved productive: from Rome, Madrid, Tangier, and Paris, Regnault enthralled audiences with a bold suite of strange, seductive, and violent Orientalist paintings inspired by his exotic journey—images that, Gotlieb argues, arose precisely from the crisis that had overtaken Regnault and that in key respects was shared by his more avant-garde counterparts. Both an in-depth look at Regnault’s violent art and a vibrant essay on historical memory, The Deaths of Henri Regnault lays bare a creative legend who helped shape the collective experience of a generation.