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| Author | : Robert E. Helbling |
| Publisher | : New Directions Publishing |
| Total Pages | : 304 |
| Release | : 1975 |
| Genre | : Literary Collections |
| ISBN | : 9780811205634 |
Nightmare--a politically explosive murder trial in the middle of the Vietnam War.
| Author | : Heinrich von Kleist |
| Publisher | : Harper Collins |
| Total Pages | : 234 |
| Release | : 1998-11-25 |
| Genre | : Drama |
| ISBN | : 0061180157 |
An army of Amazons sets out to conquer Greek heroes for the purpose of stocking their women's state with new female offspring. They blast into the midst of the Trojan War, confusing Greeks and Trojans alike and for a moment forcing those enemies into a terrified alliance. When Achilles, the pride and mainstay of the Greeks, and Penthesilea (Pen-te-sil-lay-uh), queen of the Amazons, meet, a chase begins, The like of which not even the wildest storms Set loose to thunder across the plain of heaven Have yet presented to the astonished world, and it is the queen who is hunting Achilles, to the uncomprehending horror of the Greeks. Thus begins a tragedy of love in a world governed by the rules of war, on which "the gods look down but from afar." For the first time, in this splendidly illustrated book, an English translation recreates the audaity, romance, and poetry of one of the strangest and most beautiful works of Western literature.
| Author | : Bernd Fischer |
| Publisher | : Camden House |
| Total Pages | : 276 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9781571131775 |
For over 150 years, Heinrich von Kleist (1777-1811) has been one of the most widely read and performed German authors. His status in the literary canon is firmly established, but he has always been one of Germany's most contentiously discussed authors. Today's critical debate on his unique prose narratives and dramas is as heated as ever. Many critics regard Kleist as a lone presager of the aesthetics and philosophies of late nineteenth- and early twentieth-century modernism. Yet there can be no question that he responds in his works and letters to the philosophical, aesthetic, and political debates of his time. During the last thirty years, the scholarship on Kleist's work and life has departed from the existentialist wave of the 1950s and early 1960s and opened up new avenues for coming to terms with his unusual talent. The present volume brings together the most important and innovative of these newer scholarly approaches: the essays include critically informed, up-to-date interpretations of Kleist's most-discussed stories and dramas. Other contributions analyze Kleist's literary means and styles and their theoretical underpinnings. They include articles on Kleist's narrative and theatrical technique, poetic and aesthetic theory, philosophical and political thought, and insights from new biographical research. Contributors: Jeffrey L. Sammons, Jost Hermand, Anthony Stephens, Bianca Theisen, Hinrich C. Seeba, Bernhard Greiner, Helmut J. Schneider, Tim Mehigan, Susanne Zantop, Hilda M. Brown, and Seán Allan. Bernd Fischer is Professor of German and Head of the Department of German at Ohio State University.
| Author | : Heinrich von Kleist |
| Publisher | : Hackett Publishing |
| Total Pages | : 474 |
| Release | : 2004-01-01 |
| Genre | : Fiction |
| ISBN | : 9780872207431 |
Aiming in his translation for an English haunted and affected by the strangeness of the original, David Constantine offers a wealth of Heinrich von Kleist's key writings in this collection, the most ambitious of its kind.
| Author | : Anthony Stephens |
| Publisher | : Bloomsbury Academic |
| Total Pages | : 328 |
| Release | : 1994-09-15 |
| Genre | : Literary Criticism |
| ISBN | : |
Heinrich von Kleist has emerged as one of the great literary figures of his era, yet surprisingly few critical studies of his works exist in English. This book by a distinguished authority on Kleist attempts to fill the gap by offering an up to date and challenging reading of his dramas and stories in the light of recent scholarship in German and other languages.
| Author | : Heinrich von Kleist |
| Publisher | : Königshausen & Neumann |
| Total Pages | : 205 |
| Release | : 2008 |
| Genre | : |
| ISBN | : 3826035232 |
| Author | : Seán Allan |
| Publisher | : Camden House |
| Total Pages | : 264 |
| Release | : 2001 |
| Genre | : |
| ISBN | : 9781571132277 |
| Author | : Bernd Fischer |
| Publisher | : Camden House |
| Total Pages | : 316 |
| Release | : 2011 |
| Genre | : Biography & Autobiography |
| ISBN | : 1571135065 |
New essays employing a multitude of approaches to the works of Kleist, in the process shedding light on our present modernity. Modernity, according to some views, poses the problem of homo politicus -- the problem of how to act in a moral universe without a "master narrative," without a final foundation. From this angle, the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays -- addresses problems emerging from a new universe of Kantian provenance, in many ways the same universe we inhabit today. This volume of new essays investigates Kleist's position in ourever-changing conception of modernity, employing aesthetic, narrative, philosophical, biographical, political, economic, anthropological, psychological, and cultural approaches and wrestling with the difficulties of historicizingKleist's life and work. Central questions are: To what extent can the multitude of breaking points and turning points, endgames and pre-games, ruptures and departures that permeate Kleist's work and biography be conceptually bundled together and linked to the emerging paradigm of modernity? And to what extent does such an approach to Kleist not only advance understanding of this major German writer and his work, but also shed light on the nature of our present modernity? Contributors: Seán Allan, Peter Barton, Hilda Meldrum Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L. High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall, Christian Moser, Dorothea von Mücke, Nancy Nobile, David Pan, Ricarda Schmidt, Helmut J. Schneider. Bernd Fischer is Professor of German at the Ohio State University. Tim Mehigan is Professor of German in the Department of Languagesand Cultures at the University of Otago, New Zealand.
| Author | : Kim Fordham |
| Publisher | : Peter Lang |
| Total Pages | : 164 |
| Release | : 2007 |
| Genre | : Drama |
| ISBN | : 9783039110391 |
What makes the trial so appealing as dramatic form? Why do we watch? Is it simply the quest for truth and justice? Or is it much more than that? From the time of Sophocles, the court has fascinated audiences and dramatists alike. Kleist is no exception, as each of his dramas and many of his stories and anecdotes contain a trial of some sort from its most primitive form of hand-to-hand combat in the duel to more conventional legal proceedings in secular, military and ecclesiastical courts. At trial, we desire, whether consciously or unconsciously, to have our own system of beliefs and behaviours affirmed rather than to attempt to achieve justice: self-interest prevails at the expense of truth and equity. The focus of this book is the tension between the restoration of dikê, the balance of natural order, and the pursuit of truth and justice as impetus behind the trial. With recourse to the concept of legal instrumentalism, which underscores this preference for order over justice in both the law and literature, the author examines Kleist's dramas to determine the extent to which those individuals in positions of power are able to manipulate the proceedings, seeking not justice and truth, but rather the validation of their own particular version of order. The trial, a tool generally thought to be designed to discover truth and to mete out justice, is used instead, in the hands of the powerful, as an instrument of control and degradation.
| Author | : Timothy J. Mehigan |
| Publisher | : Camden House |
| Total Pages | : 246 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 1571135189 |
Kleist viewed anew as a major contributor to the tradition of post-Kantian thought. The question of Heinrich von Kleist's reading and reception of Kant's philosophy has never been satisfactorily answered. The present study aims to reassess this question, particularly in the light of Kant's rising importance for the humanities today. It argues not only that Kleist was influenced by Kant, but also that he may be understood as a Kantian, albeit an unorthodox one. The volume integrates material previously published by the author, now updated, with new chapters to form a greater whole. What results is a coherent set of approaches that illuminates the question of Kleist's Kantianism from different points of view. Kleist is thereby understood not only as a writer but also as a thinker - one whose seriousness of purpose and clarity of design compares with that of other early expositors of Kant's thought such as Reinhold and Fichte. Through the locutions and idioms of fiction and the essay, Kleist becomes visible for the first time as an original contributor to the tradition of post-Kantian ideas. Tim Mehigan is Professorial Chair of German in the Department of Languages and Cultures at the University of Otago, New Zealand, and Honorary Professor in the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.
