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| Author | : Friedrich Nietzsche |
| Publisher | : Chartwell Books |
| Total Pages | : 339 |
| Release | : 2017-05-23 |
| Genre | : Philosophy |
| ISBN | : 0785835431 |
A bind up of Nietzsche's two most famous works; Beyond Good and Evil (1886) and Genealogy of Morals.
| Author | : Alexander v. Fenner |
| Publisher | : diplom.de |
| Total Pages | : 71 |
| Release | : 2014-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 3836612917 |
Inhaltsangabe:Abstract: In the beginning of the 20th century numerous changes in the social, economic and political level flow together. In the ambivalent spirit of end time and break-up different trends of literature are unfolded. For the young Heinrich Mann these processes continue in his early work as a writer and qualify for interpretation and the hope to overcome the Fin de siécle trend. The selected novels of this work Im Schlaraffenland Ein Roman unter feinen Leuten (1900), Professor Unrat oder Das Ende eines Tyrannen (1904) and Die Kleine Stadt (1909) represent the development of this intention. At first they appear as a satirical criticism of the society and later in the second half of the decade as a draft for a democratic society. In the following the former novels Im Schlaraffenland and Professor Unrat are mentioned without subheading. This work shall point out the very development phase of Heinrich Mann between 1900 and 1909 until the beginning of his political writing. As a result of biographical and literary effects he takes up a special position and shows a change in his early work. His critical and satirical examination of the society associated with a special style of speech open out in a preachy democratic ideal of the society after the turning year 1905. On the one hand these positions make the career of the man of letters difficult in the German nationalistic empire. On the other hand they make him to become a precursor of a vanguard readership. Before the philosophical influence of Friedrich Nietzsche and the literary effect of predominantly French origin on Heinrich Mann will be dwelled on, this work will give a short overview of the literary understanding. After this the three mentioned novels will be discussed in the chapters 2., 3. and 4. and will be correlated. It will become apparent that there is a strong breach of Heinrich Mann in his satires and his democratic utopia. After the year 1905 Heinrich Mann changes his mind back to the time of reconnaissance, Jean Jacques Rousseau s ideal of the society and the trilogy imagination of liberty, equality and brotherliness of the French revolution of 1789. His guiding themes of power and spirit, the dualism of the society and the individual and the problems of the artist are therefore at the figure of change in the first decade of the 20th century. Inhaltsverzeichnis:Table of Contents: HEINRICH MANN: MIRROR AND ANTAGONIST OF HIS TIME1 INTRODUCTION3 1.The Fin [...]
| Author | : Karin Verena Gunnemann |
| Publisher | : Camden House |
| Total Pages | : 268 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9781571130990 |
The first full-length study in English of Heinrich Mann's literary work and political activism. Heinrich Mann, once counted among the most important literary figures in Germany, is known to most English-speaking readers only as the brother of Thomas Mann, or in connection with Marlene Dietrich and the film "The Blue Angel,"which was based on one of his novels. Only a few of his novels and stories and virtually none of his hundreds of provocative essays are available in English. But he deserves special attention for the window his work provides ontothe intellectual, social, and political history of Germany, especially Germany's struggle with the question of democracy in the early twentieth century. In his essays and novels, Mann exposed Germany's resistance to democracy wellbefore the First World War, and especially during the Revolution of 1918/19 and the Weimar Republic he made the education of the German people to democratic values and a democratic form of government the center of his life and work. Professor Gunnemann's book is the first work in English that explores Heinrich Mann's work in detail. Special attention is given to the history of the reception of Mann's works in Germany, which is also a history of that nation's self-understanding. Karin Verena Gunnemann is professor of German at Agnes Scott College in Atlanta.
| Author | : Alexander Von Fenner |
| Publisher | : Diplomica Verlag |
| Total Pages | : 105 |
| Release | : 2008-08 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3836665034 |
The following scientific work about Heinrich Mann is the translation of my examination "Heinrich Mann: Die Entwicklung im Fr hwerk vom "sozialkritischen" zum "politischen" Roman," published 2007 in Germany and entitled: "Heinrich Mann: Mirror and antagonist of his time." This work describes his early literary his early literary life and shows his attitude towards most of the changes in the society during the turn of the century. At the same time it demonstrates his change to a democrat and the way how he engrosses his thoughts to become a political author. At the beginning of his rise to a literary example for a small group of youngf writers he was a member and observer of the special period called "Fin de si cle." Starting as a journalist he learned from french examples like Balzac, Bourget and Zola and he wasreally impressed by the French spirit and styles of literature in the middle of the 19th century. Certainly he has been influenced by contemporary literature and authors from Germany. But nevertheless he was more focused on the French spirit of this period. Heinrich Mann, born 1871, brother of the established Thoms Mann was not an important writer. In my opion and in comparison to his brother he was the one who was underestimated in his time. Besides his personal development in his work shows why he was just the opposite to Thomas Mann - more brilliant than well-known for the enexperienced reader of German literature. The reason for it may be his attitude to prefer peace more than the other side of the German national mood to overwhelm other nations by hostile tendencies before the First World War. His special authorial abilities can be realised in how he describes the political attitudes in his own ironical and sarcastic style. In this article the literary work of Heinrich Mann caricatures the German Empire which is presented by means of my comparisons of the three novels "Im Schlaraffenland," (1900), "Professor Unrat" (1905) and "Die Kleine Stadt" (1909).
| Author | : Heinrich Mann |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 372 |
| Release | : 1998-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780826409553 |
Published in 1918, Der Untertan by Heinrich Mann (1871-1950) - previously issued in the United States only in parts under the title "Man of Straw" - is a satirical novel that connects the tradition of nineteenth-century German literature with the larger problems faced on the eve of the Nazi era. This edition of The Loyal Subject is introduced and edited by Helmut Peitsch. The translation is adapted, with new portions translated by Daniel Theisen.
| Author | : Thomas Mann |
| Publisher | : Univ of California Press |
| Total Pages | : 480 |
| Release | : 1998-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780520072787 |
Presents the correspondence of Thomas and Heinrich Mann
| Author | : Geoff Waite |
| Publisher | : Duke University Press |
| Total Pages | : 580 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780822317197 |
Appearing between two historical touchstones--the alleged end of communism and the 100th anniversary of Nietzsche's death--this book offers a provocative hypothesis about the philosopher's afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche (corpse) and his written work (corpus) to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist corps that has been programmed and manipulated by concealed dimensions of the philosopher's thought. If anyone is responsible for what Geoff Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept. Waite advances his argument by bringing Marxist--especially Gramscian and Althusserian--theories to bear on the concept of Nietzsche/anism. But he also goes beyond ideological convictions to explore the vast Nietzschean influence that proliferates throughout the marketplace of contemporary philosophy, political and literary theory, and cultural and technocultural criticism. In light of a philological reconstruction of Nietzsche's published and unpublished texts, Nietzsche's Corps/e shuttles between philosophy and everyday popular culture and shows them to be equally significant in their having been influenced by Nietzsche--in however distorted a form and in a way that compromises all of our best interests. Controversial in its "decelebration" of Nietzsche, this remarkable study asks whether the postcontemporary age already upon us will continue to be dominated and oriented by the haunting spectre of Nietzsche's corps/e. Philosophers, intellectual historians, literary theorists, and those interested in western Marxism, popular culture, Friedrich Nietzsche, and the intersection of French and German thought will find this book both appealing and challenging.
| Author | : Steven E. Aschheim |
| Publisher | : Univ of California Press |
| Total Pages | : 363 |
| Release | : 1994-02-25 |
| Genre | : History |
| ISBN | : 0520085558 |
"One of the most important works of German and European intellectual history published in years. . . . It will be welcomed by intellectual historians as a long overdue history of the multivalent reception and reworking of Nietzsche."—Jeffrey Herf, author of Reactionary Modernism
| Author | : Heinrich Mann |
| Publisher | : Penguin Books |
| Total Pages | : 312 |
| Release | : 1984 |
| Genre | : Fiction |
| ISBN | : |
First published in 1918, Man of Straw is a sharp indictment of the Wilhelmine regime and a chilling warning against the joint elevation of militarism and commercial values. The 'Man of Straw' is Diederich Hessling, embodiment of the corrupt society in which he moves; his brutish progression through life forms the central theme of the book.
