Hegel, Nietzsche, and Philosophy
| Author | : Will Dudley |
| Publisher | : Cambridge University Press |
| Total Pages | : 348 |
| Release | : 2002-08-08 |
| Genre | : Philosophy |
| ISBN | : 052181250X |
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Hegel Nietzsche And Philosophy
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Hegel, Nietzsche and the Criticism of Metaphysics
| Author | : Stephen Houlgate |
| Publisher | : Cambridge University Press |
| Total Pages | : 324 |
| Release | : 2004-01-29 |
| Genre | : Philosophy |
| ISBN | : 9780521892797 |
This study of Hegel and Nietzsche evaluates and compares their work through their common criticism of the metaphysics for operating with conceptual oppositions such as being/becoming and egoism/altruism. Dr Houlgate exposes Nietzsche's critique as employing the distinction of Life and Thought, which itself constitutes a metaphysical dualism of the kind Nietzsche attacks. By comparison Hegel is shown to provide a more profound critique of metaphysical dualism by applying his philosophy of the dialectic, which sees such alleged opposites as defining components of a dynamic. In choosing to study a theme so fundamental to both philosophers' work, Houlgate has established a framework within which to evaluate the Hegel-Nietzsche debate; to make the first full study of Nietzsche's view of Hegel's work; and to compare Nietzsche's Dionysic philosophy with Hegel's dialectical philosophy by focusing on tragedy, a subject central to the philosophy of both.
Hegel, Marx, Nietzsche
| Author | : Henri Lefebvre |
| Publisher | : Verso Books |
| Total Pages | : 241 |
| Release | : 2020-02-11 |
| Genre | : Political Science |
| ISBN | : 1788733738 |
The great French Marxist philosopher weighs up the contributions of the three major critics of modernity With the translation of Lefebvre's philosophical writings, his stature in the English-speaking world continues to grow. Though certainly within the Marxist tradition, he consistently saw Marx as an 'unavoidable, necessary, but insufficient starting point'. Unsurprisingly, Lefebvre always insisted on the importance of Hegel to understanding Marx. But the imposing Metaphilosophy also suggested the significance he ascribed to Nietzsche, in the 'realm of shadows' through which philosophy seeks to think the world. Lefebvre proposes here that the modern world is at the same time Hegelian in terms of the state; Marxist in terms of the social and society; and Nietzschean in terms of civilization and its values. As early as 1939, Lefebvre pioneered a French reading of Nietzsche that rejected the philosopher's appropriation by fascism, bringing out the tragic implications of Nietzsche's proclamation that 'God is dead' long before this approach was followed by such later writers as Foucault, Derrida and Deleuze. Forty years later, in the last of his philosophical writings, Lefebvre juxtaposes the contributions of the three great thinkers, in a text whose themes remain surprisingly relevant today.
Tragedy, Recognition, and the Death of God
| Author | : Robert R. Williams |
| Publisher | : Oxford University Press |
| Total Pages | : 423 |
| Release | : 2012-09-27 |
| Genre | : History |
| ISBN | : 0199656053 |
Robert R. Williams offers a bold new account of divergences and convergences in the work of Hegel and Nietzsche. He explores four themes - the philosophy of tragedy; recognition and community; critique of Kant; and the death of God - and explicates both thinkers' critiques of traditional theology and metaphysics.
End-of-Art Philosophy in Hegel, Nietzsche and Danto
| Author | : Stephen Snyder |
| Publisher | : Springer |
| Total Pages | : 312 |
| Release | : 2018-11-04 |
| Genre | : Philosophy |
| ISBN | : 3319940724 |
This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.
German Philosophers
| Author | : Roger Scruton |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 466 |
| Release | : 2001 |
| Genre | : Filosofi |
| ISBN | : 0192854240 |
German Philosophers contains studies of four of the most important German theorists: Kant, arguably the most influential modern philosopher; Hegel, whose philosophy inspired an enduring vision of a communist society; Schopenhauer, renowned for his pessimistic preference for non-existence; andNietzsche, who has been appropriated as an icon by an astonishingly diverse spectrum of people.
Dark Riddle
| Author | : Yirmiyahu Yovel |
| Publisher | : Penn State Press |
| Total Pages | : 264 |
| Release | : 1998 |
| Genre | : Religion |
| ISBN | : 9780271017945 |
A unique analysis of the conflicting views toward Judaism reflected in the work of German philosophers Hegel and Nietzsche. Through his masterly analysis of the writings of both men, Yirmiyahu Yovel shows that anti-Jewish prejudice can exist alongside a philosophy of reason, while a philosophy of power must not necessarily be anti-Semitic.
Nietzsche and Philosophy
| Author | : Gilles Deleuze |
| Publisher | : A&C Black |
| Total Pages | : 230 |
| Release | : 2006-05-10 |
| Genre | : Philosophy |
| ISBN | : 9780826490759 |
Presents important accounts of Nietzsche's philosophy. The author shows how Nietzsche began a new way of thinking which breaks with the dialectic as a method and escapes the confines of philosophy itself.
Beyond Hegel and Nietzsche
| Author | : Elliot L. Jurist |
| Publisher | : MIT Press |
| Total Pages | : 380 |
| Release | : 2002-01-25 |
| Genre | : Philosophy |
| ISBN | : 9780262263238 |
Are Hegel and Nietzsche philosophical opposites? Can twentieth-century Continental philosophers be categorized as either Hegelians or Nietzscheans? In this book Elliot Jurist places Hegel and Nietzsche in conversation with each other, reassessing their relationship in a way that affirms its complexity. Jurist examines Hegel's and Nietzsche's claim that philosophy and culture are linked and explicates the various meanings of "culture" in their work—in particular, the contrast both thinkers draw between ancient and modern culture. He evaluates their positions on the failure of modern culture and on the need to develop conceptions of satisfied agency. It is Jurist's original contribution to focus on the psychological sensibility that informs the project of both philosophers. Writing in an admirably clear style, he traces the ongoing legacy of Hegel's and Nietzsche's thought in Adorno, Habermas, Honneth, Jessica Benjamin, Heidegger, Derrida, Lacan, and Butler.
The Drama of History
| Author | : Kristin Gjesdal |
| Publisher | : Oxford University Press |
| Total Pages | : 241 |
| Release | : 2020-10-20 |
| Genre | : Philosophy |
| ISBN | : 0190070781 |
Henrik Ibsen's plays have long beguiled philosophically-oriented readers. From Nietzsche to Adorno to Cavell, philosophers have drawn inspiration from Ibsen. But what of Ibsen's own philosophical orientation? As part of larger European movements to reinvent drama, Ibsen and fellow playwrights grappled with contemporary philosophy. Philosophy of drama found a central place with figures such as Gotthold Ephraim Lessing and Johann Gottfried Herder, but reached its mature form, in Ibsen's time, in the works of G.W.F. Hegel and Friedrich Nietzsche. Kristin Gjesdal reveals the centrality of philosophy of theater in nineteenth-century philosophy and shows how drama, as an art form, offers insight into human historicity and the conditions of modern life. The Drama of History deepens and actualizes the relationship between philosophy and drama--not by suggesting that either philosophy or drama should have the upper hand, but rather by indicating how a sustained dialogue between them brings out the meaning and intellectual power of each. Her study reveals underappreciated aspects of Hegel's and Nietzsche's works through their reception in European art and investigates the philosophical dimensions of Ibsen's drama. At the heart of this interrelation between philosophy and drama is a shared interest in exploring the existential condition of human life as lived and experienced in history.
