Heavy Metal Music Texts And Nationhood
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| Author | : Catherine Hoad |
| Publisher | : Springer Nature |
| Total Pages | : 265 |
| Release | : 2021-10-25 |
| Genre | : Social Science |
| ISBN | : 3030676196 |
This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of ‘belonging’ which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism.
| Author | : K. F. B. Fletcher |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2019-10-03 |
| Genre | : History |
| ISBN | : 1350075361 |
This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.
| Author | : Clarence Bernard Henry |
| Publisher | : Taylor & Francis |
| Total Pages | : 543 |
| Release | : 2024-11-19 |
| Genre | : Music |
| ISBN | : 1040151930 |
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 1, Global Perspectives in Popular Music Studies, situates popular music studies within global perspectives and geocultural settings at large. It offers over nine hundred in-depth annotated bibliographic entries of interdisciplinary research and several topical categories that include analytical, critical, and historical studies; theory, methodology, and musicianship studies; annotations of in-depth special issues published in scholarly journals on different topics, issues, trends, and music genres in popular music studies that relate to the contributions of numerous musicians, artists, bands, and music groups; and annotations of selected reference works.
| Author | : Peter Pichler |
| Publisher | : Kohlhammer Verlag |
| Total Pages | : 146 |
| Release | : 2024-05-22 |
| Genre | : History |
| ISBN | : 3170434640 |
Metal Studies is a genuinely interdisciplinary research field. However, different specialist traditions, differing theoretical and methodological approaches, and also terminological "translation difficulties" make collaboration within the field difficult. This volume aims to explore the potential and limitations of interdisciplinary work by examining an example area - the laws of Heavy Metal - from the point of view of central disciplines. Laws are regarded as social conventions - i.e., rules that are made by human beings and are culturally stable. Examples of laws include conventions of musical language, the dress code in the metal scene, behavioural norms, and conventions in writing song lyrics. The volume includes contributions from the fields of law, social ethics, art history, religious studies, musicology, sociology, linguistics, and cultural history.
| Author | : Jan-Peter Herbst |
| Publisher | : Cambridge University Press |
| Total Pages | : 415 |
| Release | : 2023-09-14 |
| Genre | : Music |
| ISBN | : 1108997910 |
Since its beginnings over fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but as a recognised field of study. This Companion, grounded in recent research, explores the various musical styles and cultures of metal, providing a reliable resource for students and researchers.
| Author | : Ruth Barratt-Peacock |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 212 |
| Release | : 2019-09-06 |
| Genre | : Music |
| ISBN | : 1787563952 |
This edited collection investigates metal music’s enduring fascination with the medieval period from a variety of critical perspectives, exploring how metal musicians and fans use the medieval period as a fount for creativity and critique.
| Author | : Catherine Hoad |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : |
| ISBN | : 9783030676209 |
This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of 'belonging' which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism. Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand.
| Author | : Amanda DiGioia |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 312 |
| Release | : 2020-12-18 |
| Genre | : Music |
| ISBN | : 1839099488 |
This multi-disciplinary book explores the textual analysis of heavy metal lyrics written in languages other than English including Japanese, Yiddish, Latin, Russian, Hungarian, Austrian German, and Norwegian. Topics covered include national and minority identity, politics, wordplay, parody, local/global, intertextuality, and adaptation.
| Author | : Bruce David Forbes |
| Publisher | : Univ of California Press |
| Total Pages | : 459 |
| Release | : 2017-03-01 |
| Genre | : Religion |
| ISBN | : 0520965221 |
The connection between popular culture and religion is an enduring part of American life. With seventy-five percent new content, the third edition of this multifaceted and popular collection has been revised and updated throughout to provide greater religious diversity in its topics and address critical developments in the study of religion and popular culture. Ideal for classroom use, this expanded volume gives increased attention to the implications of digital culture and the increasingly interactive quality of popular culture provides a framework to help students understand and appreciate the work in diverse fields, methods, and perspectives contains an updated introduction, discussion questions, and other instructional tools
| Author | : Kaarina Aitamurto |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2016-05-05 |
| Genre | : Religion |
| ISBN | : 1317084438 |
Rodnoverie was one of the first new religious movements to emerge following the collapse of the Soviet Union, its development providing an important lens through which to view changes in post-Soviet religious and political life. Rodnovers view social and political issues as inseparably linked to their religiosity but do not reflect the liberal values dominant among Western Pagans. Indeed, among the conservative and nationalist movements often associated with Rodnoverie in Russia, traditional anti-Western and anti-Semitic rhetoric has recently been overshadowed by anti-Islam and anti-migrant tendencies. Providing a fascinating overview of the history, organisations, adherents, beliefs and practices of Rodnoverie this book presents several different narratives; as a revival of the native Russian or Slavic religion, as a nature religion and as an alternative to modern values and lifestyles. Drawing upon primary sources, documents and books this analysis is supplemented with extensive fieldwork carried out among Rodnoverie communities in Russia and will be of interest to scholars of post-Soviet society, new religious movements and contemporary Paganism in general.
