Haunting Violations
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| Author | : Wendy Hesford |
| Publisher | : University of Illinois Press |
| Total Pages | : 316 |
| Release | : 2000-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 9780252093302 |
Feminist critics place a premium on the "real" stories told by the victimized and the oppressed. Haunting Violations offers a corrective to such uncritical acceptance of the "real" in confessional, testimonial, and ethnographic narratives. Through close readings of a wide variety of texts, contributors argue that depictions of the "real" are inherently performative, crafted within the limits and in the interests of specific personal, political, or social projects. Haunting Violations explores the inseparability of discourse and politics in quasi-autobiographical works such as I, Rigoberta Menchú and When Heaven and Earth Changed Places. Contributors consider how the Sri Lankan Mother's Front movement exploits the sanctity of the maternal and how multiple political purposes on both sides bleed through government "documentary" photographs of Japanese-American concentration camp internees. This volume also investigates how South Asian feminists use the authority of their personal experience to critique the film Mississippi Masala and how realist narratives, such as Janet Campbell Hale's autobiographical Bloodlines, Margie Strosser's documentary film Rape Stories, and Shekur Kapur's film Bandit Queen, reexamine how assumptions about power and trauma are embedded in the promise of the real.
| Author | : G. L. Davies |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 210 |
| Release | : 2014-06-24 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 9781500582692 |
#1 in unexplained mystery section Ghost sex The Violation is the terrifying and disturbing follow up to the Worldwide bestselling A most haunted house. This true and chilling account centers on a family in Pembroke Dock, West Wales that are invaded by a paranormal presence. The home is subjected to a prolonged and frightening haunting and escalates to a sickening and disturbing series of sexual violations. Paranormal Investigator G L Davies conducts a series of interviews with three generations of family that have been deeply affected by the vile supernatural intrusion into their lives. If you think you know about paranormal encounters, if you think this is just a Welsh version of the Entity or a more sexually descriptive version of the potter's wheel scene in Ghost, then you are asked to reconsider and push away any preconceptions of what you are about to read. This novel is possibly the most chilling and debase paranormal account ever published and it is not for the faint of heart. Due caution is advised. Described as "Brutal, chilling and compelling" Do you dare read? Download now and join the investigation today and decide for yourself on what really happened to this family... and then pray it never happens to you.
| Author | : Rhonda V. Wilcox |
| Publisher | : McFarland |
| Total Pages | : 211 |
| Release | : 2014-01-10 |
| Genre | : Performing Arts |
| ISBN | : 0786484632 |
During the course of its three seasons, Veronica Mars captured the attention of fans and academics alike. The 12 scholarly essays in this collection examine the show's most compelling elements. Topics covered include vintage television, the search for the mother, fatherhood, the show's connection to classical Greek paradigms, the anti-hero's journey, rape narrative and meaning, and television fandom. Collectively, these essays reveal how a teen television show--equal parts noir, romance, social realism and father-daughter drama--became a worthy subject for scholarly study.
| Author | : Basuli Deb |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2014-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 1317632117 |
This book offers a transnational feminist response to the gender politics of torture and terror from the viewpoint of populations of color who have come to be associated with acts of terror. Using the War on Terror in Afghanistan and Iraq, this book revisits other such racialized wars in Palestine, Guatemala, India, Algeria, and South Africa. It draws widely on postcolonial literature, photography, films, music, interdisciplinary arts, media/new media, and activism, joining the larger conversation about human rights by addressing the problem of a pervasive public misunderstanding of terrorism conditioned by a foreign and domestic policy perspective. Deb provides an alternative understanding of terrorism as revolutionary dissent against injustice through a postcolonial/transnational lens. The volume brings counter-terror narratives into dialogue with ideologies of gender, race, ethnicity, nationality, class, and religion, addressing the situation of women as both perpetrators and targets of torture, and the possibilities of a dialogue between feminist and queer politics to confront securitized regimes of torture. This book explores the relationship in which social and cultural texts stand with respect to legacies of colonialism and neo-imperialism in a world of transnational feminist solidarities against postcolonial wars on terror.
| Author | : Sarah Brophy |
| Publisher | : University of Toronto Press |
| Total Pages | : 319 |
| Release | : 2014-01-01 |
| Genre | : Performing Arts |
| ISBN | : 1442616091 |
With contributions by both artists and scholars, Embodied Politics in Visual Autobiography is a unique examination of visual autobiography's involvement in the global cultural politics of health, disability, and the body.
| Author | : Elizabeth Swanson Goldberg |
| Publisher | : Routledge |
| Total Pages | : 336 |
| Release | : 2013-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 113664637X |
What can literary theory reveal about discourses and practices of human rights, and how can human rights frameworks help to make sense of literature? How have human rights concerns shaped the literary marketplace, and how can literature impact human rights concerns? Essays in this volume theorize how both literature and reading literarily can shape understanding of human rights in productive ways. Contributors to Theoretical Perspectives on Human Rights and Literature provide a shared history of modern literature and rights; theorize how trauma, ethics, subjectivity, and witnessing shape representations of human rights violations and claims in literary texts across a range of genres (including poetry, the novel, graphic narrative, short story, testimonial, and religious fables); and consider a range of civil, political, social, economic, and cultural rights and their representations. The authors reflect on the imperial and colonial histories of human rights as well as the cynical mobilization of human rights discourses in the name of war, violence, and repression; at the same time, they take seriously Gayatri Spivak’s exhortation that human rights is something that we "cannot not want," exploring the central function of storytelling at the heart of all human rights claims, discourses, and policies.
| Author | : Crystal Parikh |
| Publisher | : Cambridge University Press |
| Total Pages | : 277 |
| Release | : 2019-07-11 |
| Genre | : Literary Criticism |
| ISBN | : 1108665195 |
Literature has been essential to shaping the notions of human personhood, good life, moral responsibility, and forms of freedom that have been central to human rights law, discourse, and politics. The literary study of human rights has also recently generated innovative and timely perspectives on the history, meaning, and scope of human rights. The Cambridge Companion to Human Rights and Literature introduces this new and exciting field of study in the humanities. It explores the historical and institutional contexts, theoretical concepts, genres, and methods that literature and human rights share. Equally accessible to beginners in the field and more advanced researches, this Companion emphasizes both the literary and interdisciplinary dimensions of human rights and the humanities.
| Author | : Keith Kenney |
| Publisher | : Routledge |
| Total Pages | : 358 |
| Release | : 2010-09-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1135859264 |
Visual Communication Research Designs provides a step-by-step guide for designing research involving visuals relevant to communications media. This volume explains the process from conceptualization to research questions, instrumentation, analysis, and reliability and validity checks. It also addresses the lack of sufficient methods to answer theoretical questions attending visual communication. This resource has been developed in response to the circumstance in which, in many cases, the methodologies used for verbal and textual communications are inappropriate or ineffective when applied or adapted for the study of visual communications. Additionally, research articles from ethnography, action research, rhetoric, semiotics, psychology, cultural studies, and critical theory often do not use examples appropriate to visual communication readers. To address these issues, this book explains in clear and straightforward language key research designs, including new methodologies, that are appropriate for scholars and students conducting visual communication research. Organized into three parts -- production, analysis, and effects of visuals – this research text provides guidance in using, interpreting and measuring the effects of visual images. It addresses such topics as: producing photographs and video that can be used as research data; interpreting images that already exist; measuring the effects of visuals and to understand their use by different groups. Ethical issues are included, as well as a discussion of the advantages and limitations of each method. "War stories" are provided by experienced researchers, who discuss a particular research project and explain pitfalls to avoid, as well as what to do when problems occur. The primary audiences are scholars, researchers, and students conducting research on motion pictures, video, television, photographs, illustrations, graphics, typography, political cartoons, comic books, animation, and other media with a visual component. Individuals will use this text whenever they need to conduct research that involves visuals in the media. The book will be a required text for advanced courses in visual culture, seminars on visual communication research, and other research methods courses integrating a visual component.
| Author | : C. Martin |
| Publisher | : Springer |
| Total Pages | : 325 |
| Release | : 2010-01-06 |
| Genre | : Performing Arts |
| ISBN | : 0230251315 |
The Dramaturgy of the Real brings together an incredible range of international theatre thinking, plays and performance texts, many published here for the first time, that ask questions about how we have come to understand reality and truth in the twenty-first century and analyze the presentation of non-fiction on the international stage.
| Author | : Wendy Kozol |
| Publisher | : U of Minnesota Press |
| Total Pages | : 303 |
| Release | : 2014-10-15 |
| Genre | : Art |
| ISBN | : 1452942781 |
In our wired world, visual images of military conflict and political strife are ubiquitous. Far less obvious, far more elusive, is how we see such images, how witnessing military violence and suffering affects us. Distant Wars Visible brings a new perspective to such enduring questions about conflict photography and other forms of visual advocacy, whether in support of U.S. military objectives or in critique of the nation at war. At the book’s center is what author Wendy Kozol calls an analytic of ambivalence—a critical approach to the tensions between spectacle and empathy provoked by gazing at military atrocities and trauma. Through this approach, Distant Wars Visible uses key concepts such as the politics of recoil, the notion of looking elsewhere, skeptical documents, and ethical spectatorship to examine multiple visual cultural practices depicting war, on and off the battlefield, from the 1999 NATO bombings in Kosovo to the present. Kozol’s analysis draws from collections of family photographs, human rights photography, independent film production, photojournalism, and other examples of war’s visual culture, as well as extensive visual evidence of the ways in which U.S. militarism operates to maintain geopolitical dominance—from Fallujah and Abu Ghraib to the most recent drone strikes in Pakistan. Throughout, Kozol reveals how factors such as gender, race, and sexuality construct competing visualizations of identity in a range of media from graphic narrative and film to conflict photography and battlefield souvenirs—and how contingencies and contradictions in visual culture shape the politics and ethics of witnessing.
