Haunted Spaces In Twenty First Century British Nature Writing
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Author | : Anneke Lubkowitz |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 330 |
Release | : 2020-06-08 |
Genre | : Literary Criticism |
ISBN | : 3110678640 |
This study investigates the figure of haunting in the New Nature Writing. It begins with a historical survey of nature writing and traces how it came to represent an ideal of ‘natural’ space as empty of human history and social conflict. Building on a theoretical framework which combines insights from ecocriticism and spatial theory, the author explores the spatial dimensions of haunting and ‘hauntology’ and shows how 21st-century writers draw on a Gothic repertoire of seemingly supernatural occurrences and spectral imagery to portray ‘natural’ space as disturbed, uncanny and socially contested. Iain Sinclair and Robert Macfarlane are revealed to apply psychogeography’s interest in ‘hidden histories’ and haunted places to spaces associated with ‘wilderness’ and ‘the countryside’. Kathleen Jamie’s allusions to the Gothic are put in relation to her feminist re-writing of ‘the outdoors’, and John Burnside’s use of haunting is shown to dismantle fictions of ‘the far north’. This book provides not only a discussion of a wide range of factual and fictional narratives of the present but also an analysis of the intertextual dialogue with the Romantic tradition which enfolds in these texts.
Author | : Anneke Lubkowitz |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 301 |
Release | : 2020-06-08 |
Genre | : Literary Criticism |
ISBN | : 3110678616 |
This study investigates the figure of haunting in the New Nature Writing. It begins with a historical survey of nature writing and traces how it came to represent an ideal of ‘natural’ space as empty of human history and social conflict. Building on a theoretical framework which combines insights from ecocriticism and spatial theory, the author explores the spatial dimensions of haunting and ‘hauntology’ and shows how 21st-century writers draw on a Gothic repertoire of seemingly supernatural occurrences and spectral imagery to portray ‘natural’ space as disturbed, uncanny and socially contested. Iain Sinclair and Robert Macfarlane are revealed to apply psychogeography’s interest in ‘hidden histories’ and haunted places to spaces associated with ‘wilderness’ and ‘the countryside’. Kathleen Jamie’s allusions to the Gothic are put in relation to her feminist re-writing of ‘the outdoors’, and John Burnside’s use of haunting is shown to dismantle fictions of ‘the far north’. This book provides not only a discussion of a wide range of factual and fictional narratives of the present but also an analysis of the intertextual dialogue with the Romantic tradition which enfolds in these texts.
Author | : Tom Cox |
Publisher | : Unbound Publishing |
Total Pages | : 319 |
Release | : 2017-11-16 |
Genre | : Biography & Autobiography |
ISBN | : 178352457X |
'Glorious – funny and wry and wise, and utterly its own lawmaker' Robert Macfarlane 'A rich, strange, oddly glorious brew' Guardian Longlisted for the Wainwright Golden Beer Book Prize 2018 21st-Century Yokel is not quite nature writing, not quite a family memoir, not quite a book about walking, not quite a collection of humorous essays, but a bit of all five. Thick with owls and badgers, oak trees and wood piles, scarecrows and ghosts, and Tom Cox's loud and excitable dad, this book is full of the folklore of several counties – the ancient kind and the everyday variety – as well as wild places, mystical spots and curious objects. Emerging from this focus on the detail are themes that are broader and bigger and more important than ever. Tom's writing treads a new path, one that has a lot in common with a rambling country walk; it's bewitched by fresh air and big skies, intrepid in minor ways, haunted by weather and old stories and the spooky edges of the outdoors, restless and prone to a few detours, but it always reaches its destination in the end.
Author | : Harry Price |
Publisher | : |
Total Pages | : 0 |
Release | : 1941 |
Genre | : Borley (England) |
ISBN | : |
"Borley Rectory was the house that gained infamy as "the most haunted house in England" after its ten-year-long paranormal investigation by the psychic researcher; Harry Price. Price dedicated his life to uncovering the truth behind the paranormal, leading him to become one of the most well-known psychical researchers of all time. It was his investigation into Borley Rectory which by far became the most famous case in Price's long career, eventually leading to the Victorian house being crowned the 'most haunted in England'. This book ... document[s] his ten-year investigation into exploring the nature of paranormal phenomena surrounding Borley Rectory. The rectory was attributed to classic poltergeist activity, wall-writing, mysterious fires and supernatural manifestations. Most notable of these is that of the figure of a nun, known for walking across the garden. Also appearing was a spectral carriage and team of horses driven by a headless coachman. It could be said that the story of Borley Rectory is as much a story of a haunted house and ghosts as it is about the living. Borley's saga includes sensationalist tabloid headlines, a scandalous affair and a captivating investigator whose discoveries are still questioned to this day"--Amazon.com.
Author | : Ruth Heholt |
Publisher | : Rowman & Littlefield |
Total Pages | : 258 |
Release | : 2016-11-17 |
Genre | : Literary Criticism |
ISBN | : 1783488832 |
Haunted Landscapes offers a fresh and innovative approach to contemporary debates about landscape and the supernatural. Landscapes are often uncanny spaces embroiled in the past; associated with absence, memory and nostalgia. Yet experiences of haunting must in some way always belong to the present: they must be felt. This collection of essays opens up new and compelling areas of debate around the concepts of haunting, affect and landscape. Landscape studies, supernatural studies, haunting and memory are all rapidly growing fields of enquiry and this book synthesises ideas from several critical approaches – spectral, affective and spatial – to provide a new route into these subjects. Examining urban and rural landscapes, haunted domestic spaces, landscapes of trauma, and borderlands, this collection of essays is designed to cross disciplines and combine seemingly disparate academic approaches under the coherent locus of landscape and haunting. Presenting a timely intervention in some of the most pressing scholarly debates of our time, Haunted Landscapes offers an attractive array of essays that cover topics from Victorian times to the present.
Author | : dg nanouk okpik |
Publisher | : University of Arizona Press |
Total Pages | : 112 |
Release | : 2012-11-10 |
Genre | : Poetry |
ISBN | : 081659936X |
A self-proclaimed “vessel in which stories are told from time immemorial,” poet dg nanouk okpik seamlessly melds both traditional and contemporary narrative, setting her apart from her peers. The result is a collection of poems that are steeped in the perspective of an Inuit of the twenty-first century—a perspective that is fresh, vibrant, and rarely seen in contemporary poetics. Fearless in her craft, okpik brings an experimental, yet poignant, hybrid aesthetic to her first book, making it truly one of a kind. “It takes all of us seeing, hearing, touching, tasting, and smelling to be one,” she says, embodying these words in her work. Every sense is amplified as the poems, carefully arranged, pull the reader into their worlds. While each poem stands on its own, they flow together throughout the collection into a single cohesive body. The book quickly sets up its own rhythms, moving the reader through interior and exterior landscapes, dark and light, and other spaces both ecological and spiritual. These narrative, and often visionary, poems let the lives of animal species and the power of natural processes weave into the human psyche, and vice versa. Okpik’s descriptive rhythms ground the reader in movement and music that transcend everyday logic and open up our hearts to the richness of meaning available in the interior and exterior worlds.
Author | : Roger Clarke |
Publisher | : Macmillan + ORM |
Total Pages | : 401 |
Release | : 2014-10-07 |
Genre | : Body, Mind & Spirit |
ISBN | : 1466857862 |
A New York Times Book Review Editor's Choice A comprehensive, authoritative and readable history of the evolution of the ghost in the west, examining the behavior of the subject in its preferred environment: the stories we tell each other. "Roger Clarke tells this [the story that inspired Henry James' The Turn of the Screw] and many other gloriously weird stories with real verve, and also a kind of narrative authority that tends to constrain the skeptical voice within... [An] erudite and richly entertaining book." —New York Times Book Review No matter how rationally we order our lives, few of us are completely immune to the suggestion of the uncanny and the fear of the dark. What explains sightings of ghosts? Why do they fascinate us? What exactly do those who have been haunted see? What did they believe? And what proof is there? Taking us through the key hauntings that have obsessed the world, from the true events that inspired Henry James's classic The Turn of the Screw right up to the present day, Roger Clarke unfolds a story of class conflict, charlatans, and true believers. The cast list includes royalty and prime ministers, Samuel Johnson, John Wesley, Harry Houdini, and Adolf Hitler. The chapters cover everything from religious beliefs to modern developments in neuroscience, the medicine of ghosts, and the technology of ghosthunting. There are haunted WWI submarines, houses so blighted by phantoms they are demolished, a seventeenth-century Ghost Hunter General, and the emergence of the Victorian flash mob, where hundreds would stand outside rumored sites all night waiting to catch sight of a dead face at a window. Written as grippingly as the best ghost fiction, A Natural History of Ghosts takes us on an unforgettable hunt through the most haunted places of the last five hundred years and our longing to believe.
Author | : Kathleen Jamie |
Publisher | : The Experiment, LLC |
Total Pages | : 258 |
Release | : 2013-09-10 |
Genre | : Nature |
ISBN | : 1615191755 |
Winner of the 2014 Orion Book Award for Nonfiction Winner of the John Burroughs Association 2014 Medal for Distinguished Natural History Book In Sightlines, Kathleen Jamie reports from the field—from her native Scottish “byways and hills” to the frigid Arctic in fourteen enthralling essays. She dissects whatever her gaze falls upon—vistas of cells beneath a hospital microscope, orcas rounding a headland, the aurora borealis lighting up the frozen sea. In so doing, she questions what, exactly, constitutes “nature,” and upends the idea that it is always picturesque. Written with precision, subtlety, and wry humor, Sightlines urges the reader: “Keep looking, even when there’s nothing much to see.”
Author | : Monika Elbert |
Publisher | : University of Alabama Press |
Total Pages | : 304 |
Release | : 2017-06-20 |
Genre | : Literary Criticism |
ISBN | : 0817319379 |
An innovative collection of essays examining the sometimes paradoxical alignment of Realism and Naturalism with the Gothic in American literature to highlight their shared qualities Following the golden age of British Gothic in the late eighteenth century, the American Gothic’s pinnacle is often recognized as having taken place during the decades of American Romanticism. However, Haunting Realities explores the period of American Realism—the end of the nineteenth century—to discover evidence of fertile ground for another age of Gothic proliferation. At first glance, “Naturalist Gothic” seems to be a contradiction in terms. While the Gothic is known for its sensational effects, with its emphasis on horror and the supernatural, the doctrines of late nineteenth-century Naturalism attempted to move away from the aesthetics of sentimentality and stressed sobering, mechanistic views of reality steeped in scientific thought and the determinism of market values and biology. Nonetheless, what binds Gothicism and Naturalism together is a vision of shared pessimism and the perception of a fearful, lingering presence that ominously haunts an impending modernity. Indeed, it seems that in many Naturalist works reality is so horrific that it can only be depicted through Gothic tropes that prefigure the alienation and despair of modernism. In recent years, research on the Gothic has flourished, yet there has been no extensive study of the links between the Gothic and Naturalism, particularly those which stem from the early American Realist tradition. Haunting Realities is a timely volume that addresses this gap and is an important addition to scholarly work on both the Gothic and Naturalism in the American literary tradition.
Author | : |
Publisher | : |
Total Pages | : 1068 |
Release | : 2004 |
Genre | : Authors, American |
ISBN | : |