Harvesting Ballads

Harvesting Ballads
Author: Philip Kimball
Publisher: Dutton Adult
Total Pages: 412
Release: 1984
Genre: Fiction
ISBN: 9780525242284

Harvesting Ballads

Harvesting Ballads
Author: Philip Kimball
Publisher:
Total Pages: 390
Release: 1994
Genre: Literary Criticism
ISBN: 9780806126326

Folk Horror Revival: Harvest Hymns. Volume I- Twisted Roots

Folk Horror Revival: Harvest Hymns. Volume I- Twisted Roots
Author: Folk Horror Revival
Publisher: Lulu.com
Total Pages: 354
Release: 2018
Genre: Art
ISBN: 024407481X

The Twisted Roots of Folk Horror music. An exploration of the artists and their music who laid the foundations for future generations of Folk Horror musicians. Taking in Murder Ballads, Acid Folk, Occult Rock, The Blues and Traditional Folk Music as well as Film Soundtracks Twisted Roots is a collection of articles, interviews and album reviews from the likes of Maddy Prior, Jonny Trunk, Sharron Kraus, John Cameron and Candia McKormack and many more.

The Concise Garland Encyclopedia of World Music, Volume 1

The Concise Garland Encyclopedia of World Music, Volume 1
Author: Garland Encyclopedia of World Music
Publisher: Routledge
Total Pages: 786
Release: 2013-01-11
Genre: Music
ISBN: 1136095705

The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932

The SAGE International Encyclopedia of Music and Culture

The SAGE International Encyclopedia of Music and Culture
Author: Janet Sturman
Publisher: SAGE Publications
Total Pages: 2730
Release: 2019-02-26
Genre: Music
ISBN: 1483317749

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

Ballads and Broadsides in Britain, 1500-1800

Ballads and Broadsides in Britain, 1500-1800
Author: Patricia Fumerton
Publisher: Routledge
Total Pages: 332
Release: 2017-05-15
Genre: Literary Criticism
ISBN: 1317176375

Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.