Encyclopedia of nineteenth-century photography

Encyclopedia of nineteenth-century photography
Author: John Hannavy
Publisher: Taylor & Francis
Total Pages: 1630
Release: 2008
Genre: Photographers
ISBN: 0415972353

The first comprehensive encyclopedia of world photograph up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.

A Magazine of Her Own?

A Magazine of Her Own?
Author: Margaret Beetham
Publisher: Routledge
Total Pages: 250
Release: 2003-09-02
Genre: Literary Criticism
ISBN: 1134768788

Like the corset, the women's magazines which emerged in the nineteenth century produced a `natural' idea of femininity: the domestic wife; the fashionable woman; the romancing and desirable girl. Their legacy, from agony aunts to fashion plates, are easily traced in their modern counterparts. But do these magazines and their promises empower or disempower their readers? A Magazine of Her Own? is a lively and revealing exploration of this immensely popular form from its beginnings. In fascinating detail Margaret Beetham investigates the desires, images and interpretations of femininity posed by a medium whose readership was and still is almost exclusively female. A Magazine of Her Own is at once a chronological tracing of the history, a collection of intriguing case studies and an intervention into recent debates about gender and sexuality in popular reading. It is a book which anyone who is interested in the unique, influential world of the woman's magazine - students, scholars and general readers alike - will want to read

An Unsettled Spirit

An Unsettled Spirit
Author: Terry Sturm
Publisher: Auckland University Press
Total Pages: 479
Release: 2013-11-01
Genre: Literary Criticism
ISBN: 1775580164

A critical biography of the popular 1920s novelist G. B. Lancaster (the pen name of Edith Lyttleton), this book tells the moving story of her life and work. Sturm paints a fascinating picture of the harsh experience of a woman writer in the first half of the 20th century whose economic circumstances shaped much of her output but who struggled nonetheless to move beyond the limits of potboilers toward more serious and original work.