Harmony And Monody In Chopin
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Author | : Michael Regan |
Publisher | : GRIN Verlag |
Total Pages | : 9 |
Release | : 2011-05-17 |
Genre | : Music |
ISBN | : 3640917421 |
Essay from the year 2011 in the subject Musicology - Miscellaneous, grade: none, , language: English, abstract: Chopin may not have mastered every aspect of the craft of composition. His orchestration is just adequate, for example, and he seldom ventured into longer forms. But he was a master of harmony of the most subtle and original kind, and incidentally (although this is beyond the brief for this essay) of an un-academic counterpoint too, as a glance at some of the late works, such as the Nocturne Op 62 No 1, will demonstrate. His harmonic style is unique to himself and has the distinction of being not only “academically correct” when he employs familiar chord progressions-i.e. leading notes rise and 7ths fall according to the “rules” of traditional harmony, but of going beyond the norms for the early 19th century in the number of unexpected passing modulations, often to remote keys, and often employing enharmonic note-spellings; and in the dissonance level in certain examples which I will come to later.
Author | : Michael Regan |
Publisher | : GRIN Verlag |
Total Pages | : 70 |
Release | : 2012-11-21 |
Genre | : Music |
ISBN | : 3656316244 |
Essay from the year 2012 in the subject Musicology - Miscellaneous, University of West London, language: English, abstract: The essays are divided into three sections: those featuring some of the composers whose music has been of particular significance to me; then a group of pieces on compositional matters including aspects of style and form such as minimalism, improvisation and repeats; and finally a miscellaneous group on diverse topics including education, the sonic environment and the meaning of music and art in general. The final essay entitled “Explorations” is a summary of those many enthusiasms that I have indulged in over the years, but actually, all the essays are attempts at sharing my love of music, sound, literature and places without in any way pretending to be authoritative. In fact I discovered that the more I try to write about a subject dear to me, the more aware I am of not knowing nearly enough about it. Therefore I plead guilty if it is levelled at these pages that enthusiasm outpaces concrete knowledge, although I would hope that it could not be said of them, as John Butler Yeats once said of his more famous son’s opinions, that they are drawn “from the depths of (my) ignorance”. I have tried not to theorise, feeling that there are altogether too many theories in the world. Some of these items celebrate, some explore. They are simply the results of numerous interests which I just do not want to keep to myself any longer. Whether this is wise or not - let the reader judge. The least I can hope is that I might stimulate others to explore some of the subjects which have inspired and indeed kept me going (mentally that is) through six decades.
Author | : Ian Pace |
Publisher | : Taylor & Francis |
Total Pages | : 405 |
Release | : 2019-05-24 |
Genre | : Music |
ISBN | : 1351031538 |
The composer and pianist Michael Finnissy (b. 1946) is an unmistakeable presence in the British and international new music scene, both for his immeasurable generosity as prolific composer for many different types of musicians, major advocate for the works of others, and performer and conductor who has also been a driving force behind ensembles; he was also President of the International Society for Contemporary Music from 1990 to 1996. His vast and enormously varied output confounds those who seek easy categorisations: once associated strongly with the ‘new complexity’, Finnissy is equally known as composer regularly engaged with many different folk musics, for working with amateur and community musicians, for a long-term engagement with sacred music, or as an advocate of Anglo-American ‘experimental’ music. Twenty years ago, a large-scale volume entitled Uncommon Ground: The Music of Michael Finnissy gave the first major overview of the output of any ‘complex’ composer. This new volume brings a greater plurality of perspectives and critical sensibility to bear upon an output which is almost twice as large as it was when the earlier book was published. A range of leading contributors – musicologists, composers, performers and others – each grapple with particular questions relating to Finnissy’s music, often in ways which raise questions relating more widely to new music, and provide theoretical foundations for further of study both of Finnissy and other composers.
Author | : Textbook Equity |
Publisher | : Lulu.com |
Total Pages | : 109 |
Release | : 2014-09-04 |
Genre | : Education |
ISBN | : 1312486945 |
The Basic Elements of Music ""Explanations (suitable for any age) of the basic elements of music, with suggested activities for introducing the each concept to children at early elementary school level. The course may be used by instructors not trained in music; all necessary definitions and explanations are included."" -This teaching textbook includes -The Time Elements (Rhythm, Meter) -The Pitch Elements (Timbre, Melody, Harmony) -Combining Time and Pitch -The Textures of Music -An Introduction to Counterpoint -Form in Music This music textbook, authored by Catherine Schmidt-Jones, is released under a Creative Commons Attribution Share-Alike license, published by Textbook Equity without changes to the academic content. http: //textbookequity.org/category/music/
Author | : Ernst Levy |
Publisher | : State University of New York Press |
Total Pages | : 144 |
Release | : 2024-01-01 |
Genre | : Music |
ISBN | : 143849632X |
Ernst Levy was a visionary Swiss pianist, composer, and teacher who developed an approach to music theory that has come to be known as "negative harmony." Levy's theories have had a wide influence, from young British performer/composer Jacob Collier to jazz musicians like Steve Coleman. His posthumous text, A Theory of Harmony, summarizes his innovative ideas. A Theory of Harmony is a highly original explanation of the harmonic language of the modern era, illuminating the approaches of diverse styles of music. By breaking through age-old conceptions, Levy was able to reorient the way we experience musical harmony. British composer/music pedagogue Paul Wilkinson has written a new introduction that offers multiple points of entry to Levy’s work to make this text more accessible for a new generation of students, performers, and theorists. He relates Levy's work to innovations in improvisation, jazz, twentieth-century classical music, and the theoretical writings of a wide range of musical mavericks, including Harry Partch, Hugo Riemann, and David Lewin. Wilkinson shows how A Theory of Harmony continues to inspire original musical expression across multiple musical genres.
Author | : |
Publisher | : |
Total Pages | : 2304 |
Release | : 1940 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : Catherine Schmidt-Jones |
Publisher | : |
Total Pages | : 278 |
Release | : 2018-01-28 |
Genre | : Music |
ISBN | : 9781680921540 |
The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.
Author | : |
Publisher | : |
Total Pages | : 362 |
Release | : 1949-02 |
Genre | : Music |
ISBN | : |
Author | : Maurice Hinson |
Publisher | : Alfred Music |
Total Pages | : 212 |
Release | : |
Genre | : Music |
ISBN | : 9781457421181 |
Dr. Maurice Hinson caps off his extensive library of period anthologies with a comprehensive look at Impressionist compositions. This beautifully engraved edition includes works by the top 20 Impressionistic composers, an extensive foreword with historical information on each composer, specific performance notes for each pieces and a look at the compositional techniques used by Impressionists.
Author | : |
Publisher | : |
Total Pages | : 398 |
Release | : 1901 |
Genre | : Music |
ISBN | : |
A monthly journal for the musician, the music student, and all music lovers.