The Origin of Hardy’s Tragic Vision

The Origin of Hardy’s Tragic Vision
Author: Rıza Öztürk
Publisher: Cambridge Scholars Publishing
Total Pages: 115
Release: 2013-01-03
Genre: Art
ISBN: 1443845035

“Dr Rıza Öztürk’s new book, The Origin of Hardy’s Tragic Vision, is a lucid explanation of the most important aspect of novelist Thomas Hardy’s worldview – the destruction of self. Dr Öztürk gets to the core of Hardy’s ‘tragic vision’ – evident in the novelist’s interpretation of the dramatic interplay between character and circumstance. To what degree either element of character or circumstance weighs in the tragic equation is the subject of discourse in Öztürk’s book, a significant acquisition for students and scholars of Hardy, Victorian literature and culture, or the history of the English novel. This study of Hardy tackles the novelist’s formulation of tragedy as an individual’s ‘natural aim or desire’ – and attempts to answer the important question concerning who or what is responsible for such appetite. The Origin of Hardy’s Tragic Vision can serve as a handbook in the study of tragedy, from the ancient Greek notions to manifestations in late nineteenth century novelists (with reference to modern novelists and dramatists, such as D. H. Lawrence and Henrik Ibsen). Öztürk’s analysis, from the impulse of character in The Mayor of Casterbridge, through the envelope of circumstance in Tess of the D’Urbervilles, culminates comprehensively in his discussion of the depletion of life in Jude the Obscure. As a novelist familiar with the ideas of Schopenhauer and Darwin, Hardy’s tragic vision encompasses a brutally stark statement about the reality of life itself, and this assessment is captured brilliantly in Rıza Öztürk’s important book. Regarding tragedy from the technical elements to the thematic, to its special attention in terms of feminism and illustrations of the absurd in Jude the Obscure, there is no question that The Origin of Hardy’s Tragic Vision fills the need for newer interpretations of a vital figure in English literature who straddles both the Victorian and modern eras.” – Gregory F. Tague, PhD, Professor of English, St. Francis College, New York; author of Character and Consciousness (2005) and Ethos and Behavior (2008); editor of the ASEBL Journal

Thomas Hardy’s Vision of Wessex

Thomas Hardy’s Vision of Wessex
Author: S. Gatrell
Publisher: Springer
Total Pages: 280
Release: 2003-11-03
Genre: Literary Criticism
ISBN: 0230500250

Wessex did not spring full-born from Hardy's imagination when he began to write. The first part of the book reveals in detail how Wessex became what it is, geographically, socially and culturally, beginning with his fist poem in the 1860s and ending with Winter Words, his last collection of verse. The second (briefer) part is an account of the impact of Hardy's vision of Wessex on twentieth-century English culture, offering an explanation for Hardy's endurance as a popular novelist.

Alternative Hardy

Alternative Hardy
Author: Lance Butler
Publisher: Springer
Total Pages: 241
Release: 1989-07-31
Genre: Literary Criticism
ISBN: 1349200867

Death, Men, and Modernism

Death, Men, and Modernism
Author: Ariela Freedman
Publisher: Routledge
Total Pages: 166
Release: 2014-04-08
Genre: Literary Criticism
ISBN: 1135383723

Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude the Obscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.

Was Man More Aquatic in the Past? Fifty Years After Alister Hardy - Waterside Hypotheses of Human Evolution

Was Man More Aquatic in the Past? Fifty Years After Alister Hardy - Waterside Hypotheses of Human Evolution
Author: Mario Vaneechoutte
Publisher: Bentham Science Publishers
Total Pages: 253
Release: 2011
Genre: Social Science
ISBN: 1608052443

The book starts from the observation that humans are very different from the other primates. Why are we naked? Why do we speak? Why do we walk upright? Fifty years ago, in 1960, marine biologist Sir Alister Hardy tried to answer this when he announced his so-called aquatic hypothesis: human ancestors did not live in dry savannahs as traditional anthropology assumes, but have adapted to live at the edge between land and water, gathering both terrestrial and aquatic foods. This eBook is an up-to-date collection of the views of the most important protagonists of this long-neglected theory of huma.