Handicrafts of New England
Author | : Allen Hendershott Eaton |
Publisher | : New York : Harper |
Total Pages | : 546 |
Release | : 1949 |
Genre | : Design |
ISBN | : |
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Author | : Allen Hendershott Eaton |
Publisher | : New York : Harper |
Total Pages | : 546 |
Release | : 1949 |
Genre | : Design |
ISBN | : |
Author | : United States. Extension Service. Division of Cooperative Extension |
Publisher | : |
Total Pages | : 152 |
Release | : 1947 |
Genre | : Industrial arts |
ISBN | : |
Author | : Simon J. Bronner |
Publisher | : University Press of Kentucky |
Total Pages | : 369 |
Release | : 2021-05-11 |
Genre | : Social Science |
ISBN | : 0813182743 |
America stocks its shelves with mass-produced goods but fills its imagination with handmade folk objects. In Pennsylvania, the "back to the city" housing movement causes a conflict of cultures. In Indiana, an old tradition of butchering turtles for church picnics evokes both pride and loathing among residents. In New York, folk-art exhibits raise choruses of adoration and protest. These are a few of the examples Simon Bronner uses to illustrate the ways Americans physically and mentally grasp things. Bronner moves beyond the usual discussions of form and variety in America's folk material culture to explain historical influences on, and the social consequences of, channeling folk culture into a mass society.
Author | : Allen Hendershott Eaton |
Publisher | : |
Total Pages | : 48 |
Release | : 1946 |
Genre | : Agriculture |
ISBN | : |
Author | : W. K. McNeil |
Publisher | : Univ. of Tennessee Press |
Total Pages | : 376 |
Release | : 1995 |
Genre | : History |
ISBN | : 9780870498664 |
A compilation of articles and essays from the past 130 years on the character and spirit of Appalachian culture, organized according to four major periods in the awareness of Appalachian culture. Essays covering Kentucky feuds, moonshining, handcrafts, dietary habits, and religion include introductions and editorial commentary. This second edition includes an article on the cultural ramifications of "Appalachian" television programs.
Author | : Philis Alvic |
Publisher | : University Press of Kentucky |
Total Pages | : 516 |
Release | : 2021-12-14 |
Genre | : Biography & Autobiography |
ISBN | : 0813188407 |
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1914 |
Release | : 1979 |
Genre | : Copyright |
ISBN | : |
Author | : Janet Koplos |
Publisher | : Univ of North Carolina Press |
Total Pages | : 544 |
Release | : 2010-07-31 |
Genre | : Crafts & Hobbies |
ISBN | : 0807895830 |
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.