General Catalogue of Printed Books
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 520 |
Release | : 1963 |
Genre | : English imprints |
ISBN | : |
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Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 520 |
Release | : 1963 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 794 |
Release | : 1900 |
Genre | : English literature |
ISBN | : |
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 456 |
Release | : 1962 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1150 |
Release | : 1881 |
Genre | : English literature |
ISBN | : |
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 1308 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 600 |
Release | : 1946 |
Genre | : English literature |
ISBN | : |
Author | : Estelle Derclaye |
Publisher | : Cambridge University Press |
Total Pages | : 492 |
Release | : 2018-03-08 |
Genre | : Law |
ISBN | : 1108196020 |
Protecting designs is complex and diverse; it involves deciding whether to protect them by design law, copyright law, or by both laws. A single protection may be under- or overprotective but two or more can be overprotective if there are no rules regulating the overlap. Legal systems in Europe and abroad have struggled to find the most adequate solution to this problem. This book traces the history of the design/copyright interface of fifteen countries, selected for their diversity in the way they dealt with the interface. It examines how these countries have coped with the problems engendered by the interface, the rules they applied to it over time and the reasons for legislative changes. This analysis reveals the most appropriate rules to regulate the interface at EU and global level and will appeal to academics, practising lawyers, judges, students and policymakers all over the world.
Author | : |
Publisher | : |
Total Pages | : 300 |
Release | : 2006 |
Genre | : Annotations and citations (Law) |
ISBN | : |
"Formerly known as the International Citation Manual"--p. xv.
Author | : Brad Sherman |
Publisher | : Cambridge University Press |
Total Pages | : 264 |
Release | : 1999-07-08 |
Genre | : Law |
ISBN | : 0521563631 |
One of the common themes in recent public debate has been the law's inability to accommodate the new ways of creating, distributing and replicating intellectual products. In this book the authors argue that in order to understand many of the problems currently confronting the law, it is necessary to understand its past. This is its first detailed historical account. In this book the authors explore two related themes. First, they explain why intellectual property law came to take its now familiar shape with sub-categories of patents, copyright, designs and trade marks. Secondly, the authors set out to explain how it is that the law grants property status to intangibles. In doing so they explore the rise and fall of creativity as an organising concept in intellectual property law, the mimetic nature of intellectual property law and the important role that the registration process plays in shaping intangible property.
Author | : Eileen Woodhead |
Publisher | : National Historic Sites Parks Service Environment Canada |
Total Pages | : 354 |
Release | : 1991 |
Genre | : Antiques & Collectibles |
ISBN | : |
Over the past decade the Metal Unit of the Material Culture Section, Archaeology Research Division, Canadian Parks Service, has maintained a reference file identifying marks found on metal artifacts. This document is a selection of marks on file that relate primarily to tableware items, from the late 18th century to about 1900.