Hamlet Translations
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| Author | : William Shakespeare |
| Publisher | : |
| Total Pages | : 244 |
| Release | : 2020-05-22 |
| Genre | : |
| ISBN | : |
Now You Too Can Understand Shakespeare. Modern English side-by-side with original text includes study notes and stage directions. For the first time collected in one volume, Shakespeare's original play side-by-side with an accurate line-by-line modern English translation, along with stage directions, study notes and historical facts to aid understanding. The original innuendos, political satire, puns and bawdy humour are retained, bringing the work to life for scholars, students, actors prepping for a performance, or lovers of the work to enjoy today without flicking back and forth for lengthy explanations. Additional study notes by former QI researcher and translation verified by historical consultant to the BBC and major movie companies. As an eight year old boy, SJ Hills read the first part of a simplified version of Macbeth in a children's comic. He rushed to the library to finish the story only to learn he couldn't understand the original work. So began a lifelong dream of making Shakespeare understandable for all, down the the smallest detail, enlisting the help of the world's most renowned researchers from BBC TV series, QI, to aid him. Please note - this work may not be suitable for readers under 12 years old due to bawdy innuendo. See also Macbeth Translated, Romeo and Juliet Translated and A Midsummer Night's Dream by SJ Hills.
| Author | : Lily Kahn |
| Publisher | : Transcript |
| Total Pages | : 0 |
| Release | : 2024-07-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9781781889244 |
This interdisciplinary collection discusses how Shakespeare's Hamlet has been translated into different languages and cultures at various historical moments and for different purposes: performance, reading, artistic experimentation, language-learning, nation-building and personal identity-formation. There are many Hamlets, and rather than straightforward replicas of the original (indeed, which one?) they are texts that carry traces of their own time and place. The volume is international in scope, offering perspectives on Hamlet translations into Icelandic, European and Brazilian Portuguese, Welsh, Hebrew, Ukrainian, Slovenian, Greek, Spanish, Hungarian, Finnish and Slovak. It also examines recent Hamlet performances in diverse geographical and cultural contexts, such as Romania, Lithuania and China, a Shona-language production from the UK and a non-verbal performance from the US. The volume covers a lengthy time span, beginning with a reference to the medieval Nordic cultural context in which the play's story originated, and ending with a twenty-first-century theatre company's Hamlet with no words at all. Márta Minier is Associate Professor of Theatre and Media Drama at the University of South Wales. Lily Kahn is Professor in Hebrew and Jewish Languages at UCL.
| Author | : Margaret Litvin |
| Publisher | : Princeton University Press |
| Total Pages | : 293 |
| Release | : 2011-10-23 |
| Genre | : Drama |
| ISBN | : 0691137803 |
For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the "to be or not to be" politics that have turned Shakespeare's tragedy into the essential Arab political text, cited by Arab liberals, nationalists, and Islamists alike. On the Arab stage, Hamlet has been an operetta hero, a firebrand revolutionary, and a muzzled dissident. Analyzing productions from Egypt, Syria, Iraq, Jordan, and Kuwait, Litvin follows the distinct phases of Hamlet's naturalization as an Arab. Her fine-grained theatre history uses personal interviews as well as scripts and videos, reviews, and detailed comparisons with French and Russian Hamlets. The result shows Arab theatre in a new light. Litvin identifies the French source of the earliest Arabic Hamlet, shows the outsize influence of Soviet and East European Shakespeare, and explores the deep cultural link between Egypt's Gamal Abdel Nasser and the ghost of Hamlet's father. Documenting how global sources and models helped nurture a distinct Arab Hamlet tradition, Hamlet's Arab Journey represents a new approach to the study of international Shakespeare appropriation.
| Author | : BookCaps |
| Publisher | : BookCaps Study Guides |
| Total Pages | : 326 |
| Release | : 2012 |
| Genre | : Drama |
| ISBN | : 1610427297 |
Hamlet is arguably one of the greatest plays ever written; it has been staged countless times, adapted into movies, and inspired thousands of artist--but let's face it..if you don't understand it, then you are not alone. If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of Hamlet. The original text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month. This book was last updated 2/18/12.
| Author | : Barbro Lindgren |
| Publisher | : Restless Books |
| Total Pages | : 34 |
| Release | : 2019-10-29 |
| Genre | : Humor |
| ISBN | : 1632062593 |
A hilarious, darkly comic graphic retelling of Shakespeare’s Hamlet in radically condensed prose by legendary Swedish children’s author Barbro Lindgren and illustrator Anna Höglund. Look Hamlet. Hamlet not happy. Hamlet’s mommy dumb. Hamlet’s daddy dead. So begins this wonderfully strange, dark, and hilarious picture book version of Shakespeare’s greatest tragedy boiled down to its smallest possible size: 100 words, give or take, and fifteen etchings that look like the lovechild of Beatrix Potter and Edward Gorey. In our despondent antihero, a lop-eared bunny Hamlet with handbag in tow, is somehow embodied all the tremendous pathos of Shakespeare’s Danish Prince. And in legendary Swedish children’s author Barbro Lindgren’s pithy prose resides the poetry of the original, reworked for the era of memes and short attention spans. Bold and brilliant, irreverent and humane, Look Hamlet is the perfect irreverent gift for Shakespeare readers of all ages. As the Bard himself wrote: “brevity is the soul of wit.”
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 277 |
| Release | : 2016-08-09 |
| Genre | : Literary Criticism |
| ISBN | : 9401201684 |
Most of the contributions to Translating Shakespeare for the Twenty-First Century evolve from a practical commitment to the translation of Shakespearean drama and at the same time reveal a sophisticated awareness of recent developments in literary criticism, Shakespeare studies, and the relatively new field of Translation studies. All the essays are sensitive to the criticism to which notions of the original as well as distinctions between the creative and the derivative have been subjected in recent years. Consequently, they endeavour to retrieve translation from its otherwise subordinate status, and advance it as a model for all writing, which is construed, inevitably, as a rewriting. This volume offers a wide range of responses to the theme of Shakespeare and translation as well as Shakespeare in translation. Diversity is ensured both by the authors’ varied academic and cultural backgrounds, and by the different critical standpoints from which they approach their themes – from semiotics to theatre studies, and from gender studies to readings firmly rooted in the practice of translation. Translating Shakespeare for the Twenty-First Century is divided into two complementary sections. The first part deals with the broader insights to be gained from a multilingual and multicultural framework. The second part focuses on Shakespearean translation into the specific language and the culture of Portugal.
| Author | : Brian James Baer |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 349 |
| Release | : 2011 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027224374 |
This volume presents Eastern Europe and Russia as a distinctive translation zone, despite significant internal differences in language, religion and history. The persistence of large multilingual empires, which produced bilingual and even polyglot readers, the shared experience of "belated modernity and the longstanding practice of repressive censorship produced an incredibly vibrant, profoundly politicized, and highly visible culture of translation throughout the region as a whole. The individual contributors to this volume examine diverse manifestations of this shared translation culture from the Romantic Age to the present day, revealing literary translation to be at times an embarrassing reminder of the region s cultural marginalization and reliance on the West and at other times a mode of resistance and a metaphor for cultural supercession. This volume demonstrates the relevance of this region to the current scholarship on alternative translation traditions and exposes some of the Western assumptions that have left the region underrepresented in the field of Translation Studies."
| Author | : Translated by Hugh Macdonald |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 240 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 178589840X |
Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.
| Author | : Lisa Peterson |
| Publisher | : Abrams |
| Total Pages | : 84 |
| Release | : 2014-09-24 |
| Genre | : Drama |
| ISBN | : 1468311921 |
From Robert Fagles’s acclaimed translation, An Iliad telescopes Homer’s Trojan War epic into a gripping monologue that captures both the heroism and horror of war. Crafted around the stories of Achilles and Hector, in language that is by turns poetic and conversational, An Iliad brilliantly refreshes this world classic. What emerges is a powerful piece of theatrical storytelling that vividly drives home the timelessness of mankind’s compulsion toward violence.
| Author | : Dirk Delabastita |
| Publisher | : Rodopi |
| Total Pages | : 544 |
| Release | : 1993 |
| Genre | : Oversættelse |
| ISBN | : 9789051834956 |
The pun is as old as Babel, and inveterate punsters like Shakespeare clearly never lacked translators. This book critically examines the evergreen cliché that wordplay defies translation, replacing it by a theory and a case study that aim to come to grips with the reality of wordplay and its translation. What are the possible modes of wordplay translation? What are the various, sometimes conflicting constraints prompting translators in certain situations to go for one strategy rather than another? Ample illustration is provided from Hamlet and other Shakespearean texts and several Dutch, French, and German renderings. The study exemplifies how theory can usefully be integrated into a description-oriented approach to translation. Much of the argument also rests on the definition of wordplay as an open-ended and historically variable category. The book's concerns range from the linguistic and textual properties of Shakespeare's punning and its translation to matters of historical poetics and ideology. Its straightforward approach shows that discourse about wordplay doesn't need to rely on stylistic bravura or abstract speculation. The book is concluded by an anthology of the puns in Hamlet, including a brief semantic analysis of each and a generous selection of diverse translations.
