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| Author | : Paul Baker |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 268 |
| Release | : 1971 |
| Genre | : Drama |
| ISBN | : 9780822204923 |
THE STORY: Embodied here as a drama of what transpires in two worlds--an outer one of external events and an inner one of the mind--the action of the play centers on the second area, and the remarkably complex, exciting dialogue taking place within H
| Author | : William Shakespeare |
| Publisher | : Cambridge University Press |
| Total Pages | : 148 |
| Release | : 1998 |
| Genre | : Drama |
| ISBN | : 9780521653909 |
The first quarto of Hamlet is radically different from the second quarto and Folio versions of the play, and about half their length. But despite its uneven verbal texture and simpler characterisation, the first quarto presents its own workable alternatives to the longer texts, reordering and combining key plot elements, and even including a unique scene between Horatio and the Queen. This new critical edition is designed for students, scholars and actors who are intrigued by the first printed text of Shakespeare's Hamlet. Although the first quarto has been reprinted many times, there is no other modernised edition in print. Irace's introduction outlines views of its origins, its special features, and its surprisingly rich performance history; her textual notes point out differences between the first quarto and the longer second quarto and Folio versions and offer alternatives which actors or directors might choose for specific productions.
| Author | : Library of Congress. Copyright Office |
| Publisher | : |
| Total Pages | : 812 |
| Release | : 1973 |
| Genre | : Copyright |
| ISBN | : |
| Author | : Translated by Hugh Macdonald |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 240 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 178589840X |
Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.
| Author | : Paul Megna |
| Publisher | : Springer |
| Total Pages | : 359 |
| Release | : 2019-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 3030037959 |
This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
| Author | : Aimara da Cunha Resende |
| Publisher | : University of Delaware Press |
| Total Pages | : 240 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 9780874137538 |
'Foregin Accents' is formed of two parts: the first one offers analyses of translations/interpretations/appropriations of plays and sonnets in different processes of transmutation. The second comprises texts that deal with more general critical readings. Shakespeare is viewed in the light of gender studies, of postmodernism, and of comparative studies.
| Author | : Ken Ludwig |
| Publisher | : Crown |
| Total Pages | : 369 |
| Release | : 2013 |
| Genre | : |
| ISBN | : 0307951499 |
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.
| Author | : Kathleen O. Irace |
| Publisher | : University of Delaware Press |
| Total Pages | : 244 |
| Release | : 1994 |
| Genre | : Drama |
| ISBN | : 9780874134711 |
If, as this study argues, the actors also adapted the plays, the short quartos preserve the earliest fast-paced popular adaptations of Shakespeare's plays, designed by the actors to please the million.
| Author | : Roger Chartier |
| Publisher | : John Wiley & Sons |
| Total Pages | : 240 |
| Release | : 2013-12-06 |
| Genre | : History |
| ISBN | : 074567139X |
In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind. This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.
| Author | : Harold C. Goddard |
| Publisher | : University of Chicago Press |
| Total Pages | : 410 |
| Release | : 2009-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 0226300382 |
In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius.
