Haegue Yang
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| Author | : Haegue Yang |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Installations (Art) |
| ISBN | : 9781849767378 |
Accompanying our 2020-21 Haegue Yang exhibition at Tate St Ives, this beautiful exhibition book focuses on the context of the Cornish landscape and its ancient archaeological heritage as an important point of departure for Yang. A vital expansion of the ideas that punctuate the Tate St Ives exhibition, the exhibition catalogue brings together installation photography and new texts on the artist. Yang's work combines materials, theories and cultural references to make astute and surprising connections between local contexts and wider geographies and histories. Recurring themes of migration, postcolonial diasporas, political struggle and social mobility underpin Yang's research, culminating in a body of work that is an apposite comment on our own time. Born in South Korea in 1971, Haegue Yang is renowned for creating immersive environments from a diverse range of materials. Yang's sculptures and installations conjure abstract narratives which play with our sensory pre-conceptions of scent, sound, light and tactility. Often using recognisable household objects, her work liberates forms from their functional context and applies new connotations and meanings to them. Interweaving industrially made objects with labour intensive and craft-based processes, Yang articulates her interest in folk and pagan cultures, and their deep connection with seasonal rituals in relation to natural phenomena.
| Author | : Haegue Yang |
| Publisher | : |
| Total Pages | : 191 |
| Release | : 2020 |
| Genre | : Installations (Art) |
| ISBN | : 9781988788135 |
Haegue Yang is renowned for her multifaceted works that vary in form from collage to kinetic sculpture, perceptively evoking historical and contemporary narratives of migration, displacement, and cross-cultural translation. Using a language of abstraction, Yang transforms ordinary and domestic materials, such as venetian blinds, light bulbs, drying racks, yarn, and bells, into deeply allegorical, meticulously constructed installations and sculptures that dissociate these materials from their original contexts. The artist's installations become immersive environments that provoke the senses with a diversity of scents, sounds, and textures. Featuring essays contextualising Yang's artistic career, this book fully illustrates the scope of Art Gallery of Ontario's groundbreaking exhibition and generates new understandings of Yang's transformative contributions to the field of contemporary art. Exhibition: Art Gallery of Ontario, Toronto, Canada (01.10.2020 - 05.04.2021).
| Author | : Silvia Karman Cubiñá |
| Publisher | : Hatje Cantz |
| Total Pages | : 112 |
| Release | : 2020-02-05 |
| Genre | : |
| ISBN | : 9783775746298 |
Haegue Yang?s artworks are known not only for their diversity of media and methods, but also for their eloquent and seductive sculptural language of conceptual abstraction, often derived from her research on figures and events throughout history, as well as inquiries on the notion of folk and traditional craft techniques. 0Bringing together new and existing works spanning the last decade, Haegue Yang?s solo exhibition In the Cone of Uncertainty at The Bass foregrounds the artist?s consistent curiosity about the world and tireless experimentation with materializing the complexity of identity politics and their ever-changing parameters. Its companion publication highlights a substantial selection of Yang?s oeuvre, including blind installations, anthropomorphic works and light sculptures, with an expanded focus on her growing series of mural-like graphic wall pieces. 0HAEGUE YANG (*1971, Seoul) lives and works in Berlin and Seoul. Since 2017 she has been Professor at the Städelschule in Frankfurt am Main. Her work has been included in numerous exhibitions internationally, such as the Venice Biennale; documenta, Kassel; at Centre Pompidou, Paris; and at Museum Ludwig, Cologne. Her solo presentation at the MoMA New York will open in October 2019.00Exhibition: The Bass Museum of Art, Miami Beach, FL, USA (02.11.2019 - 05.04.2020) .
| Author | : Haegue Yang |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Found objects (Art) |
| ISBN | : 9781901352528 |
This artist aims to engage the senses in her work. She uses wall drawing, books, sculpture, installation, moving images and photography, along with scents and aromas, sound, heat, wind and other movement.
| Author | : Toshiki Okada |
| Publisher | : Pushkin Press |
| Total Pages | : 129 |
| Release | : 2018-09-04 |
| Genre | : Fiction |
| ISBN | : 1782274162 |
Two brilliant, multi-layered stories from the winner of the Kenzaburo Oe Prize: part of our Japanese novella series, showcasing the best contemporary Japanese writing. On the eve of the Iraq War, a man and a woman meet in a nightclub in Tokyo. They go to a love hotel, and spend the next five days in a torrid affair. Written in a stream of consciousness, with the reader's perceptions shifting and melting into one another, what is remarkable in this story is not what happens, but the ability of the writer to enter the minds and memories of the protagonists. In the second story, a woman living in a damp flat obsesses on the filthy state of her dwelling. She remains in bed for the duration of the narrative, but the drama and tension of her inner life - spiralling further and further into her memories and anxieties - keep the reader engrossed to the very end. The End of the Moment We Had demonstrates the fluidity and richness of this extraordinarily gifted writer's language and ideas.
| Author | : Hongmei Sun |
| Publisher | : University of Washington Press |
| Total Pages | : 230 |
| Release | : 2018-04-02 |
| Genre | : History |
| ISBN | : 0295743204 |
Able to shape-shift and ride the clouds, wielding a magic cudgel and playing tricks, Sun Wukong (aka Monkey or the Monkey King) first attained superstar status as the protagonist of the sixteenth-century novel Journey to the West (Xiyou ji) and lives on in literature and popular culture internationally. In this far-ranging study Hongmei Sun discusses the thousand-year evolution of this figure in imperial China and multimedia adaptations in Republican, Maoist, and post-socialist China and the United States, including the film Princess Iron Fan (1941), Maoist revolutionary operas, online creative writings influenced by Hong Kong film A Chinese Odyssey (1995), and Gene Luen Yang’s graphic novel American Born Chinese. At the intersection of Chinese studies, Asian American studies, film studies, and translation and adaptation studies, Transforming Monkey provides a renewed understanding of the Monkey King character as a rebel and trickster, and demonstrates his impact on the Chinese self-conception of national identity as he travels through time and across borders.
| Author | : Haegue Yang |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Installations (Art) |
| ISBN | : 9783943365917 |
Haegue Yang interviewed by Kyla McDonald and Steinar Sekkingstad This catalogue accompanies two parallel solo exhibitions by Haegue Yang held in the fall of 2013: "Journal of Bouba/kiki" at Glasgow Sculpture Studios (October 5-December 20, 2013); and "Journal of Echomimetic Motions" at Bergen Kunsthall (October 18-December 22, 2013). This new collaborative publication, Dare to Count Phonemes and Graphemes, has evolved within the framework of these geographically separate yet collaboratively conceived exhibitions. While each exhibition was an independent manifestation, they both are intrinsically linked to Yang's continuous artistic evolution. The developments shown are emblematic of the artist's recent projects, focusing on the ideas of abstraction and motion. This catalogue presents two newly commissioned texts, as well as an interview between Yang and the respective curators of the exhibitions, which explore the artist's distinctive and diverse work. Haegue Yang's works are internationally appreciated and are well known for an eloquent and seductive language of visual abstraction that she often combines with direct sensory experience. She is an artist who continuously pushes the boundaries of her practice, engaging with new methodologies and ways of making. This approach is evident from her exhibitions at Glasgow Sculpture Studios and Bergen Kunsthall as well as this new publication. Copublished with Bergen Kunsthall and Glasgow Sculpture Studios
| Author | : Hu Fang |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Chinese fiction |
| ISBN | : 9783956790348 |
Hu Fang's Dear Navigator is a collection of ten short stories that reflect on contemporary society, politics, and the human condition. The author takes us on a journey across time and space to hidden realities where we meet culture workers, astronauts, airplanes, Zen masters, and hunger artists. The title story "Dear Navigator" is a collection of letters written during a 520-day simulated space mission to Mars--to test if humans can endure travel from Earth to Mars and back again. "Whale Song" tells the story of XP, a lonely male escort, as he goes on a surreal journey to self-realization, and "The Shame of Participation" tells a tale of two thieving artists who legally steal objects from those living in a city in desperation. When the reality turns into fiction, and the science fiction becomes reality, Hu draws on the experience of everyday life, the past, and the unknown future to create stories of otherworldly melancholy and humor. Hu Fang is a fiction writer and cofounder of Vitamin Creative Space, Guangzhou, and The Pavilion, Beijing. He lives and works in Guangzhou and Beijing. Previously published titles include Troubled Laughter (2012), Garden of Mirrored Flowers (2010), and Pavilion to the Heart's Insight (2008). His stories have been published in e-flux journal, Manifesta Journal, and various publications including Ming Wong: Life of Imitation, Drone Fiction, Odyssey: Architecture and Literature, and Gwangju Folly. Copublished with The Pavilion
| Author | : Jun Yang |
| Publisher | : Verlag Fur Moderne Kunst |
| Total Pages | : 32 |
| Release | : 2019-06 |
| Genre | : |
| ISBN | : 9783903269972 |
'The Emperor of China's Ice' is the title of Jun Yang's contribution to the Austrian Sculpture Park.It is based on a myth according to which, in ancient China, ice blocks were buried in the winter months and then served as ice cream in summer.At the end of November 2018, a 1 m[3] block of ice was buried in an embankment in the Austrian Sculpture Park.The ice will be excavated again at the Sculpture Park's spring festival on May 19, 2019.Yang decided to make a children's book rather than a catalogue to accompany the project.He invited the Japanese children's book illustrator Yuuki Nishimura to illustrate the publication.Published on occasion of 'Jun Yang: The Emperor of China's Ice', 2018/19, Österreichischer Skulpturenpark.Design by Jun Yang, Karin Buol-Wischenau.
| Author | : Haegue Yang |
| Publisher | : |
| Total Pages | : 26 |
| Release | : 2011 |
| Genre | : Art, Korean |
| ISBN | : |
Haegue Yang: Integrity of the Insider. From mundane objects and materials such as venetian blinds, theatrical and decorative lights, infrared heaters, scent emitters, and fans, Haegue Yang creates complex and nuanced installations that are informed by poetry, politics, and human emotions. This solo exhibition, Yang's first in a U.S. museum, features a major installation, Yearning Melancholy Red, which the Walker co-commissioned with REDCAT, Los Angeles, as well as photos, videos, and sculptures.
