Gv Desani
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Author | : G V Desani |
Publisher | : New York Review of Books |
Total Pages | : 324 |
Release | : 2007-11-06 |
Genre | : Fiction |
ISBN | : 9781590172421 |
Wildly funny and wonderfully bizarre, All About H. Hatterr is one of the most perfectly eccentric and strangely absorbing works modern English has produced. H. Hatterr is the son of a European merchant officer and a lady from Penang who has been raised and educated in missionary schools in Calcutta. His story is of his search for enlightenment as, in the course of visiting seven Oriental cities, he consults with seven sages, each of whom specializes in a different aspect of “Living.” Each teacher delivers himself of a great “Generality,” each great Generality launches a new great “Adventure,” from each of which Hatter escapes not so much greatly edified as by the skin of his teeth. The book is a comic extravaganza, but as Anthony Burgess writes in his introduction, “it is the language that makes the book. . . . It is not pure English; it is like Shakespeare, Joyce, and Kipling, gloriously impure.”
Author | : Govindas Vishnoodas Desani |
Publisher | : McPherson |
Total Pages | : 224 |
Release | : 1991 |
Genre | : Fiction |
ISBN | : |
G.V. Desani broke his silence forty years after the appearance of his classic novel, All About H. Hatterr, with this volume of twenty-three stories and one long prose poem, only the second full-length book of his fiction ever to be published. Many of the stories appeared first in literary anthologies and magazines over the past thirty years, including The Noble Savage (edited by Saul Bellow), Illustrated Weekly of India, Transatlantic Review, and Boston University Journal. The stories are mostly written in the humorous mode of his novel, relying upon comic timing and his keen sense of the incongruities in contemporary life. They often captivate in the same way as Indres Shah's Sufi learning tales, and the titles alone convey a sense of the interpenetration of India's cultures: "Suta Abandoned," "Mephisto's Daughter," "The Second Mrs. Was Wed in a Nightmare," "Gypsy Jim Brazil to Kumari Kinshino," "Country Life, Country Folk, Cobras, Thok," ..".Since Nation Must Export, Smithers," "The Lama Arupa." Whether send-ups of colonialism or lampoons of conventionality, there is a seriousness to Desani's comedy that crosses cultural boundaries and racial identification. The long prose-poem, "Hali," was originally issued in 1950, adapted for the stage in London, broadcast several times over BBC radio, and then, after being pirated three times, was suppressed by the author for twenty years until this publication. "Hali" is a complementary opposite to All About H. Hatterr: it is the writer's vision of cosmic creation and human destiny, marrying Hindu, Buddhist, Islamic and other Indian religious traditions into a cathartic drama. E.M. Forster said of it: "Private mythologies are dangerous devices. You have succeeded wonderfully... It keeps evoking heights above the summit of normal achievement where the highest aspirations reach." The Times Literary Supplement termed it "haunting," and The Librarian declared it "as near a work of genius as one can judge." This is the definitive fourth edition, and also the first authorized U.S. publication of this work.
Author | : Salman Rushdie |
Publisher | : Macmillan |
Total Pages | : 580 |
Release | : 1997-08-15 |
Genre | : Fiction |
ISBN | : 9780805057102 |
Stories and excerpts of novels from India since the country attained its independence in 1947. The subjects range from religious strife, to the assault on the senses of the many people one is surrounded by.
Author | : Chelva Kanaganayakam |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 224 |
Release | : 2006-01-01 |
Genre | : Literary Criticism |
ISBN | : 0889207496 |
What do R.K. Narayan, G.V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi, and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of the historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political, and textual questions. This book is about the need to look at the tradition of Indian writing in English from the perspective of counterrealism. The departure from the conventions of mimetic writing not only challenges the limits of realism but also enables Indo-Anglian authors to access formative areas of colonial experience. Kanaganayakam analyzes the fiction of writers who work in this vibrant Indo-Anglian tradition and demonstrates patterns of continuity and change during the last five decades. Each chapter draws attention to what is distinctive about the artifice in each author while pointing to the features that connect them. The book concludes with a study of contemporary writing and its commitment to non-mimetic forms.
Author | : Geetha Ganapathy-Doré |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 220 |
Release | : 2011-01-18 |
Genre | : Juvenile Nonfiction |
ISBN | : 1443828181 |
Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globalization, self-writing in the auto/meta/docu-fictional modes, the musical, pictorial, cinematic and culinary intertextualities that run through this hyperpalimpsestic practice and the politics of gender, caste and language that gives it an inimitable stamp. This concise and readable survey gives us intimations of a truly world literature as imagined by Francophone writers because the postcolonial Indian novel is a concrete illustration of how “language liberated from its exclusive pact with the nation can enter into a dialogue with a vast polyphonic ensemble.”
Author | : John Collier |
Publisher | : eNet Press |
Total Pages | : 195 |
Release | : |
Genre | : |
ISBN | : 1618865072 |
A schoolmaster in the heart of Africa takes his best and most attentive student, a chimp, to England. The chimp, Emily, has learned to read and obtained a classically trained mind. We listen as her thoughts become a searchlight upon the English culture of the 1920s. A remarkable social satire, and a best seller.
Author | : Amy L. Friedman |
Publisher | : Rowman & Littlefield |
Total Pages | : 223 |
Release | : 2019-10-16 |
Genre | : Literary Criticism |
ISBN | : 1498571972 |
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author | : Salman Rushdie |
Publisher | : Arrow |
Total Pages | : 612 |
Release | : 1997 |
Genre | : Fiction |
ISBN | : |
The Indian subcontinent has produced some of the world's greatest writers, and a body of literature unsurpassed in its sustained imagination, impassioned lyricism and sparkling tragi-comedy. Now Salman Rushdie and Elizabeth West have collected together the finest Indian writing of the last fifty years. Published to coincide with the anniversary of India's independence, it is an anthology of extraordinary range and vigour, as exciting and varied as the land that inspired it. Including works by: Mulk Raj Anand Gita Mehta Anjana Appachana Ved Mehta Vikram Chandra Rohinton Mistry Upamanyu Chatterjee R. K. Narayan Amit Chaudhuri Jawaharlal Nehru Nirad C. Chaudhuri Padma Perera Anita Desai Satyajit Ray Kiran Desai Arundhati Roy G. V. Desani Salman Rushdie Amitav Ghosh Nayantara Sahgal Githa Hariharan I. Allan Sealy Ruth Prawer Jhabvala Vikram Seth Firdaus Kanga Bapsi Sidhwa Mukul Kesavan Sara Suleri Saadat Hasan Manto Shashi Tharoor Kamala Markandaya Ardashir Vakil
Author | : Brian Lennon |
Publisher | : U of Minnesota Press |
Total Pages | : 266 |
Release | : |
Genre | : |
ISBN | : 1452915172 |
"In Babel's Shadow is an ambitious, sophisticated book that addresses crucial, timely issues in the study of life-writing, translation, translingualism, literary theory, and linguistics. Its range is extensive and its erudition and intellectual calisthenies dazzling."---Steven G. Kellman, author of The Translingual Imagination --
Author | : Raja Rao |
Publisher | : New Directions Publishing |
Total Pages | : 268 |
Release | : 1963 |
Genre | : Fiction |
ISBN | : 9780811201681 |
Raja Rao's Kanthapura is one of the finest novels to come out of mid-twentieth century India.