Guy Bourdin
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Author | : Guy Bourdin |
Publisher | : Vintage Uk |
Total Pages | : 208 |
Release | : 2001 |
Genre | : Photography |
ISBN | : 9780224062046 |
Guy Bourdin, who died in 1991, was a legend in the world of fashion photography. He was the most radical and audacious photographer of his generation but his reputation has been surrounded in secrecy - he rarely allowed his photographs to appear outside the pages of French Vogue. No book of his work has previously been published. His estate was frozen by the courts until 1997, after which his son, Samuel, gained control of his work as a result of which this long-awaited book can be published. Bourdin was originally a painter and a friend of Man Ray. His fashion photographs began to incorporate his surrealist influences. Fashion photography became an arena for his personal obsessions. The results are as shocking and astonishing as any commercial photograph ever published. They were executed meticulously. Despite his intense eroticism, subversion and, as Cecil Beaton described, 'his grotesque little gamines', Beaton referred to him in 1975 as 'unquestionably the most interesting fashion photographer in Paris today'. His work was said to have represented 'the look of an era -glamorous, hard-edged, cleverly spiced with vulgarity.. .rich with implied narratives and strong erotic undercurrents'
Author | : Alison M. Gingeras |
Publisher | : |
Total Pages | : 136 |
Release | : 2006-09-26 |
Genre | : Photography |
ISBN | : |
An introduction to the work of the groundbreaking fashion photographer, Guy Bourdin
Author | : Guy Bourdin |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Fashion in art |
ISBN | : 9783869300337 |
Guy Bourdins vivid, narrative-infused work placed him at the vanguard of fashion photography for a career that spanned four decades. In Between demonstrates Guy Bourdins unique conceptual and formal engagement with the double-page spread as an art form in itself. This concept appeared in his first published image for French Vogue (1955), a photograph of a model with an Haute Couture Dior hat captured alongside an array of butchered cow heads. This visual, a signature piece emblematic of the classic elements of Guy Bourdins entire oeuvre, stands firmly as one of the most daring fashion images of the 20th century. Guy Bourdins double page spread became a landmark in the history of advertising photography. His compositions gave new form to ideas about product-illustration creating independently arresting images that invited the reader to participate or witness. Guy Bourdin was both the narrator of a fantastic mise en scene as well as the choreographer of the magazine page, garnering all the more attention for his advertising clients such as Charles Jourdan. With 300 images, In Between re-assembles many of the original image layouts as they were published in magazines such as French Vogue, British Vogue, Vogue Italy, Harpers Bazaar, Linea Italiana and The Best, offering a new and illuminating critical context to the creative process. Guy Bourdin tailored his compositions to the constraints of the printed page both conceptually and graphically, and the mirror motif so central in his work finds its formal counterpart in the doubleness of the magazine spread. Layout and design become powerful metaphors for the photographic medium, engaging the eye and with it, the mind. Published by Steidldangin, In Between was conceived and edited by Shelly Verthime, whose unflagging devotion and nearly 10 years of research has resulted in an unparalleled grasp of the photographers oeuvre. The monograph is introduced by Charlie Scheips, whose knowledge and passion for art, fashion and photography as well as the history of magazine publishing, brings a new perspective to this enduring body of work. Guy Bourdin (19281991) was born in Paris. A painter his entire life and a self-taught photographer, he exhibited his first photographs at Galerie 29 in 1952. His work has been exhibited in the most prestigious museums, such as The Victoria & Albert Museum, the Jeu de Paume, The National Art Museum of China, The Tokyo Metropolitan Museum of Photography and The Moscow House of Photography.
Author | : |
Publisher | : Editions Assouline |
Total Pages | : 375 |
Release | : 2017-10-15 |
Genre | : Photography |
ISBN | : 9781614286356 |
Protégé of Man Ray, principal photographer of Vogue France, inspiration for the fashion world's favorite photographers, and immortalized in the collections of museums around the world, Guy Bourdin irrevocably changed the face of modern photography. Guy Bourdin: Image Maker is an exploration of the photographer's iconic imagery, featuring archival material yet unpublished, including original, never-before-seen Vogue layouts, hand-clipped and annotated layouts, Polaroids, and paintings.
Author | : Patrick Remy |
Publisher | : Rizzoli International Publications |
Total Pages | : 242 |
Release | : 2024-09-03 |
Genre | : Design |
ISBN | : 084783333X |
A giant of modern fashion photography, Bourdin lent his surrealist eye to the shoes and fashions of Charles Jourdan. Creating compositions full of movement, color, and sensuality, this pioneering collaboration between designer and photographer still exerts a profound influence on modern fashion photography. The late 1960s saw some of the most dynamic periods in French fashion. And the union between Bourdin and Jourdan captured the spirit of the moment unlike any other creative partnership of the era. Jourdan, a polymath who occupied the office of both couturier and shoe designer, tapped Bourdin, a true surrealist among the fashion photographers of the age, and engaged in a creative dialogue through to Jourdan’s passing in 1976. Celebrated here are over 150 images, many never before published, full of the modernity and fetishism that made Jourdan’s designs so sought after, and Bourdin’s mise-en-scènes so provocative. To draw attention to the sweep of a woman’s feet and the gentle swell of her calves, the shod feet and lower leg of a mannequin are disembodied and transported to a variety of contexts, the central figures in compositions that are at once erotic, humorous, and often unsettling. Provocative, fabulist, dramatic, and full of intense color and saturation theirs was as complete a collaboration as has ever been achieved in the history of postwar fashion. This book presents that work in its entirety for the very first time and provides insight into a true meeting of the minds between designer and photographer.
Author | : |
Publisher | : |
Total Pages | : 41 |
Release | : 2007 |
Genre | : |
ISBN | : 9780979227721 |
Author | : Don Giannatti |
Publisher | : Amherst Media |
Total Pages | : 160 |
Release | : 2012-04-01 |
Genre | : Photography |
ISBN | : 1608954595 |
The core goal of photography is representing subjects that have depth and texture in a medium that inherently lacks both those qualities, and this book shows the best way to rise to that challenge: through the careful application and capture of lighting. It demonstrates how to accentuate or minimize textures, add or subtract highlights, and create or combat shadows to showcase the subjects in the best way and create the illusion of a third dimension in the images. Exploring techniques for lighting portraits, still-life subjects, nature images, and architectural shots, both studio and location lighting are covered in detail. The book teaches photographers how to study their subjectsÑwith all of the textures, colors, shapes, and surfaces they haveÑthen visualize the image as a finished photograph before the photography actually begins. With chapters that thoroughly cover the science of lighting and visualization, photographers can apply that knowledge and successfully create artful images.
Author | : Paul Martineau |
Publisher | : Getty Publications |
Total Pages | : 370 |
Release | : 2018-07-10 |
Genre | : Photography |
ISBN | : 1606065580 |
In 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable—not just aesthetically but also technically and conceptually—in a fashion photograph. This lavishly illustrated survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre’s most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.
Author | : Alex Webb |
Publisher | : Photography Workshop Series |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Street photography |
ISBN | : 9781597112574 |
In this series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs-their own and others'-they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive.
Author | : Eugénie Shinkle |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Fashion photography |
ISBN | : 9780500021392 |
Fashion photography reflects not only the desires and fantasies of the consumer, but also the changing face of cultural values in society as a whole. A stunning object in its own right, Fashion Photography: The Story in 180 Pictures charts the evolution and glamour of the genre. Featuring names from classic photography alongside those from more recent generations, its draws upon myriad archives and sources to provide a comprehensive and accessible exploration of the subject. Eugénie Shinkle charts how fashion photography flourished with the rise of illustrated magazines, how influential art directors collaborated with photographers to shape epochs of style, and how generations of fashion photographers have built upon one another to expand this genre over the past 150 years. Her introduction and commentary throughout the book bring intelligence and fascinating insight to this popular topic. Through 180 key pictures, Shinkle expertly surveys the important figures and movements to provide an essential primer to fashion photography.