Guns Of Rio Conchos
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The Gunslingers of '69
| Author | : Brian Hannan |
| Publisher | : McFarland |
| Total Pages | : 309 |
| Release | : 2019-10-04 |
| Genre | : Performing Arts |
| ISBN | : 147663727X |
In 1969--the counter-cultural moment when Easy Rider triggered a "youthquake" in audience interests--Westerns proved more dominant than ever at the box office and at the Oscars. It was a year of masterpieces--The Wild Bunch, Butch Cassidy and the Sundance Kid, Once Upon a Time in the West and True Grit. Robert Redford achieved star status. Old-timers like John Wayne, Gregory Peck and Robert Mitchum appeared in two Westerns apiece. Raquel Welch took on the mantle of Queen of the West. Clint Eastwood and Lee Marvin tried their hand at a musical (Paint Your Wagon). New directors like George Roy Hill reinvigorated the genre while veteran Sam Peckinpah at last found popular approval. Themes included women's rights, social anxieties about violence and changing attitudes of and towards African-Americans and Native Americans. All of the 40-plus Westerns released in the U.S. in 1969 are covered in depth, offering a new perspective on the genre.
Shooting Scripts
| Author | : Bob Herzberg |
| Publisher | : McFarland |
| Total Pages | : 213 |
| Release | : 2005-03-24 |
| Genre | : Performing Arts |
| ISBN | : 0786421738 |
In their heyday, pulp westerns were one of America's most popular forms of entertainment. Often selling for less than 50 cents, the paperback books introduced generations to the "exploits" of Billy the Kid and Jesse James, brought to life numerous villains (usually named "Black" something, e.g., Black Bart and Black Pete), and created a West that existed only in the minds of several talented writers. It was only natural that filmmakers would look to the pulps for stories, adapting many of the works for the big screen and shaping the Western film genre. The adaptations of seven of the pulps' best writers--Ernest Haycox, Luke Short, Frank Gruber, Norman A. Fox, Louis L'Amour, Marvin H. Albert, and Clair Huffaker--are analyzed here. Insightful and humorous, the work looks at how the pulp novels and the movie adaptations reflected the times in which they were produced. It examines the cliches that became a part of the story: the rescue of the heroine, the gunfights, the evil banker or rancher ready to steal the land of the good, law-abiding citizens, and the harlot with a heart of gold. A critical examination of how the books were interpreted--or frequently misinterpreted--by filmmakers is included, along with commentary on the actors and directors who put the pulps on screen.
Historical Atlas of the American West
| Author | : Warren A. Beck |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 204 |
| Release | : 1989 |
| Genre | : History |
| ISBN | : 0806124563 |
The 78 maps in this atlas add significant information to the study of the development of the American West, Defined for this resources as those 17 continental states west of the Missouri River. The maps range in chronology from explorations in the sixteenth century to the location of World War II prisoner of war and Japanese internment camps. The atlas includes maps of geographic, flora and fauna data. Maps are on the left pages and narratives about the maps re on the facing pages. Maps are black and white clear and easily read. An Appendix shows Spanish-Mexican land grants, and there is an index. This is an excellent atlas for both middle and high schools. Includes a section on Arkansas aboriginal setting and Native American tribes. Describes European contacts and settlements.
Western Film Highlights
| Author | : Henryk Hoffmann |
| Publisher | : McFarland |
| Total Pages | : 214 |
| Release | : 2015-07-11 |
| Genre | : Performing Arts |
| ISBN | : 1476608652 |
Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements.
Guns of Rio Conchos
| Author | : Clair Huffaker |
| Publisher | : |
| Total Pages | : 127 |
| Release | : 1958 |
| Genre | : Large type books |
| ISBN | : |
"A" Western Filmmakers
| Author | : Henryk Hoffmann |
| Publisher | : McFarland |
| Total Pages | : 657 |
| Release | : 2024-10-16 |
| Genre | : Performing Arts |
| ISBN | : 1476608644 |
From High Noon to Unforgiven, the "A" Western represents the pinnacle of Western filmmaking. More intellectual, ambitious, and time-consuming than the readily produced "B" or serial Westerns, these films rely on hundreds of talented artists. This comprehensive reference work provides biographies and Western filmographies for nearly 1,000 men and women who have contributed to at least three "A" Westerns. These contributors are arranged by their role in film production. Cinematographers, composers, actors, actresses, and directors receive complete biographical treatment; writers whose work was used in at least two Westerns are also featured. An appendix lists well-known actors who have appeared in either one or two "A" Westerns, as specified.
The River Has Never Divided Us
| Author | : Jefferson Morgenthaler |
| Publisher | : University of Texas Press |
| Total Pages | : 402 |
| Release | : 2010-01-01 |
| Genre | : Social Science |
| ISBN | : 0292778686 |
Winner, William P. Clements Prize, Best Non-Fiction Book on Southwestern America, 2004 Not quite the United States and not quite Mexico, La Junta de los Rios straddles the border between Texas and Chihuahua, occupying the basin formed by the conjunction of the Rio Grande and the Rio Conchos. It is one of the oldest continuously inhabited settlements in the Chihuahuan Desert, ranking in age and dignity with the Anasazi pueblos of New Mexico. In the first comprehensive history of the region, Jefferson Morgenthaler traces the history of La Junta de los Rios from the formation of the Mexico-Texas border in the mid-19th century to the 1997 ambush shooting of teenage goatherd Esquiel Hernandez by U.S. Marines performing drug interdiction in El Polvo, Texas. "Though it is scores of miles from a major highway, I found natives, soldiers, rebels, bandidos, heroes, scoundrels, drug lords, scalp hunters, medal winners, and mystics," writes Morgenthaler. "I found love, tragedy, struggle, and stories that have never been told." In telling the turbulent history of this remote valley oasis, he examines the consequences of a national border running through a community older than the invisible line that divides it.
Cumulative Paperback Index, 1939-1959
| Author | : R. Reginald |
| Publisher | : Wildside Press LLC |
| Total Pages | : 390 |
| Release | : 2009-12-01 |
| Genre | : Reference |
| ISBN | : 0893700223 |
This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.
Al oeste del mito
| Author | : Sánchez Esbilla, Adrián |
| Publisher | : Editorial UOC |
| Total Pages | : 204 |
| Release | : 2016-09-25 |
| Genre | : Performing Arts |
| ISBN | : 8491162038 |
América pronto se dio cuenta de su valor mítico. La historia transfiguró en leyenda y los hechos se diluyeron en el relato. La conquista del territorio, el avance de la civilización, los hombres y las mujeres de la frontera en expansión cuyos nombres y hazañas, por lo común violentas, pasaron a constituir una verdad contada. El wéstern, versión en movimiento de las dime novels, significó la primera experiencia del cinematógrafo con el espacio abierto y se convirtió en la maquinaria a través de la cual se transmitía el relato mítico de la fundación. Género americano, el wéstern se fue oscureciendo en el reflejo tanto de su tiempo presente como del histórico que recrea. La estilización dejó paso a la introspección, la emoción de la aventura, a la melancolía de la pérdida. El wéstern se convirtió en un modo, ético y estético, de estar y contar un país. Un paseo por las estaciones del wéstern y una antología de 50 títulos componen esta aproximación a un género que, en sí mismo, sintetiza lo cinematográfico: el gesto y el movimiento.
