The Colonising Camera

The Colonising Camera
Author: Wolfram Hartmann
Publisher: Juta and Company Ltd
Total Pages: 238
Release: 1999
Genre: History
ISBN: 9781919713229

Richly illustrated with black and white photographs, this book brings together provocative and exciting new material on Namibia's colonial past. An eight-page colour section looks at how present day Namibians view themselves. It includes contributions from the editors, Wolfram Hartman, Jeremy Silvester and Patricia Hayes, as well as Michel Bollig, Jan Bart Gewald, Robert Gordon, Brent Harris, Paul Landau, Rick Rohde, Margo Timm and Marion Wallace.

Guns Over Africa

Guns Over Africa
Author: Jamel DuBois
Publisher: Gypsy Shadow Publishing
Total Pages: 130
Release: 2019-10-04
Genre: Biography & Autobiography
ISBN: 1452403627

Guns Over Africa is an affirmation of sport hunting, and in this context, hunting that contributes to the economy of developing countries within the rules of international wildlife conservation and preservation. This does not mean that the hunter cannot enjoy the sport; it’s not all high-minded and only for these obvious commercial and conservation benefits for other than the hunter himself (or herself). For the hunter, trophy mounts and memories resulting from such experiences flash back the challenge, the competition, the failures, the successes, the remorse, and the elation of the hunt. And they make last year, or before, when the animals were taken, seem not so long ago, and make the next hunt seem not so far away. Settings for these safari accounts are Zimbabwe and South Africa.

The Best Books

The Best Books
Author: William Swan Sonnenschein
Publisher:
Total Pages: 844
Release: 1926
Genre: Best books
ISBN:

Picturing Empire

Picturing Empire
Author: James R. Ryan
Publisher: Reaktion Books
Total Pages: 274
Release: 2013-06-01
Genre: Science
ISBN: 1780231636

Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.

Transient Workspaces

Transient Workspaces
Author: Clapperton Chakanetsa Mavhunga
Publisher: MIT Press
Total Pages: 309
Release: 2014-09-19
Genre: Technology & Engineering
ISBN: 0262326167

An account of technology in Africa from an African perspective, examining hunting in Zimbabwe as an example of an innovative mobile workspace. In this book, Clapperton Mavhunga views technology in Africa from an African perspective. Technology in his account is not something always brought in from outside, but is also something that ordinary people understand, make, and practice through their everyday innovations or creativities—including things that few would even consider technological. Technology does not always originate in the laboratory in a Western-style building but also in the society in the forest, in the crop field, and in other places where knowledge is made and turned into practical outcomes. African creativities are found in African mobilities. Mavhunga shows the movement of people as not merely conveyances across space but transient workspaces. Taking indigenous hunting in Zimbabwe as one example, he explores African philosophies of mobilities as spiritually guided and of the forest as a sacred space. Viewing the hunt as guided mobility, Mavhunga considers interesting questions of what constitutes technology under regimes of spirituality. He describes how African hunters extended their knowledge traditions to domesticate the gun, how European colonizers, with no remedy of their own, turned to indigenous hunters for help in combating the deadly tsetse fly, and examines how wildlife conservation regimes have criminalized African hunting rather than enlisting hunters (and their knowledge) as allies in wildlife sustainability. The hunt, Mavhunga writes, is one of many criminalized knowledges and practices to which African people turn in times of economic or political crisis. He argues that these practices need to be decriminalized and examined as technologies of everyday innovation with a view toward constructive engagement, innovating with Africans rather than for them.