Guilt By Descent
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Author | : N. J. Sewell-Rutter |
Publisher | : OUP Oxford |
Total Pages | : 224 |
Release | : 2010-07-29 |
Genre | : Drama |
ISBN | : 019161548X |
Blighted and accursed families are an inescapable feature of Greek tragedy, and many scholars have treated questions of inherited guilt, curses, and divine causation. N.J. Sewell-Rutter gives these familiar issues a fresh appraisal, arguing that tragedy is a medium that fuses the conceptual with the provoking and exciting of emotion, neither of which can be ignored if the texts are to be fully understood. He pays particular attention to Aeschylus' Seven against Thebes and the Phoenician Women of Euripides, both of which dramatize the sorrows of the later generations of the House of Oedipus, but in very different, and perhaps complementary, ways. All Greek quotations are translated, making his study thoroughly accessible to the non-specialist reader.
Author | : Neil James Sewell-Rutter |
Publisher | : |
Total Pages | : 202 |
Release | : 2007 |
Genre | : |
ISBN | : |
"Blighted and accursed families are an inescapable feature of Greek tragedy. Many scholars have treated questions of inherited guilt, curses, and divine causation, and the questions of how these features work and how a mortal agent under the canopy of these principles can be said to decide and act are by no means new. N.J. Sewell-Rutter gives these familiar issues a fresh appraisal, arguing that tragedy is a medium that fuses the conceptual with the provoking and exciting of emotion, neither of which can be ignored if the texts are to be fully understood. He discusses in detail a wide range of tragedies and other Greek texts, paying particular attention to two closely related plays, the Seven against Thebes of Aeschylus and the Phoenician Women of Euripides, both of which dramatize the sorrows of the later generations of the House of Oedipus, but in very different, and perhaps complementary, ways. In his final chapter Sewell-Rutter uses these perspectives to refine his focus upon the familiar question of what it is for a human character in tragedy to take a decision and to act : are these actions his or her own, and can they properly be laid to the charge of their human originator? All Greek quotations are translated, making this study thoroughly accessible to the non-specialist reader."--Résumé de l'éditeur
Author | : Renaud Gagné |
Publisher | : Cambridge University Press |
Total Pages | : 567 |
Release | : 2013-11-07 |
Genre | : Literary Criticism |
ISBN | : 110743534X |
Ancestral fault is a core idea of Greek literature. 'The guiltless will pay for the deeds later: either the man's children, or his descendants thereafter', said Solon in the sixth century BC, a statement echoed throughout the rest of antiquity. This notion lies at the heart of ancient Greek thinking on theodicy, inheritance and privilege, the meaning of suffering, the links between wealth and morality, individual responsibility, the bonds that unite generations and the grand movements of history. From Homer to Proclus, it played a major role in some of the most critical and pressing reflections of Greek culture on divinity, society and knowledge. The burning modern preoccupation with collective responsibility across generations has a long, deep antecedent in classical Greek literature and its reception. This book retraces the trajectories of Greek ancestral fault and the varieties of its expression through the many genres and centuries where it is found.
Author | : Pieter d’Hoine |
Publisher | : Leuven University Press |
Total Pages | : 809 |
Release | : 2014-03-05 |
Genre | : Philosophy |
ISBN | : 9058679705 |
Essays on key moments in the intellectual history of the West This book forms a major contribution to the discussion on fate, providence and moral responsibility in Antiquity, the Middle Ages and Early Modern times. Through 37 original papers, renowned scholars from many different countries, as well as a number of young and promising researchers, write the history of the philosophical problems of freedom and determinism since its origins in pre-socratic philosophy up to the seventeenth century. The main focus points are classic Antiquity (Plato and Aristotle), the Neoplatonic synthesis of late Antiquity (Plotinus, Proclus, Simplicius), and thirteenth-century scholasticism (Thomas Aquinas, Henry of Ghent). They do not only represent key moments in the intellectual history of the West, but are also the central figures and periods to which Carlos Steel, the dedicatary of this volume, has devoted his philosophical career.
Author | : Arthur B. Coffin |
Publisher | : Edwin Mellen Press |
Total Pages | : 354 |
Release | : 1991 |
Genre | : Tragedy |
ISBN | : 9780773499034 |
A selection of essays on tragedy, this volume begins with the premise that any reading of tragedy can be stimulated and enriched by supplementary critical texts which have been selected for precisely those qualities that would enhance one's response to tragedy. The text attempts a reconstruction of the canon of the criticism of tragedy through a critical overview of traditional classical commentary, Russian Formalism, Reader Response Theory, Structuralism, Post-Structuralism, Deconstructionism, and Marxist criticism. Includes selections from the writings of Aristotle, Hegel, Nietzsche, Georg Lukacs, Arthur Miller, Karl Jaspers, Max Sheler, Laurence Michel, Henry Alonzo Myers, Northrop Frye, Albert C. Outler, and others.
Author | : Jan-Melissa Schramm |
Publisher | : Cambridge University Press |
Total Pages | : 309 |
Release | : 2012-06-21 |
Genre | : Literary Criticism |
ISBN | : 1139510835 |
Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another.
Author | : Jane Austen |
Publisher | : RD Bentley |
Total Pages | : 362 |
Release | : 1853 |
Genre | : English fiction |
ISBN | : |
Author | : Alex Woloch |
Publisher | : Princeton University Press |
Total Pages | : 404 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780691113135 |
Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory. Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The "character-space," as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation. Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory.
Author | : |
Publisher | : |
Total Pages | : 662 |
Release | : 1871 |
Genre | : Great Britain |
ISBN | : |
Author | : Robert C. Solomon |
Publisher | : Hackett Publishing |
Total Pages | : 360 |
Release | : 1993-01-01 |
Genre | : Philosophy |
ISBN | : 9780872202269 |
An abridged reprint of the Doubleday edition of 1976, with new preface and conclusion by the author.