Guerrilla Networks
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| Author | : Monroe Mann |
| Publisher | : AuthorHouse |
| Total Pages | : 276 |
| Release | : 2009-07-29 |
| Genre | : Business & Economics |
| ISBN | : 1449000363 |
GUERRILLA NETWORKING Traditional networking is all about "meeting people. ; The success you reap in life, however, is directly correlated tonot how many people you meetbut rather, how many people want to meet you. Guerrilla Networking is all about becoming the type of person other people want to meet. Learn how from both guerrilla marketing legend, Jay Conrad Levinson, and guerrilla networking originator Monroe Mann. Jay and Monroe have flipped the typical networking mentality on its headbut theyve landed right side upand so can you, if you read this book. Youre in for a wild ride.Michael Port, author of Book Yourself Solid An incredibly simple, and yet, original concept. The idea behind guerrilla networking makes perfect and logical sense. I recommend this book to all members of my networking organization.Dr. Ivan=2 0Misner, founder of BNI and NY Times bestselling author of Masters of Networking
| Author | : Michael Goddard |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Alternative mass media |
| ISBN | : 9789089648891 |
2. Armed Guerrilla Media Ecologies from Latin America to Europe -- Introduction: Contra 'Mass Mediated Terrorism' -- Revolution in the Revolution: The Urban Guerrilla Concept from Latin America to Europe and North America -- Brigate Rosse and Armed Struggle in Italy -- The 'Baader Meinhof Complex' and the June 2nd Movement -- Weather Variations: Weatherman, the Weather Underground, and the Symbionese Liberation Army -- 3. Autonomy Movements, the Nexus of 1977, and Free Radio -- Introduction: Radical Politics, Bifurcations, and the Event -- Italian Workerism and Autonomia -- 1977 as Nexus: The Movement of 1977, Creative Autonomia, and Punk -- Rebellious Radio from Marconi to Free Radios -- Media beyond 'Socialist Strategy': Enzensberger, Baudrillard, and the Genealogy of Radio Alice -- The Media Ecology of Radio Alice -- 4. Militant Anti-Cinemas, Minor Cinemas and the Anarchive Film -- Introduction: Destroying the (Cinema) Apparatus, Transforming the (Audiovisual) Machine -- Militant Anti-Cinemas in the 1970s -- Minor Anti-Cinemas: Anti Psychiatric, Heretical, Feminist, and Postcolonial -- The Counter-Public Sphere, Anarchival Film, and Documentary Symptomatologies -- 5. Ecologies of Radical and Guerrilla Television -- Introduction: Cinema/Television/Video or Cain vs. Abel Revisited -- Sonimage, Fassbinder, and Radical Auteur Television -- Ecologies of Guerrilla Television: Ant Farm, Raindance Corporation, TVTV, and Radical Software -- Conclusion: Terms of Cybernetic Warfare -- Endnotes -- Bibliography -- Key Film, Television, and Video Cited -- Index
| Author | : Karen Kampwirth |
| Publisher | : Penn State Press |
| Total Pages | : 185 |
| Release | : 2015-11-04 |
| Genre | : History |
| ISBN | : 0271075813 |
The revolutionary movements that emerged frequently in Latin America over the past century promoted goals that included overturning dictatorships, confronting economic inequalities, and creating what Cuban revolutionary hero Che Guevara called the "new man." But, in fact, many of the "new men" who participated in these movements were not men. Thousands of them were women. This book aims to show why a full understanding of revolutions needs to take account of gender. Karen Kampwirth writes here about the women who joined the revolutionary movements in Nicaragua, El Salvador, and the Mexican state of Chiapas, about how they became guerrillas, and how that experience changed their lives. In the last chapter she compares what happened in these countries with Cuba in the 1950s, where few women participated in the guerrilla struggle. Drawing on more than two hundred interviews, Kampwirth examines the political, structural, ideological, and personal factors that allowed many women to escape from the constraints of their traditional roles and led some to participate in guerrilla activities. Her emphasis on the experiences of revolutionaries adds a new dimension to the study of revolution, which has focused mainly on explaining how states are overthrown.
| Author | : Brian D. McKnight |
| Publisher | : LSU Press |
| Total Pages | : 422 |
| Release | : 2017-04-03 |
| Genre | : History |
| ISBN | : 0807164984 |
Throughout the Civil War, irregular warfare—including the use of hit-and-run assaults, ambushes, and raiding tactics—thrived in localized guerrilla fights within the Border States and the Confederate South. The Guerrilla Hunters offers a comprehensive overview of the tactics, motives, and actors in these conflicts, from the Confederate-authorized Partisan Rangers, a military force directed to spy on, harass, and steal from Union forces, to men like John Gatewood, who deserted the Confederate army in favor of targeting Tennessee civilians believed to be in sympathy with the Union. With a foreword by Kenneth W. Noe and an afterword by Daniel E. Sutherland, this collection represents an impressive array of the foremost experts on guerrilla fighting in the Civil War. Providing new interpretations of this long-misconstrued aspect of warfare, these scholars go beyond the conventional battlefield to examine the stories of irregular combatants across all theaters of the Civil War, bringing geographic breadth to what is often treated as local and regional history. The Guerrilla Hunters shows that instances of unorthodox combat, once thought isolated and infrequent, were numerous, and many clashes defy easy categorization. Novel methodological approaches and a staggering diversity of research and topics allow this volume to support multiple areas for debate and discovery within this growing field of Civil War scholarship.
| Author | : Jay Conrad Levinson |
| Publisher | : Entrepreneur Press |
| Total Pages | : 266 |
| Release | : 2010-08-31 |
| Genre | : Business & Economics |
| ISBN | : 1599183838 |
Provides more than one hundred practical ideas, action plans, and implementation steps to help businesses identify unconventional social media opportunities to increase online presence, attract customers, and improve profits.
| Author | : Jonathan Glynne |
| Publisher | : Universal-Publishers |
| Total Pages | : 574 |
| Release | : 2010-06 |
| Genre | : Art |
| ISBN | : 1599429063 |
Networks of Design maps a new methodological territory in design studies, conceived as a field of interdisciplinary inquiry and practice informed by a range of responses to actor network theory. It brings together a rich body of current work by researchers in the social sciences, technology, material culture, cultural geography, information technology, and systems design, and design theory and history. This collection will be invaluable to students and researchers in many areas of design studies and to design practitioners receptive to new and challenging notions of what constitutes the design process. Over ninety essays are thematically organised to address five aspects of the expanded notions of mediation, agency, and collaboration posited by network theory: Ideas, Things, Technology, Texts, and People. The collection also includes an important new essay on rethinking the concept of design by Bruno Latour, one of the most influential figures in the philosophy and sociology of science and technology and a pioneer of actor network theory, and essays deriving from forum discussions involving designers and designer-makers responsive to actor network theory. Rather than an anthology of previously-published essays, Networks of Design presents work in progress on design theory and its applications. It is the outcome of a live and vigorous debate on the possibilities and actualities offered by actor network led conceptualisations of the relationships and processes constituting design. All the essays, many collaborative, derive from papers presented at the international conference of the Design History Society held at University College Falmouth, UK in the Autumn of 2008.
| Author | : |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 1989-05-22 |
| Genre | : |
| ISBN | : |
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
| Author | : Matthew Applegate |
| Publisher | : Northwestern University Press |
| Total Pages | : 321 |
| Release | : 2019-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810140861 |
Guerrilla Theory examines the political, ontological, and technological underpinnings of the guerrilla in the digital humanities (DH). The figure of the guerrilla appears in digital humanities’ recent history as an agent of tactical reformation. It refers to a broad swath of disciplinary desires: digital humanities’ claim to collaborative and inclusive pedagogy, minimal and encrypted computing, and a host of minoritarian political interventions in its praxis, including queer politics, critical race studies, and feminist theory. In this penetrating study, Matthew Applegate uses the guerrilla to connect popular iterations of digital humanities’ practice to its political rhetoric and infrastructure. By doing so, he reorients DH’s conceptual lexicon around practices of collective becoming, mediated by claims to conflict, antagonism, and democratic will. Applegate traces Michael Hardt and Antonio Negri’s radical democratic ingresses into network theory, the guerrilla’s role in its discourse, and concerns for the digital humanities’ own invocation of the figure. The book also connects post- and decolonial, feminist, and Marxist iterations of DH praxis to the aesthetic histories of movements such as Latin American Third Cinema and the documentary cinema of the Black Panther Party. Concluding with a meditation on contemporary political modalities inherent in DH’s disciplinary expansion, Guerrilla Theory challenges the current political scope of the digital humanities and thus its future institutional impact.
| Author | : Jeff Goodwin |
| Publisher | : John Wiley & Sons |
| Total Pages | : 29 |
| Release | : 2014-10-13 |
| Genre | : Social Science |
| ISBN | : 1118729951 |
Providing a unique blend of cases, concepts, and essential readings The Social Movements Reader, Third Edition, delivers key classic and contemporary articles and book selections from around the world. Includes the latest research on contemporary movements in the US and abroad, including the Arab spring, Occupy, and the global justice movement Provides original texts, many of them classics in the field, which have been edited for the non-technical reader Combines the strengths of a reader and a textbook with selected readings and extensive editorial material Sidebars offer concise definitions of key terms, as well as biographies of famous activists and chronologies of several key movements Requires no prior knowledge about social movements or theories of social movements
| Author | : Jie Li |
| Publisher | : Columbia University Press |
| Total Pages | : 217 |
| Release | : 2023-12-26 |
| Genre | : Performing Arts |
| ISBN | : 023155639X |
Winner, 2024 Moving Image Book Award, Kraszna-Krausz Foundation How might cinema make revolution and mobilize the masses? In socialist China, the film exhibition network expanded from fewer than six hundred movie theaters to more than a hundred thousand mobile film projectionist teams. Holding screenings in improvised open-air spaces in rural areas lacking electricity, these roving projectionists brought not only films but also power generators, loudspeakers, slideshows, posters, live performances, and mass ritual participation, amplifying the era’s utopian dreams and violent upheavals. Cinematic Guerrillas is a media history of Chinese film exhibition and reception that offers fresh insights into the powers and limits of propaganda. Drawing on a wealth of archives, memoirs, interviews, and ethnographic fieldwork, Jie Li examines the media networks and environments, discourses and practices, experiences and memories of film projectionists and their grassroots audiences from the 1940s to the 1980s. She considers the ideology and practice of “cinematic guerrillas”—at once denoting onscreen militants, off-the-grid movie teams, and unruly moviegoers—bridging Maoist iconography, the experiences of projectionists, and popular participation and resistance. Li reconceptualizes socialist media practices as “revolutionary spirit mediumship” that aimed to turn audiences into congregations, contribute to the Mao cult, convert skeptics of revolutionary miracles, and exorcize class enemies. Cinematic Guerrillas considers cinema’s meanings for revolution and nation building; successive generations of projectionists; workers, peasants, and soldiers; women and ethnic minorities; and national leaders, local cadres, and cultural censors. By reading diverse, vivid, and often surprising accounts of moviegoing, Li excavates Chinese media theories that provide a critical new perspective on world cinema.
