Guangling Sword Volume 4
Author | : liping guo |
Publisher | : zhongzhun |
Total Pages | : 677 |
Release | : |
Genre | : Fiction |
ISBN | : 1304586316 |
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Author | : liping guo |
Publisher | : zhongzhun |
Total Pages | : 677 |
Release | : |
Genre | : Fiction |
ISBN | : 1304586316 |
Author | : Xi Luo |
Publisher | : Funstory |
Total Pages | : 1004 |
Release | : 2019-11-27 |
Genre | : Fiction |
ISBN | : 1647625858 |
In ancient times, when the Heavenly Soul Realm was created, the Heavenly Soul Realm fought against the Heavenly God in the Nine Astral Heavens. In ancient times, the Heavenly Soul Realm fought with the Heavenly God in the Nine Astral Heavens, causing the two to die.
Author | : Sui FengXinZiZai |
Publisher | : Funstory |
Total Pages | : 626 |
Release | : 2020-05-19 |
Genre | : Fiction |
ISBN | : 1649206542 |
"Nan Jun" Jiang Haonan and "Commander of the North" Hong Beifei were the most dazzling constellations in the martial arts world. They shone brightly like the sun and moon in the sky. Duo Xiong's confrontation between the North and the South became the main theme of this flourishing Jianghu. As a daughter of the Wangchuan City, the Overlord Flower, Qin Yue-er, had fled her marriage and fled to Zhenjiang in order to become a victim of the war between the Venerable families. The men of the four noble families poured into Zhenjiang, stirring up the martial arts world. Close]
Author | : Hyunhee Park |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2012-08-27 |
Genre | : History |
ISBN | : 1107018684 |
This book documents the relationship and wisdom of Asian cartographers in the Islamic and Chinese worlds before the Europeans arrived.
Author | : Stephen Owen |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 2741 |
Release | : 2015-11-13 |
Genre | : Literary Collections |
ISBN | : 150150195X |
The Complete Poetry of Du Fu presents a complete scholarly translation of Chinese literature alongside the original text in a critical edition. The English translation is more scholarly than vernacular Chinese translations, and it is compelled to address problems that even the best traditional commentaries overlook. The main body of the text is a facing page translation and critical edition of the earliest Song editions and other sources. For convenience the translations are arranged following the sequence in Qiu Zhao’an’s Du shi xiangzhu (although Qiu’s text is not followed). Basic footnotes are included when the translation needs clarification or supplement. Endnotes provide sources, textual notes, and a limited discussion of problem passages. A supplement references commonly used allusions, their sources, and where they can be found in the translation. Scholars know that there is scarcely a Du Fu poem whose interpretation is uncontested. The scholar may use this as a baseline to agree or disagree. Other readers can feel confident that this is a credible reading of the text within the tradition. A reader with a basic understanding of the language of Chinese poetry can use this to facilitate reading Du Fu, which can present problems for even the most learned reader.
Author | : David Rolston |
Publisher | : BRILL |
Total Pages | : 817 |
Release | : 2021-08-09 |
Genre | : History |
ISBN | : 9004463399 |
What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
Author | : Frederick Hok-Ming Cheung |
Publisher | : BRILL |
Total Pages | : 184 |
Release | : 1999 |
Genre | : History |
ISBN | : 9789622018501 |
Seven, diverse papers, written by ancient and medieval historians, are collected in this volume. These papers were presented at the academic conference "Politics and Religion in Ancient and Medieval Europe and Asia," organized by the Department of History and New Asia College of The Chinese University of Hong Kong in March 1996. Although the papers vary widely in the region and time-span, they are joined by their concern about the relationship between politics and different religions Christianity, Buddhism, Taoism and others in ancient and medieval Europe and Asia.
Author | : Lydia He Liu |
Publisher | : Columbia University Press |
Total Pages | : 326 |
Release | : 2013 |
Genre | : Art |
ISBN | : 023116291X |
The book repositions He-Yin Zhen as central to the development of feminism in China, juxtaposing her writing with fresh translations of works by two of her better-known male interlocutors. The editors begin with a detailed portrait of He-Yin Zhen's life and an analysis of her thought in comparative terms. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1873-1947) and Liang Qichao (1873-1929), to which He-Yin's work responds and with which it engages. Jin Tianhe, a poet and educator, and Liang Qichao, a philosopher and journalist, understood feminism as a paternalistic cause that "enlightened" male intellectuals like themselves should defend. Zhen counters with an alternative conception of feminism that draws upon anarchism and other radical trends in thought.
Author | : Kim Karlsson |
Publisher | : Paul Holberton Publishing |
Total Pages | : 326 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
Luo Ping is one of the most distinguished artists of later Chinese painting. The exhibition is the first comprehensive show devoted to this artist. It explores not only the art, but also the life of Luo Ping and how his teacher, his family and the cities of Yangzhou and Bejing shaped his life and career.
Author | : Zong-qi Cai |
Publisher | : Columbia University Press |
Total Pages | : 456 |
Release | : 2008 |
Genre | : History |
ISBN | : 0231139411 |
In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)