Griots and Griottes
| Author | : Thomas Albert Hale |
| Publisher | : |
| Total Pages | : 438 |
| Release | : 1998 |
| Genre | : Folklore |
| ISBN | : 9780253334589 |
A comprehensive illustrated portrait of griots and griottes including extensive reference materials.
Griots
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Digital Griots
| Author | : Adam J. Banks |
| Publisher | : SIU Press |
| Total Pages | : 207 |
| Release | : 2011-03-16 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0809330202 |
Scholar Adam J. Banks offers a mixtape of African American digital rhetoric in his innovative study Digital Griots: African American Rhetoric in a Multimedia Age. Presenting the DJ as a quintessential example of the digital griot-high-tech storyteller-this book shows how African American storytelling traditions and their digital manifestations can help scholars and teachers shape composition studies, thoroughly linking oral, print, and digital production in ways that centralize African American discursive practices as part of a multicultural set of ideas and pedagogical commitments. DJs are models of rhetorical excellence; canon makers; time binders who link past, present, and future in the groove and mix; and intellectuals continuously interpreting the history and current realities of their communities in real time. Banks uses the DJ's practices of the mix, remix, and mixtape as tropes for reimagining writing instruction and the study of rhetoric. He combines many of the debates and tensions that mark black rhetorical traditions and points to ways for scholars and students to embrace those tensions rather than minimize them. This commitment to both honoring traditions and embracing futuristic visions makes this text unique, as do the sites of study included in the examination: mixtape culture, black theology as an activist movement, everyday narratives, and discussions of community engagement. Banks makes explicit these connections, rarely found in African American rhetoric scholarship, to illustrate how competing ideologies, vernacular and academic writing, sacred and secular texts, and oral, print, and digital literacies all must be brought together in the study of African American rhetoric and in the teaching of culturally relevant writing. A remarkable addition to the study of African American rhetorical theory and composition studies, Digital Griots: African American Rhetoric in a Multimedia Age will compel scholars and students alike to think about what they know of African American rhetoric in fresh and useful ways.
Griots at War
| Author | : Barbara G. Hoffman |
| Publisher | : Indiana University Press |
| Total Pages | : 318 |
| Release | : 2001-06-08 |
| Genre | : History |
| ISBN | : 0253108934 |
Griots at War Conflict, Conciliation, and Caste in Mande Barbara G. Hoffman An extraordinary account of conflict and peacemaking among griots. "... a compelling study of how social identities and relationships are constructed and reconstructed through action, specifically through speech.... The book succeeds marvelously in conveying the voice of the people who are, in every sense of the word, its subject." -- Robert Launay In 1985, while she was an apprentice griot or jelimuso, Barbara G. Hoffman saw and recorded a remarkable event in the small town of Kita, Mali. For four days, thousands of griots from all parts of the Mande world gathered to talk, sing, and make music in celebration of the opening of the new Hall of Griots and the installation of the recently named Head Griot. This unprecedented assembly also marked the end of a deadly two-year conflict fought with griot weapons -- words, reputations, and sorcery. Hoffman captures griots making speeches, singing songs of praise, and dancing in honor of their restored unity. Her discerning interpretations of the speeches not only explore the art of griot oratory but show how the use of history, metaphor, religion, proverbs, and praise can mend a community torn apart by war. The speeches, often marked by a keen edge, also reveal what it means to be a griot in a casted society and to demand that other castes recognize and respect this unique identity. The griot's formidable linguistic abilities come to the fore as they negotiate, reestablish, and assert their cultural power. This exceptional book, including generous extracts from the griots' speeches in Mande and in translation, offers surprising and important insights into the multiple meanings of Mande culture, caste, and identity. Barbara G. Hoffman is Assistant Professor of Anthropology at Cleveland State University. She is author of many essays on Mande culture and producer of ethnographic videos on East and West African cultures. She is known to the Mande griot community as Jeli Jeneba Jabate. Contents Prologue: An Invitation to War Power and Paradox: Griots and Mande Social Organization In the Hands of Speech: Mande Discourse A History of Fadenya: Interpretations of the Kita Griot War Making Boundaries: When Griots Speak before Nobles Breaking Boundaries: When Nobles Speak before Griots The Healer Who Is Ill Must Swallow His Own Saliva: When Griots Speak to Griots Caste, Mande Style Epilogue: A Wound Cannot Heal on Pus
In Griot Time
| Author | : Banning Eyre |
| Publisher | : Temple University Press |
| Total Pages | : 284 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781566397599 |
A narrative of life among the griot musicians of Mali. Born into families where music and the tradition of griot story-telling are heritages and privileges, the musicians live their lives at the intersection of ancient traditions and the modern entertainment industry.
The Cinematic Griot
| Author | : Paul Stoller |
| Publisher | : University of Chicago Press |
| Total Pages | : 280 |
| Release | : 1992-06-15 |
| Genre | : Performing Arts |
| ISBN | : 9780226775463 |
The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film.
Jazz Griots
| Author | : Jean-Philippe Marcoux |
| Publisher | : Lexington Books |
| Total Pages | : 244 |
| Release | : 2012-06-27 |
| Genre | : Social Science |
| ISBN | : 0739166743 |
This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka.
The Griots of Oakland
| Author | : Angela Zusman |
| Publisher | : |
| Total Pages | : 183 |
| Release | : 2013-10 |
| Genre | : African American men |
| ISBN | : 9780988763111 |
What is it like being a young African American man? The media repeats the same stereotypes again and again, yet the reality is much more diverse. This eye-opening and beautifully presented book shares the voices and images of a group of young black men in Oakland, interviewed by their peers in a groundbreaking oral history project. The youth share their wisdom on a range of questions, organized by theme and accompanied by portrait photography and materials for further reflection. For students, educators, policy makers, and those who want to gain a better understanding of modern African American culture.
T Dot Griots
| Author | : Steven Green |
| Publisher | : Trafford Publishing |
| Total Pages | : 200 |
| Release | : 2004 |
| Genre | : Africans |
| ISBN | : 1553956311 |
Birthed at the popular open-mic series, La Parole, T-Dot Griots is an intimate journey through previously undocumented Canadian experiences, reporting from Toronto's black communities in fiction, poetry, articles, plays and songs. The book features contributions by over forty writers of African descent, either raised in or residing in Toronto. The griot is a West African storyteller, traditionally responsible for presiding over all of the important milestones in the life a community. T Dot Griots is a window into the communities occupied by black Canadian artists depicting their experiences living in the African diaspora. The griot carried the important function of preserving the community's history and culture through songs and recitations. Now transported across the Atlantic Ocean, non-traditional methods of expression emerge to document the existence of a little known group of people: the black community of Toronto. Toronto is widely acknowledged as the world's most culturally diverse city. T Dot Griots was produced to portray the rich cultural diversity existing within its African communities. The anthology brings together spoken word poets and PhD's, hip hop artists and playwrights, students and professionals. The book voices issues of racial inequality and immigrant experiences. It illustrates numerous spiritual vantage points and political commentaries. Most of all it is an unapologetically accurate representation of an ever growing canon of writers making Toronto their home, who wish to acknowledge the many facets of African-Canadian identity. Immerse yourself in the words, work and life of East, West and Southern Africans. Plunge into the hybridized dialect of Caribbean natives and descendents. Wade through generations of celebrated cast of Toronto's outspoken voices. Listen to the T Dot Griot tell the tale of the ages in a proudly Canadian style.
