Grief and Women Writers in the English Renaissance

Grief and Women Writers in the English Renaissance
Author: Elizabeth Hodgson
Publisher: Cambridge University Press
Total Pages: 207
Release: 2015
Genre: History
ISBN: 1107079985

This book examines the way in which early modern women writers conceived of grief and the relationship between the dead and the living.

World-Making Renaissance Women

World-Making Renaissance Women
Author: Pamela S. Hammons
Publisher: Cambridge University Press
Total Pages: 321
Release: 2021-12-02
Genre: Literary Criticism
ISBN: 1108924387

This book answers three simple questions. First, what mistaken assumptions do we make about the early modern period when we ignore women's literary contributions? Second, how might we come to recognise women's influence on the history of literature and culture, as well as those instances of outright pathbreaking mastery for which they are so often responsible? Finally, is it possible to see some women writers as world-makers in their own right, individuals whose craft cut into cultural practice so incisively that their shaping authority can be traced well beyond their own moment? The essays in this volume pursue these questions through intense archival investigation, intricate close reading, and painstaking literary-historical tracking, tracing in concrete terms sixteen remarkable women and their world-shaping activities.

Grief and Women Writers in the English Renaissance

Grief and Women Writers in the English Renaissance
Author: Elizabeth Hodgson
Publisher:
Total Pages:
Release: 2014
Genre: LITERARY CRITICISM
ISBN: 9781316204672

"Grief and Women Writers in the English Renaissance anatomizes the era's powerful but troubling links between the forgettable dead and the living mourners who are implicated in the same oblivion. Four major women writers from 1570 to 1670 construct these difficult bonds between the spectral dead and the liminal mourner. Mary Sidney Herbert, Countess of Pembroke, reinvents the controversial substitutions of aristocratic funerals. New Protestant ideologies of the sainted dead connect devotional mourning and patronage in Aemelia Lanyer's writing. Mary Wroth's verse enacts a uniquely exalted, imaginative melancholy in which Jacobean subjects dissolve into their mourning artifacts. Among the precarious political mourners of the later half of the period, Katherine Philips's lyric verse plays the shell game of private grief. Forgetting, being forgotten, and being dead are risks that the dead and the living ironically share in these central texts by the English Renaissance's most illustrious women writers"--

The Encyclopedia of English Renaissance Literature, 3 Volume Set

The Encyclopedia of English Renaissance Literature, 3 Volume Set
Author: Garrett A. Sullivan, Jr.
Publisher: John Wiley & Sons
Total Pages: 1335
Release: 2012-01-30
Genre: Literary Criticism
ISBN: 1405194499

Featuring entries composed by leading international scholars, The Encyclopedia of English Renaissance Literature presents comprehensive coverage of all aspects of English literature produced from the early 16th to the mid 17th centuries. Comprises over 400 entries ranging from 1000 to 5000 words written by leading international scholars Arranged in A-Z format across three fully indexed and cross-referenced volumes Provides coverage of canonical authors and their works, as well as a variety of previously under-considered areas, including women writers, broadside ballads, commonplace books, and other popular literary forms Biographical material on authors is presented in the context of cutting-edge critical discussion of literary works. Represents the most comprehensive resource available for those working in English Renaissance literary studies Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities

Speaking Grief in English Literary Culture

Speaking Grief in English Literary Culture
Author: Margo Swiss
Publisher: Pittsburgh, Pa. : Duquesne University Press
Total Pages: 384
Release: 2002
Genre: Literary Collections
ISBN:

Grief is a universal emotion expressed in response to numerous forms of loss or bereavement. Expressing grief has been subject to varying degrees of religious and social constraint in different periods of history and in different cultures and traditions. This collection of 12 essays by both established and newer scholars explores the question of grief expression in a wide variety of writers and genres in the period from Shakespeare to Milton. Contributors examine lyric poems and plays as well as prose works such as sermons, diaries, and medical treatises to disclose the challenges faced by writers of both sexes in dealing with the trauma of loss. The roots of grief expression in personal experience or collective loss, or as described in scientific speculation or literary forms, demonstrate both the complexity and the centrality of this subject in the social and literary history of the period. Actors debate the topic of sorrow, poets wrestle with decorum and sincerity, women diarists confide their private feelings, clerics admonish the grieving with the consolations of faith, and writers discover the limitations of language and articulation in seeking to express sorrow. In the aftermath of deconstructive analyses of literature, there has been a discernible turn toward rediscovering the emotional textures of literature. The subject of grief is a good example of this trend, and this collection is one of the first efforts to address this theme in relation to a specific period of literary history.

Renaissance Woman

Renaissance Woman
Author: Ramie Targoff
Publisher:
Total Pages: 353
Release: 2018-04-17
Genre: Art
ISBN: 0374140944

A biography of Vittoria Colonna, a confidante of Michelangelo, the scion of one of the most powerful families of her era, and a pivotal figure in the Italian Renaissance Ramie Targoff’s Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist’s best friend—the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy—but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d’Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city’s most explosively creative era. Art and literature flourished, but political and religious life were under terrific strain. Personally involved with nearly every major development of this period—through both her marriage and her own talents—Vittoria was not only a critical political actor and negotiator but also the first woman to publish a book of poems in Italy, an event that launched a revolution for Italian women’s writing. Vittoria was, in short, at the very heart of what we celebrate when we think about sixteenth-century Italy; through her story the Renaissance comes to life anew.

Weeping Britannia

Weeping Britannia
Author: Thomas Dixon
Publisher: Oxford University Press, USA
Total Pages: 451
Release: 2015
Genre: History
ISBN: 0199676054

There is a persistent myth about the British: that they are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia--the first history of crying in Britain--comprehensively debunks this myth. Far from being a persistent element in the national character, the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of the nation's past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which Britons express and understand their emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.

The Politics of Female Alliance in Early Modern England

The Politics of Female Alliance in Early Modern England
Author: Christina Luckyj
Publisher: U of Nebraska Press
Total Pages: 285
Release: 2017-12-01
Genre: History
ISBN: 149620199X

Introduction -- The politics of women's "domestic" alliances. Distaff power: plebeian female alliances in early modern England / Bernard Capp -- Between women: slanderous speech and neighborly bonds in Henry Porter's The two angry women of Abington / Ronda Arab -- The political role of the gossip in Swetnam the woman-hater, arraigned by women / Megan Inbody -- Virtual and actual female alliance in The maid's tragedy and The tamer tamed / Niamh J. O'Leary -- Failed alliances and miserable marriages in Katherine Philips's letters / Elizabeth Hodgson -- Women's alliances and the politics of the court. Performing patronage, crafting alliances: ladies' lotteries in English pageantry / Elizabeth Zeman Kolkovich -- Tyrants, love, and ladies' eyes: the politics of female-boy alliance on the Jacobean stage Roberta Barker -- Her advocate to the loudest: Arbella Stuart and female courtly alliance in The winter's tale / Alicia Tomasian -- Not sparing kings: Aemilia Lanyer and the religious politics of female alliance / Christina Luckyj -- The politics of female kinship. Shakespeare revises Juliet, the nurse, and Lady Capulet in Romeo and Juliet / Steven Urkowitz -- Crossing generations: female alliances and dynastic power in Anne Clifford's great books of record / Jessica l. Malay -- Exilic inspiration and the captive life: the literary/political alliances of the Cavendish sisters / Jennifer Higginbotham -- Afterword / Susan Frye and Karen Robertson

Biblical women in early modern literary culture, 1550–1700

Biblical women in early modern literary culture, 1550–1700
Author: Victoria Brownlee
Publisher: Manchester University Press
Total Pages: 399
Release: 2016-05-16
Genre: Literary Criticism
ISBN: 1526110628

At once pervasive and marginal, appealing and repellent, exemplary and atypical, the women of the Bible provoke an assortment of readings across early modern literature. Biblical women in early modern literary culture, 1550–1700 draws attention to the complex ways in which biblical women’s narratives could be reimagined for a variety of rhetorical and religious purposes. Considering a confessionally diverse range of writers, working across a variety of genres, this volume reveals how women from the Old and New Testaments exhibit an ideological power that frequently exceeds, both in scope and substance, their associated scriptural records. The essays explore how the Bible’s women are fluidly negotiated and diversely redeployed to offer (conflicting) comment on issues including female authority, speech and sexuality, and in discussions of doctrine, confessional politics, exploration and grief. As it explores the rich ideological currency of the Bible’s women in early modern culture, this volume demonstrates that the Bible’s women are persistently difficult to evade.

Weeping Britannia

Weeping Britannia
Author: Thomas Dixon
Publisher: OUP Oxford
Total Pages: 320
Release: 2015-09-10
Genre: History
ISBN: 0191663573

There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which we express and understand our emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.