Grettirs Saga
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Author | : |
Publisher | : University of Toronto Press |
Total Pages | : 227 |
Release | : 2001-12-15 |
Genre | : Literary Collections |
ISBN | : 1442655453 |
Profound and intriguing, Grettir's Saga is the last of the great Icelandic sagas. It tells of the life and death of Grettir, a great rebel, individualist, and romantic hero viewed unromantically. Grettir spends his childhood violently defying authority: as a youth of sixteen he kills a man and is outlawed; all the rest of his life he devotes, with remarkable composure, to fighting more and more formidable enemies. He pits himself against bears, berserks, wraiths, trolls, and finally, it seems, the whole population of Iceland. Yet he is not a bloodthirsty killer, but only a man who is totally unwilling to compromise. As a result of his desire for freedom, he becomes increasingly isolated, although he wishes to live in society, and indeed can hardly bear solitude. Driven back and forth from Iceland to Norway, harried around Iceland, he continually flees subjection and confinement only to find a perilous freedom beset both by the external hazards of a new land and by the internal hazards of loneliness and pride. He escapes to freedom and finds destruction. He finally meets his death in his last refuge on the top of an unscalable island near the northern tip of Iceland. Grettir's Saga has several themes. One of them is the conflict between the Christian world and the survival of the pagan world, as sorcery or heroic pride; the other is the conflict between man's desire for individual freedom and the restrictive bond imposed by society. This translation is the first into English since 1914; it is based on a more accurate Icelandic text than the earlier translations, and, unlike them, is unexpurgated and in unarchaic English. The saga has an especial modern relevance - a recent translation into Czech reached the top of the best-seller list. The present volume includes genealogies, a study of the legal system, and a critical assessment of the work.
Author | : |
Publisher | : OUP Oxford |
Total Pages | : 336 |
Release | : 2009-06-11 |
Genre | : Social Science |
ISBN | : 019280152X |
A sweeping epic of the Viking Age, Grettir's Saga follows the life of the outlaw Grettir the Strong as he battles against sorcery, bad luck, and the vengefulness of his enemies. Among the most famous and widely read of Iceland's sagas, this new translation features extensive illustrative material to elucidate the story.
Author | : Anonymous |
Publisher | : DigiCat |
Total Pages | : 207 |
Release | : 2022-08-10 |
Genre | : Fiction |
ISBN | : |
'The Saga of Grettir the Strong' is one of the Icelanders' sagas. It details the life of Grettir Ásmundarson, a bellicose Icelandic outlaw. The first part of the story primarily focuses on how Grettir's viking great-grandfather Onundur Tree-foot escaped Norway to settle in Iceland after fighting in the Battle of Hafrsfjord against the first king of Norway Harald Fairhair.
Author | : |
Publisher | : |
Total Pages | : 342 |
Release | : 1869 |
Genre | : Legends |
ISBN | : |
Author | : Denton Fox |
Publisher | : University of Toronto Press |
Total Pages | : 227 |
Release | : 1974-01-01 |
Genre | : Literary Criticism |
ISBN | : 0802061656 |
Grettir's saga is the last of the great Icelandic sagas. It tells the life and death of Grettir, a great rebel, individualist, and romantic hero. This volume includes genealogies and a study of the legal system.
Author | : |
Publisher | : Penguin UK |
Total Pages | : 254 |
Release | : 2005-05-26 |
Genre | : Fiction |
ISBN | : 0141937920 |
Composed at the end of the fourteenth century by an unknown author, The Saga of Grettir the Strong is one of the last great Icelandic sagas. It relates the tale of Grettir, an eleventh-century warrior struggling to hold on to the values of a heroic age becoming eclipsed by Christianity and a more pastoral lifestyle. Unable to settle into a community of farmers, Grettir becomes the aggressive scourge of both honest men and evil monsters - until, following a battle with the sinister ghost Glam, he is cursed to endure a life of tortured loneliness away from civilisation, fighting giants, trolls and berserks. A mesmerising combination of pagan ideals and Christian faith, this is a profoundly moving conclusion to the Golden Age of the saga writing.
Author | : William Pencak |
Publisher | : BRILL |
Total Pages | : 202 |
Release | : 2022-02-22 |
Genre | : Law |
ISBN | : 9004463844 |
The world's longest lasting republic between ancient Rome and modern Switzerland, medieval Iceland (c. 870-1262) centered its national literature, the great family sagas, around the problem of can a republic survive and do justice to its inhabitants. The Conflict of Law and Justice in the Icelandic Sagas takes a semiotic approach to six of the major sagas which depict a nation of free men, abetted by formidable women, testing conflicting legal codes and principles - pagan v. Christian, vengeance v. compromise, monarchy v. republicanism, courts v. arbitration. The sagas emerge as a body of great literature embodying profound reflections on political and legal philosophy because they do not offer simple solutions, but demonstrate the tragic choices facing legal thinkers (Njal), warriors (Gunnar), outlaws (Grettir), women (Gudrun of Laxdaela Saga), priests (Snorri of Eyrbyggja Saga), and the Icelandic community in its quest for stability and a good society. Guest forewords by Robert Ginsberg and Roberta Kevelson, set the book in the contexts of philosophy, semiotics, and Icelandic studies to which it contributes.
Author | : |
Publisher | : |
Total Pages | : 296 |
Release | : 1914 |
Genre | : |
ISBN | : |
Author | : Andy Orchard |
Publisher | : University of Toronto Press |
Total Pages | : 370 |
Release | : 2003-12-15 |
Genre | : Literary Criticism |
ISBN | : 1442659009 |
Monsters and the monstrous, whether from the remote pagan past or the new world of Christian Latin learning, haunted the Anglo-Saxon imagination in a variety of ways. In this series of detailed studies, Andy Orchard demonstrates the changing range of Anglo-Saxon attitudes towards the monstrous by reconsidering the monsters of Beowulf against the background of early medieval and patristic teratology and with reference to specific Anglo-Saxon texts. The immediate manuscript context of the monsters in Beowulf is analysed, shedding light on the poet's treatment of the theme of the monstrous and its integration into his work, and a series of parallel discussions consider a range of medieval treatments of the same theme in a variety of analogous texts (all provided with translation), in Latin, Old English, Middle Irish, and Old Icelandic. The twin themes of pride and prodigies are suggested by tracing changing attitudes towards the concept of pride and establishing a close link between the proud pagan warriors depicted in Christian tradition and the monsters they fight, and with whom they become increasingly identified. An appendix contains new editions and translations (some for the first time in English) of the Liber Monstrorum, The Letter of Alexander to Aristotle, and The Wonders of the East. Originally published in 1995 by Boydell & Brewer.
Author | : Gareth Lloyd Evans |
Publisher | : Oxford University Press |
Total Pages | : 227 |
Release | : 2019-01-10 |
Genre | : Literary Criticism |
ISBN | : 0192566857 |
This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of Icelanders—and taking into account a number of little-studied sagas as well as the more well-known works—it comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. Men and Masculinities in the Sagas of Icelanders elucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with insights drawn from sociological theories of hegemonic and subordinated masculinities, notions of homosociality and performative gender, and psychoanalytic frameworks, the book brings to men and masculinities in saga literature the same scrutiny traditionally brought to the study of women and femininities. Ultimately, the volume demonstrates that masculinity is not simply glorified in the sagas, but is represented as being both inherently fragile and a burden to all characters, masculine and non-masculine alike.