Greguerías
Author | : Ramón Gómez de la Serna |
Publisher | : |
Total Pages | : 234 |
Release | : 1982 |
Genre | : Literary Collections |
ISBN | : |
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Author | : Ramón Gómez de la Serna |
Publisher | : |
Total Pages | : 234 |
Release | : 1982 |
Genre | : Literary Collections |
ISBN | : |
Author | : Ramón Gómez de la Serna |
Publisher | : |
Total Pages | : 184 |
Release | : 1944 |
Genre | : Aphorisms and apothegms |
ISBN | : |
Author | : Ramón Gómez de la Serna |
Publisher | : |
Total Pages | : 190 |
Release | : 1943 |
Genre | : Aphorisms and apothegms |
ISBN | : |
Author | : Miguel Gonzalez-Gerth |
Publisher | : Tamesis |
Total Pages | : 204 |
Release | : 1986 |
Genre | : Literary Criticism |
ISBN | : 9780729302340 |
Author | : Ben Grant |
Publisher | : Routledge |
Total Pages | : 229 |
Release | : 2016-05-20 |
Genre | : Literary Criticism |
ISBN | : 1134104650 |
The aphorism captures a huge amount of truth, meaning or wit in a very short statement. It has been used and studied from classical times to contemporary theory and takes on a new relevance when we look at today’s communication media such as text messages and twitter. This concise guide offers an overview of: The history of the aphorism to the present day Its relation to other short forms, including the fragment, the proverb, the maxim, the haiku, the epigram and the quotation The use of the aphorism by authors such as Heraclitus, Bacon, La Rochefoucauld, Chuang Tzu, Blake, Schlegel, Emerson, Nietzsche, Wilde, Woolf and Barthes The interdisciplinary nature of the aphorism, bringing together science, philosophy, literature and religion Exploring all the key aspects of the form, Ben Grant guides readers through this large and lively area in a wide-ranging and critically informed study of the aphorism.
Author | : Nicolás Fernández-Medina |
Publisher | : Liverpool University Press |
Total Pages | : 118 |
Release | : 2024-10-15 |
Genre | : Biography & Autobiography |
ISBN | : 1835538835 |
Ramón Gómez de la Serna (1888-1963) was one of Spain’s most gifted avant-gardists. Oftentimes remembered as the inventor of the greguería—a type of witty and humorous epigram that recasts the commonplace and absurdities of everyday reality—he was a prolific writer and published dozens of novels, essays, short stories, articles, editorials, and biographies throughout his life. Two of his major works—the autobiography Morbidities (1908), and the manifesto “The Concept of the New Literature” (1909)—belong to his earliest period of experimentation. These two early works are of singular importance not only in understanding his development as an avant-gardist, but also in analyzing Spanish literature within the broader framework of European avant-garde culture. With prescient clarity, they highlight many of the aesthetic notions that would revolutionize experimental literature throughout the modernist period. This book offers the first complete English translation of Morbidities and “The Concept of the New Literature,” and it introduces anglophone readers to some of Gómez de la Serna’s most passionate ideas about modernity and “new literature.”
Author | : Andrew Debicki |
Publisher | : University Press of Kentucky |
Total Pages | : 395 |
Release | : 2021-12-14 |
Genre | : Poetry |
ISBN | : 0813189934 |
Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.
Author | : Ramón Gómez de la Serna |
Publisher | : |
Total Pages | : 220 |
Release | : 1989 |
Genre | : Literary Criticism |
ISBN | : |
An important collection of around 500 aphorisms (greguer�as), which are a landmark of innovative literary technique akin to that of Futurism. Ram�n G�mez de la Serna introduced Spain to European avant-garde literature with this new genre, presented here in a stunningly thorough representation of an influential form and including an in-depth analysis by the translator. The book also includes a list of other works by G�mez de la Serna in English translation, two brief bibliographies, and a keyword index.
Author | : James Geary |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 452 |
Release | : 2008-12-08 |
Genre | : Language Arts & Disciplines |
ISBN | : 1596917881 |
Both an expert and a collector, James Geary has devoted his life to aphorisms-and the last few years to organizing, indexing, and even translating them. The result is Geary's Guide, featuring aphorists like Voltaire, Twain, Shakespeare, Nietzsche, Woody Allen, Muhammad Ali, Emily Dickinson, and Mae West, as well as international practitioners appearing in English for the first time. But it is more than just a conventional anthology. It is also an encyclopedia, containing brief biographies of each author in addition to a selection of his or her aphorisms. The book is a field guide, too, with aphorists organized into eight different "species," such as Comics, Critics & Satirists; Icons & Iconoclasts; and Painters & Poets. The book's two indexes-by author and by subject-make it easily searchable, while its unique organizational structure and Geary's lively biographical entries set it apart from all previous reference works. A perfect follow-up to Geary's New York Times bestseller The World in a Phrase, Geary's Guide is eminently suitable for browsing or for sustained reading. A comprehensive guide to our most intimate, idiosyncratic literary form, the book is an indispensable tool for writers and public speakers as well as essential reading for all language lovers.
Author | : Zenia Sacks DaSilva |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 411 |
Release | : 2014-07-24 |
Genre | : Social Science |
ISBN | : 1443864722 |
They say that laughter is a purely human phenomenon, so exclusively ours that we brook no intruders except, of course, for the laughing hyena, the laughing jackass (officially known as the kookaburra bird of Australia), laughing matters, laughing gas, or the perennial laughing stock. But what is humor, that funny thing so varied in its colors and tones, so encompassing in its themes, so different from time to time and place to place? And when we poke fun, at whom are we really laughing? At Whom Are We Laughing? Humor in Romance Language Literatures is the selective product of a multi-national gathering of scholars sponsored by Hofstra University in Hempstead, New York, to explore humor across the centuries in the literatures of Italy, France, Romania, the Iberian Peninsula and its diaspora. The volume contains thirty-one scholarly and interpretative papers on diverse aspects of their wit, provocative aspects that are, for the most part, little known to the general reader. Precisely because of its scope and diversity, its appeal should extend beyond academia into the libraries of the intellectually curious, be they English speakers or not, be they specialists in humanities, psychology, society and culture, or merely interested amateurs who frequent the many new humor societies and clubs that abound in the world of today.