Greek Orthodox Music In Ottoman Istanbul
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| Author | : Merih Erol |
| Publisher | : Indiana University Press |
| Total Pages | : 289 |
| Release | : 2015-12-07 |
| Genre | : Music |
| ISBN | : 0253018420 |
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion
| Author | : Mehmet Ali Sanlıkol |
| Publisher | : Taylor & Francis |
| Total Pages | : 297 |
| Release | : 2023-03-31 |
| Genre | : Music |
| ISBN | : 1000861007 |
Reform, Notation and Ottoman Music in Early 19th Century Istanbul: EUTERPE presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to the 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman Music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology.
| Author | : Tom Papademetriou |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 273 |
| Release | : 2015 |
| Genre | : Business & Economics |
| ISBN | : 019871789X |
Render Unto the Sultan revolutionizes the way we think about Ottoman administration of non-Muslims, and seeks to avoid false impressions ranging from oppression and intolerance to equally false impressions of peaceful coexistence and harmony. By reading Greek Orthodox subjects into the Ottoman social and economic context, this volume challenges the received wisdom of the Ottoman 'Millet System', and fills the void by offering an alternative account ofchurch-state relations that are more in line with Ottoman methods of conquest and rule.
| Author | : Leda Papastefanaki |
| Publisher | : Berghahn Books |
| Total Pages | : 478 |
| Release | : 2020-07-01 |
| Genre | : History |
| ISBN | : 1789206979 |
As was the case in many other countries, it was only in the early years of this century that Greek and Turkish labour historians began to systematically look beyond national borders to investigate their intricately interrelated histories. The studies in Working in Greece and Turkey provide an overdue exploration of labour history on both sides of the Aegean, before as well as after the fall of the Ottoman Empire. Deploying the approaches of global labour history as a framework, this volume presents transnational, transcontinental, and diachronic comparisons that illuminate the shared history of Greece and Turkey.
| Author | : Professor Jim Samson |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 221 |
| Release | : 2015-10-28 |
| Genre | : Music |
| ISBN | : 140946573X |
This edited collection draws its authors from both sides of the island to give a rounded picture of musical culture from the beginning of the British colonial period until today. The authors consider: what is the role of different musics in defining national, regional, social and cultural identities in Cyprus; how do Cypriot alterities illuminate European projects of modernity; what has been the impact of westernization and modernization (and, conversely, of orientalization) on music in Cyprus? The book will be of interest to academics working in historical musicology, ethnomusicology, and the history and anthropology of Cyprus and of the entire Greek-Anatolian region.
| Author | : Laura Almagor |
| Publisher | : Manchester University Press |
| Total Pages | : 254 |
| Release | : 2022-08-02 |
| Genre | : History |
| ISBN | : 152616115X |
Global biographies provides an advanced and comprehensive analytical framework for historians to use biography as a method to write global history. Moving beyond the state-of-the-art, the volume defines and operationalises three uniquely tailored approaches to global biographies: ‘time and periodisation’, ‘exceptional normal’ and ‘space and scales’. From Icelandic communists and Jewish medical students, via Zambian Third Worldism and Albanian nationalism, to the Black/White Atlantic and Australian internationalists, the volume tests the prospects and pitfalls of the approaches it launches.
| Author | : Polina Tambakaki |
| Publisher | : Routledge |
| Total Pages | : 304 |
| Release | : 2019-09-23 |
| Genre | : History |
| ISBN | : 1351995502 |
The national element in music has been the subject of important studies, yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory and modern Greek studies), who investi- gate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the ‘national’ in different cultures, shedding new light on ideologies and mechanisms of cultural policies.
| Author | : Rachel Goshgarian |
| Publisher | : Academic Studies PRess |
| Total Pages | : 533 |
| Release | : 2023-03-28 |
| Genre | : History |
| ISBN | : 164469848X |
It would not be an overstatement to say that Cemal Kafadar has transformed the field of Ottoman history. As a result of his pathbreaking books and articles, the field is experiencing a turn within itself as well as recasting its relationship with world history. This volume acts as a tribute to Kafadar and the important interdisciplinary work he has both done and inspired in the field. In line with the intellectual pluralism that Kafadar has cultivated over his career, readers will find a number of articles engaging with a wide range of questions, approaches, perspectives, and sources across Ottoman history. Kafadar's students and friends, individually or in pairs, researched and crafted contributions to this volume with a variety of conceptual premises, theoretical approaches, and interpretive tools to celebrate his thirty years of teaching, research, and mentorship, in addition to the overwhelming generosity of his intellectual and personal engagement.
| Author | : Nikos Ordoulidis |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 225 |
| Release | : 2021-01-14 |
| Genre | : Music |
| ISBN | : 1501369466 |
This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establishment of the contemporary Greek state. During the 1940s and 1950s, a selective exoneration of urban popular music took place, one of its most popular cases being the originating relationships between two extremely popular musical pieces: Vasilis Tsitsanis's “Synnefiasmeni Kyriaki” (Cloudy Sunday) and its descent from the hymn “Ti Ypermacho” (The Akathist Hymn). During this period the connection of these two pieces was forged in the Modern Greek conscience, led by certain key figures in the authority system of the scholarly world. Through analysis of these pieces and the surrounding contexts, Ordoulidis explores the changing role and perception of popular music in Greece.
| Author | : Rachel Harris |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 2017-11-20 |
| Genre | : Music |
| ISBN | : 1351752154 |
This volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Wright’s work, which comprises, at the time of writing, six field-defining volumes and countless articles, has reconfigured the relationship between historical musicology and ethnomusicology. No account of the transformation of these fields in recent years can afford to ignore his work. Ranging across the Middle East, Central Asia and North India, this volume brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers’ reports and descriptions of instruments, on musical institutions and other spaces of musical performance. An introduction provides an overview and critical discussion of Wright’s major publications. The central chapters cover the geographical regions and historical periods addressed in Wright’s publications, with particular emphasis on Ottoman and Timurid legacies. Others discuss music in Greece, Iraq and Iran. Each explores historical continuities and discontinuities, and the constantly changing relationships between music theory and practice. An edited interview with Owen Wright concludes the book and provides a personal assessment of his scholarship and his approach to the history of the music of the Islamic Middle East. Extending the implications of Wright’s own work, this volume argues for an ethnomusicology of the Islamic Middle East in which past and present, text and performance are systematically in dialogue.
