Graveyard London
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| Author | : Gian Luca Amadei |
| Publisher | : Routledge |
| Total Pages | : 142 |
| Release | : 2021-12-19 |
| Genre | : Architecture |
| ISBN | : 1000521516 |
This book explores how Victorian cemeteries were the direct result of the socio-cultural, economic and political context of the city, and were part of a unique transformation process that emerged in London at the time. The book shows how the re-ordering of the city’s burial spaces, along with the principles of health and hygiene, were directly associated with liberal capital investments, which had consequences in the spatial arrangement of London. Victorian cemeteries, in particular, were not only a solution for overcrowded graveyards, they also acted as urban generators in the formation London’s suburbs in the nineteenth century. Beginning with an analysis of the conditions that triggered the introduction of the early Victorian cemeteries in London, this book investigates their spatial arrangement, aesthetics and functions. These developments are illustrated through the study of three private Victorian burial sites: Kensal Green Cemetery, Highgate Cemetery and Brookwood Cemetery. The book is aimed at students and researchers of London history, planning and environment, and Victorian and death culture studies.
| Author | : Hugh Meller |
| Publisher | : The History Press |
| Total Pages | : 600 |
| Release | : 2011-07-01 |
| Genre | : Travel |
| ISBN | : 0752496905 |
London Cemeteries is a comprehensive guide to all 126 cemeteries within Greater London. Listed alphabetically and with a map to help locate them, for each cemetery it includes the address, the date of foundation, the owner, the size, a note on its history, development, and current state, and the names, dates, and major achievements of any noteworthy people buried there. There are also chapters on the origins of London's cemeteries and cemetery history, planning, archicecture, and epitaphs. Illustrated throughout with both modern photographs and a wide range of rarely seen archive images, it is an essential source of information for anyone interested in London's social and architectural history, as well as biographical and genealogical researchers.
| Author | : John Rogers |
| Publisher | : Harper Collins |
| Total Pages | : 366 |
| Release | : 2014-04-22 |
| Genre | : Travel |
| ISBN | : 0007557183 |
Join John Rogers as he ventures out into an uncharted London like a redbrick Indiana Jones in search of the lost meaning of our metropolitan existence. Nursing two reluctant knees and a can of Stella, he perambulates through the seasons seeking adventure in our city’s remote and forgotten reaches.
| Author | : Paul Talling |
| Publisher | : Random House |
| Total Pages | : 250 |
| Release | : 2019-07-11 |
| Genre | : Social Science |
| ISBN | : 1473560233 |
______________________________ The huge word-of-mouth bestseller – completely updated for 2019 THE LONDON THAT TOURISTS DON’T SEE Look beyond Big Ben and past the skyscrapers of the Square Mile, and you will find another London. This is the land of long-forgotten tube stations, burnt-out mansions and gently decaying factories. Welcome to DERELICT LONDON: a realm whose secrets are all around us, visible to anyone who cares to look . . . Paul Talling – our best-loved investigator of London’s underbelly – has spent over fifteen years uncovering the stories of this hidden world. Now, he brings together 100 of his favourite abandoned places from across the capital: many of them more magnificent, more beautiful and more evocative than you can imagine. Covering everything from the overgrown stands of Leyton Stadium to the windswept alleys of the Aylesbury Estate, DERELICT LONDON reveals a side of the city you never knew existed. It will change the way you see London. ______________________________ PRAISE FOR THE DERELICT LONDON PROJECT ‘Fascinating images showing some of London’s eeriest derelict sites show another side to the busy, built-up capital.’ Daily Mail ‘Talling has managed to show another side to the capital, one of abandoned buildings that somehow retain a sense of beauty.’ Metro ‘Excellent . . . As much as it is an inadvertent vision of how London might look after a catastrophe, DERELICT LONDON is valuable as a document of the one going on right in front of us.’ New Statesman ‘From the iconic empty shell of Battersea Power Station to the buried ‘ghost’ stations of the London Underground, the city is peppered with decaying buildings. Paul Talling knows these places better than anyone in the capital.’ Daily Express ‘[London has an] unusual (and deplorable) number of abandoned buildings. Paul Talling’s surprise bestseller, DERELICT LONDON, is their shabby Pevsner.’ Daily Telegraph ______________________________
| Author | : Mrs. Basil Holmes |
| Publisher | : |
| Total Pages | : 348 |
| Release | : 1896 |
| Genre | : Cemeteries |
| ISBN | : |
| Author | : Lewis Foreman |
| Publisher | : Yale University Press |
| Total Pages | : 390 |
| Release | : 2005-01-01 |
| Genre | : Music |
| ISBN | : 9780300104028 |
The essential companion to musical London
| Author | : Peter Stanford |
| Publisher | : A&C Black |
| Total Pages | : 272 |
| Release | : 2013-04-11 |
| Genre | : Religion |
| ISBN | : 1441132759 |
Death is the one certainty in life, yet, with the decline of religion in the West, we have become collectively reluctant to talk about it. Our contemporary rituals seek to sanitise death and distance us from our own inevitable fate. If we want to know how previous generations dealt with death, graveyards (famous and not) tell us the history -- if we are able to read them. If we want to know how we struggle today with understanding or facing up to death, then graveyards provide a starting point. And, if we want to escape the present taboo on acknowledging our mortality and contemplate our own end, then graveyards offer a rare welcome. From Neolithic mounds to internet memorials via medieval corpse roads and municipal cemeteries, war graves and holocaust memorials, Roman catacombs, Pharaonic grave-robbers, Hammer horrors, body-snatchers, Days of the Dead, humanist burials and flameless cremations, Stanford shows us how to read a graveyard, what to look out for in our own, and how even the most initially unpromising exploration can enthral. This enhanced edition includes suggestions of over 40 graveyards and cemeteries to visit in the UK and beyond, a photographic tour of Saint Margaret's Cemetery, Burnham Norton and an audio tour by the author of Paddington Old Cemetery, London.
| Author | : John Constable |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 399 |
| Release | : 2016-08-08 |
| Genre | : Performing Arts |
| ISBN | : 1849438536 |
“I was born a Goose of Southwark by the Grace of Mary Overie,Whose Bishop gives me licence to sin within The Liberty.In Bankside stews and taverns you can hear me honk right daintily,As I unlock the hidden door, unveil the Secret History.” The Liberty of the Clink dates back to 1107 when the Bishop of Winchester was granted a stretch of the Southwark Bankside, which lay outside the law of the City of London. Here, the Bishop controlled the brothels, or stews. The whores of The Liberty were known as Winchester Geese. The Vision Books of The Southwark Mysteries were first revealed by The Goose to John Crow, trickster-familiar of the poet and playwright John Constable, on 23rd November 1996. In these apocalyptic verses, John Crow encounters The Goose at Crossbones, the whores’ graveyard unearthed during work on the Jubilee Line Extension. She initiates him into a secret history spanning 2,000 years – a vision of the Spirit in the flesh, the Sacred in the profane, Eternity in time. This vision informs The Mystery Plays, a contemporary “Southwark Cycle” rooted in the medieval mysteries, retelling sacred stories in the earthy language and context of our own time and place. This epic drama was first performed in Shakespeare’s Globe and Southwark Cathedral on Easter Sunday, 23rd April 2000. A new production was presented in Southwark Cathedral in 2010. The third part of the work is a Glossolalia of local history and esoteric lore to be read in conjunction with the poems and plays.
| Author | : Peter Ross |
| Publisher | : Headline |
| Total Pages | : 288 |
| Release | : 2020-09-03 |
| Genre | : Social Science |
| ISBN | : 147226780X |
A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020) 'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' -The Sunday Times 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*) 'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*) 'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*) 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath.
| Author | : Eric Parisot |
| Publisher | : Routledge |
| Total Pages | : 195 |
| Release | : 2016-04-22 |
| Genre | : Literary Criticism |
| ISBN | : 1317124901 |
While immensely popular in the eighteenth century, current critical wisdom regards graveyard poetry as a short-lived fad with little lasting merit. In the first book-length study of this important poetic mode, Eric Parisot suggests, to the contrary, that graveyard poetry is closely connected to the mid-century aesthetic revision of poetics. Graveyard poetry's contribution to this paradigm shift, Parisot argues, stems from changing religious practices and their increasing reliance on printed material to facilitate private devotion by way of affective and subjective response. Coupling this perspective with graveyard poetry’s obsessive preoccupation with death and salvation makes visible its importance as an articulation or negotiation between contemporary religious concerns and emerging aesthetics of poetic practice. Parisot reads the poetry of Robert Blair, Edward Young and Thomas Gray, among others, as a series of poetic experiments that attempt to accommodate changing religious and reading practices and translate religious concerns into parallel reconsiderations of poetic authority, agency, death and afterlife. Making use of an impressive body of religious treatises, sermons and verse that ground his study in a precise historical moment, Parisot shows graveyard poetry's strong ties to seventeenth-century devotional texts, and most importantly, its influential role in the development of late eighteenth-century sentimentalism and Romanticism.
