Grahams American Monthly Magazine Of Literature Art And Fashion Vol 47
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Graham's Magazine
Author | : George R. Graham |
Publisher | : |
Total Pages | : 1224 |
Release | : 1855 |
Genre | : Literature |
ISBN | : |
Union List of Serials in Libraries of the United States and Canada
Author | : Winifred Gregory Gerould |
Publisher | : |
Total Pages | : 1596 |
Release | : 1927 |
Genre | : Bibliographical literature |
ISBN | : |
Early American Sport
Author | : Robert William Henderson |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 318 |
Release | : 1977 |
Genre | : Reference |
ISBN | : 9780838616772 |
An indispensable guide and checklist for sports historians and collectors of sports publications. It has attempted to include everything printed concerning sports by both American and foreign authors that was published in the United States or Canada prior to 1860.
Hispanicism and Early US Literature
Author | : John C. Havard |
Publisher | : University of Alabama Press |
Total Pages | : 223 |
Release | : 2018-04-10 |
Genre | : History |
ISBN | : 0817319778 |
Havard terms the discourse emerging from these reflections "Hispanicism." This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest. Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism.
American Mass-Market Magazines
Author | : Alan Nourie |
Publisher | : Greenwood |
Total Pages | : 632 |
Release | : 1990-03-23 |
Genre | : Business & Economics |
ISBN | : |
This volume provides concise, in-depth histories of 106 of the most significant mass-market or general magazines in the United states--both active periodicals and those which have ceased publication. Included are magazines of wide audience appeal (e.g., People) as well as major tabloids, Sunday supplement magazines, regional magazines, and the most widely read publications devoted to specific audiences (e.g., Mechanix Illustrated) with a circulation of over 100,000. Emphasizes the modern mass-market periodical, but thirty-three titles have been included that were established or whose entire existence occurred in the 19th century. Profiles are arranged alphabetically by magazine title with cross references to title variations. In many instances, the history included here is the only source of information on the magazine covered. In others, large amounts of material written over the years have been consolidated, and along with accompanying bibliographies serve as a definitive source on the magazines in question. Locations have been provided in cases that might prove problematic. An indispensable resource for journalism students and researchers.
Sculpture at the Ends of Slavery
Author | : Caitlin Meehye Beach |
Publisher | : Univ of California Press |
Total Pages | : 236 |
Release | : 2022-11-15 |
Genre | : Art |
ISBN | : 0520390105 |
From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake.